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The publication of J.C. Beckett's The making of modern Ireland in 1966 was a milestone in the modern study of Irish history. A new generation of students has since built on Beckett's insights and has added new questions and problems to the historical agenda. These essays represent the fruits of more recent scholarship. They have all been produced in response to the establishment in 1999 by Four Courts Press of a prize to honor the work of J.C. Beckett. They concentrate on the emergence of modern Ireland from the late 18th century to the 20th, dealing not only with traditional themes of political change but also less explored subjects including emigration, preaching, the role of women and the workings of the law. These essays reflect some of the most important work being undertaken in Irish history today and taken together chart some of the areas being developed in the new understanding of how modern Ireland was made.
Draws from a wide range of disciplines to bring together 36 leading scholars writing about 400 years of modern Irish history
This volume brings together distinguished historians of Ireland, each of whom tackles a key question, issue or event in Irish history since the eighteenth century and: * examines its historiography * assesses the context of new interpretations * considers the strengths and weaknesses of revisionist ideas * offers their own interpretation. Topics covered are not only of historical interest but, in the context of recent revisionist debates, of contemporary political significance. These original contributions take account of new evidence and perspectives, as well as up-to-date historical methodology. Their combination of synthesis and analysis represent a valuable guide to the present state of the writing of modern Irish history.
In 1945, the Irish Catholic Church began a unique relationship with the entertainment industry through an organization known as the Catholic Stage Guild of Ireland. This Guild, whose members included Jimmy O’Dea, Noel Purcell, Cyril Cusack, and Gabriel Fallon, acted as a microcosm of twentieth-century Ireland, dramatically depicting the heartaches and successes of the Irish Catholics. This unprecedented study of the Catholic Stage Guild begins an investigation on the contemporary relationship between the Irish Catholic Church and theatre that, until now, has rarely been examined. Written for those interested in theatre studies, Catholic studies, and Irish studies, the Catholic Stage Guild of Ireland’s persuasion over the theatre population both within and outside the country’s borders proposes a story long overdue to be told – until now.
This collection of essays demonstrates in vivid detail how a range of formal and informal networks shaped the Irish experience of emigration, settlement and the construction of ethnic identity in a variety of geographical contexts since 1750. It examines topics as diverse as the associational culture of the Orange Order in the nineteenth century to
'Technically this book is a masterly achievement: the collection, sorting, selecting and balancing of material has meant an immense amount of hard and highly skilful work. The presentation is not only learned but cool, objective, unimpassioned and yet almost always alive and compassionate as well . . . As a reference book alone it is immensely valuable . . . As an example of a humane, scholarly, expert history, Professor Beckett's book will be difficult to surpass.' D. B. Quinn, Belfast Telegraph '[He] has brilliantly succeeded. The book is admirably constructed and written with clarity and economy which carry the narrative unflaggingly through to the end . . . This excellent book supersedes all previous histories of modern Ireland.' F. S. L. Lyons, New Statesman
During the eighteenth-century Enlightenment, Scotland and England produced such well-known figures as David Hume, Adam Smith, and John Locke. Ireland’s contribution to this revolution in Western thought has received much less attention. Offering a corrective to the view that Ireland was intellectually stagnant during this period, The Irish Enlightenment considers a range of artists, writers, and philosophers who were full participants in the pan-European experiment that forged the modern world. Michael Brown explores the ideas and innovations percolating in political pamphlets, economic and religious tracts, and literary works. John Toland, Francis Hutcheson, Jonathan Swift, George Berkeley, Edmund Burke, Maria Edgeworth, and other luminaries, he shows, participated in a lively debate about the capacity of humans to create a just society. In a nation recovering from confessional warfare, religious questions loomed large. How should the state be organized to allow contending Christian communities to worship freely? Was the public confession of faith compatible with civil society? In a society shaped by opposing religious beliefs, who is enlightened and who is intolerant? The Irish Enlightenment opened up the possibility of a tolerant society, but it was short-lived. Divisions concerning methodological commitments to empiricism and rationalism resulted in an increasingly antagonistic conflict over questions of religious inclusion. This fracturing of the Irish Enlightenment eventually destroyed the possibility of civilized, rational discussion of confessional differences. By the end of the eighteenth century, Ireland again entered a dark period of civil unrest whose effects were still evident in the late twentieth century.
Exploring the nature of pious reforms in such areas as liturgy, saint cults, pilgrimage, confraternities, hymns, and Bible translation during the "long nineteenth century."
The changing methods of crop and livestock production during the 'Age of Improvement' in Ireland, and some of the ways in which they shaped rural society and the landscape. It shows how sensible farmers were, in developing systems and techniques that fitted their resources, or lack of them, making Ireland a major agricultural producer, and overcoming huge environmental and social obstacles to ensure the survival of millions of people. -- Publisher description
The emergence of revolutionary Irish nationalism in the mid-nineteenth century.