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Beyond the Threshold is the first book to seriously consider the interplay between traditional world religions and metaphysical experiences in exploring the timeless question of what happens when we die. Christopher M. Moreman examines and compares the beliefs and practices of Judaism, Christianity, Islam, Hinduism, Buddhism, Confucianism, and Taoism, as well as psychic phenomena such as mediums and near-death experiences. While ultimately the afterlife remains unknowable, Moreman's unique, in-depth exploration of both beliefs and experiences can help readers reach their own understanding of the afterlife and how to live.
This collection of essays considers the development and meaning of the iconostasis, the screen used in churches to separate the sanctuary from the nave. The contributors approach the history of the icon screen from a variety of disciplines, including art history, theology, and architecture.
Who is Hindu, who is Muslim? The answer, according to Dominique-Sila Khan, is not as simple as generally assumed. By analyzing documentary sources as well as original field data, she examines the shaping of religious identities in South Asia, particularly in North India. The author argues that the perception of Islam and Hinduism as two monolithic and perpetually antagonistic faiths coexisting uneasily in South Asia has become so deeply ingrained that the complexity of the historical fabric is often overlooked or ignored. She demonstrates how the emergence of clear-cut categories is a comparatively recent phenomenon, and shows how the past is characterized by a remarkable fluidity and diversity in the social and religious milieus of the two faiths. In exploring the historical mechanisms that have led to the emergence and crystallization of religious identities the author sheds light on the increasing number of conflicts which threaten the harmonious co-existence of South Asian communities today.
A great international bestseller, the book in which, on the eve of the millennium, Pope John Paul II brings to an accessible level the profoundest theological concerns of our lives. He goes to the heart of his personal beliefs and speaks with passion about the existence of God; about the dignity of man; about pain, suffering, and evil; about eternal life and the meaning of salvation; about hope; about the relationship of Christianity to other faits and that of Catholicism to other branches of the Christian faith.With the humility and generosity of spirit for which he is known, John Paul II speaks directly and forthrightly to all people. His message: Be not afraid!
The last few decades have seen a revolution in debates about the rationality of Christian belief. Among the array of current options for justifying religious belief, however, nearly every one assumes that a general theory of knowing and a minimal version of theism must be adopted before the rationality of Christian belief can be tackled. In Crossing the Threshold of Divine Revelation William J. Abraham confronts both of these assumptions, arguing that epistemology must begin with its particular target of inquiry in Abraham s case the full-blooded canonical theism of the early, undivided Christian church. He argues, moreover, that special divine revelation forms a crucial threshold at the entrance to the epistemology of Christian belief. Sure to intrigue philosophers, theologians, and curious students, Abraham s robust vision of Christian faith provides a creative solution to many of the current difficulties in philosophy and theology.
An important and strikingly beautiful new study of the sacred and ancient Hindu practice of threshold drawing (Casebound set of two hardcover volumes)
In Thresholds, Marcel Cobussen rethinks the relationship between music and spirituality. The book presents an idea of spirituality in and through music that counters strategies of exclusion and mastering of alterity and connects it to wandering, erring, and roving. Cobussen regards spirituality as a (non)concept that escapes categorization, classification, and linguistic descriptions. Spirituality is a-topological, non-discursive and a manifestation of 'otherness'. And it is precisely music (or better: listening to music) that induces these thoughts. By carefully encountering, analysing, and evaluating certain examples from classical, jazz, pop and world music it is possible to detach spirituality from concepts of otherworldliness and transcendentalism.
Sacred Thresholds. The Door to the Sanctuary in Late Antiquity offers a far-reaching account of boundaries within pagan and Christian sanctuaries: gateways in a precinct, outer doors of a temple or church, inner doors of a cella. The study of these liminal spaces within Late Antiquity – itself a key period of transition during the spread of Christianity, when cultural paradigms were redefined – demands an approach that is both interdisciplinary and diachronic. Emilie van Opstall brings together both upcoming and noted scholars of Greek and Latin literature and epigraphy, archaeology, art history, philosophy, and religion to discuss the experience of those who crossed from the worldly to the divine, both physically and symbolically. What did this passage from the profane to the sacred mean to them, on a sensory, emotive and intellectual level? Who was excluded, and who was admitted? The articles each offer a unique perspective on pagan and Christian sanctuary doors in the Late Antique Mediterranean.