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A rollicking tell-all from golf super-agent, Hughes Norton, detailing everything from his life-changing work with Tiger Woods and Greg Norman to his thoughts on golf’s current money-grab era. The ultimate read for fans of Alan Shipnuck, Bob Harig, and Michael Bamberger. When twenty-one-year-old Tiger Woods stunned the world by winning The Masters by a mind-blowing twelve strokes, the first thing he did was embrace the three most important people in his life: his father, his mother, and Hughes Norton. At the peak of his career, agent Norton earned a million-dollar salary, flew to all corners of the world in first class, and enjoyed a lifestyle nearly as lavish as his A-list clients. That dizzying success, however, came at a high price. The seventy-hour work weeks, constant travel, and intense pressure—both from his players and their corporate partners—took Norton away from his family and ultimately led to divorce. At the same time, in an effort to protect his players and his career, he found himself making ethical and moral choices he would later regret. Soon, he realized he had made as many enemies as friends. Now, in Rainmaker, Norton draws back the curtain on his meteoric rise and abrupt fall. With never-before-told stories and exclusive insights, he discusses what it was like being Tiger’s first agent, his time representing the narcissistic Greg Norman, and shining a bright light on his sudden—and controversial—ouster as the head of IMG’s Golf Division—a juggernaut he helped build. This is an engaging and unforgettable memoir that explores golf as never before.
Why has monarchy been such a prevalent institution throughout history and in such a diverse range of societies? Kingship is at the heart of both ritual and politics and has major implications for the theory of social and cultural anthropology. Yet, despite the contemporary fascination with royalty, anthropologists have sorely neglected the subject in recent decades. This book combines a strong theoretical argument with a wealth of ethnography from kingships in Africa, Asia and the Pacific. Quigley gives a timely and much-needed overview of the anthropology of kingship and a crucial reassessment of the contributions of Frazer and Hocart to debates about the nature and function of royal ritual. From diverse fieldwork sites, a number of eminent anthropologists demonstrate how ritual and power intertwine to produce a series of variations around myth, tragedy and historical realities. However, underneath this diversity, two common themes invariably emerge: the attempt to portray kingship as timeless and perfect, and the dual nature of the king as sacred being and scapegoat.
"A fascinating history of a wonderful old theatre." - Hume Cronyn In September of 1901 London’s New Grand Opera House flung open its doors. Boasting a beautiful interior design, and with the most modern stage equipment available, the theatre was large enough to accommodate over 1,700 patrons and the largest touring shows of the time. With impresario Ambrose J. Small at the helm, a new era in theatrical entertainment began. Throughout the next hundred years, the Grand Theatre hosted everything from stock companies to minstrel shows, from vaudeville to star-studded productions. The celebrated amateur theatre company, London Little Theatre, made The Grand its home for decades. As Canadian theatre came into its own in the 1970s, The Grand embraced professional theatre status. Throughout all these changes The Grand has remained London’s "Grand Old Lady of Richmond Street." Legendary performers from the past, including the Marks Brothers, Anna Pavlova and John Gielgud have graced its vast stage, as have such contemporary stage stars as Hume Cronyn, William Hutt and Martha Henry. This extensively researched book, lavishly illustrated, lovingly documents the life of The Grand. Theatre stories from every decade of The Grand’s colourful life abound throughout. To read this book is to come to know London’s Grand Theatre in all its architectural splendour and its legacy in Canadian theatre history.
In his remarkable memoir, at once frank, audacious, canny, and revealing, Michael Korda, the author of Charmed Lives and Queenie, does for the world of books what Moss Hart did for the theater in Act One, and succeeds triumphantly in making publishing seem as exciting (and as full of great characters) as the stage. Another Life is not just an adventure--the engaging and often hilarious story of a young man making his career--but the insider's story of how a cottage industry metamorphosed into a big business, with sometimes alarming results for all concerned. Korda writes with grace, humor, and a shrewd eye, not only about himself and his rise from a lowly (but not humble) assistant editor reading the "slush pile" of manuscripts to a famous editor in chief of a major publishing house, but also about the celebrities and writers with whom he worked over four decades. Here are portraits--rare, intimate, always keenly observed--of such larger-than-life figures as Ronald Reagan, affable and good-natured but the most reluctant of authors, struggling with his "ghosted" presidential autobiography; Richard Nixon, seen here as a genial, if bizarrely detached, host; superagent Irving Lazar, pursuing his endless deals and dreams of "class"; retired Mafia boss Joseph Bonanno, the last of the old-time dons, laboring over his own version of his life in his desert retreat; Joan Crawford, giving Korda her rules for successful living; and countless other greats, near greats, and would-be greats. Here too are famous writers, sometimes eccentric, sometimes infuriating, sometimes lost souls, captured memorably by someone who was close to them for years: Graham Greene, in pursuit of his FBI file and a Nobel Prize; Tennessee Williams, wrestling unsuccessfully with his demons; Jacqueline Susann, facing and conquering the dreaded "second-novel syndrome" after the stunning success of Valley of the Dolls; Harold Robbins (who had to be guarded under lock and key and made to finish his novels), struggling to keep the IRS at bay from the deck of his yacht; Carlos Castaneda, at his most sorcerously charming, described--at last--in detail, as he really was, by one of the few people who knew him well; not to mention Richard Adams, Will and Ariel Durant, Susan Howatch, S. J. Perelman, Fannie Hurst, Larry McMurtry, and many, many more. Parts of this book that have appeared in The New Yorker over the years have brought Korda great acclaim--the chapter about Jacqueline Susann has been made into a major motion picture. Here at last, entertaining and provocative and always hugely readable, is the whole story--a book as engaging and full of life as Korda's highly acclaimed memoir of his family, Charmed Lives, about which Irwin Shaw wrote: "I don't know when I have enjoyed a book more."
Rainmaking Made Simple: What Every Professional Must Know is the definitive how-to guide for professionals on growing their business. It demystifies the process of building client relationships, making it simple to grasp, retain, and put into practice.
In this fourth edition of a social work standard, Leon Ginsberg and Julie Miller-Cribbs offer an updated version of the text that has introduced thousands of social work students to the defining policies and procedures of the profession. Concise yet comprehensive, the volume surveys the span of social welfare history, explains the elements of social welfare policy education, and describes the impact of executive, legislative, and judicial initiatives on the delivery of social services.
With his dream of eventually becoming a television star, Josh embarks on a journey that takes him from New York to California. Along the way he peels away the trappings of who he was and transitions into whom he thought he wanted to become. But he succeeds too well. And when his television character never rises above the same sparse hackneyed dialogue and stock dramatic gestures, he struggles to free himself from the stagnation of that role and implements a bold and daring strategy that strives to bring more meaning to his career and, consequently, to his life. But he learns that in having denied who he was, the repercussions are far greater than he ever imagined.
The two-volume set CCIS 713 and CCIS 714 contains the extended abstracts of the posters presented during the 19th International Conference on Human-Computer Interaction, HCI International 2017, held in Vancouver, BC, Canada, in July 2017. HCII 2017 received a total of 4340 submissions, of which 1228 papers were accepted for publication after a careful reviewing process. The 177 papers presented in these two volumes were organized in topical sections as follows: Part I: Design and evaluation methods, tools and practices; novel interaction techniques and devices; psychophisiological measuring and monitoring; perception, cognition and emotion in HCI; data analysis and data mining in social media and communication; ergonomics and models in work and training support. Part II: Interaction in virtual and augmented reality; learning, games and gamification; health, well-being and comfort; smart environments; mobile interaction; visual design and visualization; social issues and security in HCI.
It’s Nashville and someone wants to kill Bunny’s much older husband, a prominent attorney, the law firm’s public face—its rainmaker. Rollins discovers that the motive for murder can be found in the numbers. As they close in on the villain’s identity, Rollins and his team race against the clock to unravel the killer’s final desperate plan.