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Everyone loves family reunions. Well everyone except Russell, whose family of big, brawny, and boisterous wrestlers has him on the run in this vibrant celebration of what it means to be a family. When the Relatives Came meets Wrestlemania in debut author Cindy Chambers Johnson’s rollicking picture book about a family reunion with a most colorful cast of characters—from Lorry and Tory (the Twin Tornadoes) to Cousin Cora “The Cleaner” to Uncle “el monstruo” Marcoy. Family reunions mean lots of hugging, handshaking, and hair tousling. And Russell’s relatives? Well, they are more…enthusiastic than most. BIGGER than most. BRAWNIER than most. They’re wrestlers! Skinny and scrawny Russell will have to meet, greet, and defeat this clan with some spectacular moves of his own!
From the renowned author of Sweetness in the Belly, The Beauty of Humanity Movement and This Is Happy, comes a bold, urgent and richly imagined novel about what it means to be a family in our modern world. Lila is on a long, painful journey toward motherhood. Tess and Emily are reeling after their ugly separation and fighting over ownership of the embryos that were supposed to grow their family together. And thousands of miles away, the unknown man who served as anonymous donor to them all is being held in captivity in Somalia. While his life remains in precarious balance, his genetic material is a source of both creation and conflict. What does it mean to be a family in our rapidly shifting world? What are our responsibilities to each other with increasing options for how to create a family? As these characters grapple with life-altering changes, they will find themselves interconnected in ways they cannot have imagined, and forced to redefine what family means to them.
While preparing for a visit from some relatives--and even after they arrive--Bubba and Beau want nothing more than to sink their paws into the squishy, squashy mud hole.
From the renowned author of Sweetness in the Belly, The Beauty of Humanity Movement and This Is Happy, comes a bold, urgent and richly imagined novel about what it means to be a family in our modern world. Lila is on a long, painful journey toward motherhood. Tess and Emily are reeling after their ugly separation and fighting over ownership of the embryos that were supposed to grow their family together. And thousands of miles away, the unknown man who served as anonymous donor to them all is being held in captivity in Somalia. While his life remains in precarious balance, his genetic material is a source of both creation and conflict. What does it mean to be a family in our rapidly shifting world? What are our responsibilities to each other with increasing options for how to create a family? As these characters grapple with life-altering changes, they will find themselves interconnected in ways they cannot have imagined, and forced to redefine what family means to them.
The "black family" in the United States and the Caribbean often holds contradictory and competing meanings in public discourse: on the one hand, it is a site of love, strength, and support; on the other hand, it is a site of pathology, brokenness, and dysfunction that has frequently called forth an emphasis on conventional respectability if stability and social approval are to be achieved. Looking at the ways in which contemporary African American and black Caribbean women writers conceptualize the black family, Susana Morris finds a discernible tradition that challenges the politics of respectability by arguing that it obfuscates the problematic nature of conventional understandings of family and has damaging effects as a survival strategy for blacks. The author draws on African American studies, black feminist theory, cultural studies, and women’s studies to examine the work of Paule Marshall, Jamaica Kincaid, Edwidge Danticat, and Sapphire, showing how their novels engage the connection between respectability and ambivalence. These writers advocate instead for a transgressive understanding of affinity and propose an ethic of community support and accountability that calls for mutual affection, affirmation, loyalty, and respect. At the core of these transgressive family systems, Morris reveals, is a connection to African diasporic cultural rites such as dance, storytelling, and music that help the fictional characters to establish familial connections.
All My Relatives demonstrates the significance of a new animist framework for understanding North American indigenous culture and history and how an expanded notion of personhood serves to connect otherwise disparate and inaccessible elements of Lakota ethnography.
The co-author of Making Peace with Your Parents explains how to cope with diificult relatives--from critical in-laws to troublemaking siblings and children--providing straightforward advice on how to counter the toxic influence of such individuals, alleviate tense family disagreements, and transform get-togethers into occasions for sharing. Reprint. 20,000 first printing.
Thirty-five years after its initial success as a form of technologically assisted human reproduction, and five million miracle babies later, in vitro fertilization (IVF) has become a routine procedure worldwide. In Biological Relatives, Sarah Franklin explores how the normalization of IVF has changed how both technology and biology are understood. Drawing on anthropology, feminist theory, and science studies, Franklin charts the evolution of IVF from an experimental research technique into a global technological platform used for a wide variety of applications, including genetic diagnosis, livestock breeding, cloning, and stem cell research. She contends that despite its ubiquity, IVF remains a highly paradoxical technology that confirms the relative and contingent nature of biology while creating new biological relatives. Using IVF as a lens, Franklin presents a bold and lucid thesis linking technologies of gender and sex to reproductive biomedicine, contemporary bioinnovation, and the future of kinship.
Soon to be a major motion picture starring Dakota Fanning Like Brick Lane and The Kite Runner, Camilla Gibb’s widely praised new novel is a poignant and intensely atmospheric look beyond the stereotypes of Islam. After her hippie British parents are murdered, Lilly is raised at a Sufi shrine in Morocco. As a young woman she goes on pilgrimage to Harar, Ethiopia, where she teaches Qur’an to children and falls in love with an idealistic doctor. But even swathed in a traditional headscarf, Lilly can’t escape being marked as a foreigner. Forced to flee Ethiopia for England, she must once again confront the riddle of who she is and where she belongs.
This volume is an original and important contribution to the study of the earliest Palestinian Jewish Christianity. For the first time all the evidence for the role which relatives of Jesus played in the early church is assembled and assessed. Dr. Bauckham discusses a wide range of evidence, not only from the New Testament but also from the Church Fathers, the New Testament Apocrypha, rabbinic literature and Palestinian archaeology. The letter of Jude, in particular, proves to have much to teach us about the theology of the brothers of Jesus and their circle. It illuminates their exegetical methods and their Christology and shows both to have been influential contributions to the development of early Christianity. This study shows that this neglected New Testament book is far more important for the study of early Christianity than has hitherto been recognized. By setting the letter of Jude within the context of the evidence for the role of relatives of Jesus in the early church, new insights can be revealed into the letter and early Jewish Christianity.