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Europe is increasingly multi-ethnic and multi-faith, as well as multi-cultural. Western democracies now comprise a plurality of fundamental opinions and inherited cultures; it is not clear how (or if!) they can be related to each other without involving either oppression or anarchy. This debate requires historical understanding and a contemporary grasp of the points at issue amongst different cultures. By virtue of their proximity and frequent historical interaction, Britain and France lend themselves to comparative study. The studies in this volume collectively demonstrate that the affairs of religious minorities in these two countries were not only of concern to themselves and their national established churches. Rather, over a long-term period, they had a sustained impact on many other issues. All chapters illustrate the problematic shift from a persecutory to a pluralistic mentality.
This book sheds light on the career of Samuel Prideaux Tregelles, and in doing so touches on numerous aspects of nineteenth-century British and European religious history. Several recent scholars have celebrated the 200th anniversary of the German textual critic Tischendorf but Tregelles, his contemporary English rival, has been neglected, despite his achievements being comparable. In addition to his decisive contribution to Biblical textual scholarship, this study of Tregelles’ career sheds light on developments among Quakers in the period, and Tregelles’s enthusiastic involvement with the early nineteenth-century Welsh literary renaissance usefully supplements recent studies on Iolo Morganwg. The early career of Tregelles also gives valuable fresh detail to the origins of the Plymouth Brethren, (in both England and Italy) the study of whose early history has become more extensive over the last twenty years. The whole of Tregelles’s career therefore illuminates neglected aspects of Victorian religious life.
Examines in detail the contexts of Brahms's masterpiece and demonstrates that, contrary to recent consensus, it was performed and received as an inherently Christian work during the composer's life.