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Paul Vermeersch’s new poems give a present-day voice to primitive song, and restore to us a dawn-time severity that cuts through modern evasions. They go beyond sophistication to reveal the passionate and suffering animal within. The Reinvention of the Human Hand is a poetry of the human body’s experience, of a primal being that struggles to assert itself, or perhaps just survive, in a world of metals, plastics, electronics. Here is the most far-reaching work yet by the acclaimed author of Burn, The Fat Kid, and Between the Walls. Vermeersch has always gone in search of understanding. Now his discoveries speak of a human world exhausted by its divorce from an animal past, terrified of retreating into early places it never truly left, astonished by the forgotten possibilities disclosed there.
Break the rules and take charge of your career! The traditional job-search approaches just don't work anymore, and the days of trusting your career to your employer are long over. The new-millennium workplace requires all of us to rewrite the rules and start treating our careers like we're running a business—which means understanding the markets for our talents, knowing our value, and looking out over the horizon to plot our paths going forward. Liz Ryan is a former Fortune 500 HR SVP and the world's most widely read workplace thought leader. She understands the recruiting system as only an insider can, and she shows you how to stay focused on your goals and distinguish yourself from masses of job seekers. In Reinvention Roadmap, you'll discover new tools, such as a "Pain Letter" and your "Human-Voiced Resume" to land not just any job, but a job that celebrates your unique talents and takes you to the level where you want to be. Whether you're entering the workplace or looking to switch careers, you can get the perfect job if you step off the beaten path and follow the approaches insiders use to gain access to the best positions. Reinvention Roadmap is the colorful, fun, irreverent, and deeply practical guide to getting the job you want and building the career of your dreams.
The author reinvented his career using the techniques shared in this work. What you are holding in your hand, the concepts and anecdotes, is what he used to find his way through the chaos of change and onto the path of new opportunity and success. It's the book he wish he'd had in his hands twenty years ago. He's hoping it will help you.
A stunning tour de force from one of Canada's most groundbreaking poets. Don't Let It End Like This Tell Them I Said Something - Paul Vermeersch's fifth collection of poetry - is, as its title suggests, a lyrical meditation on written language and the end of civilization. It combines centos, glosas, erasures, text collage, and other forms to imagine a post-apocalyptic literature built, or rebuilt, from the rubble of the texts that came before.
A footprint materializes mysteriously on a deserted shore; a giant helmet falls from the sky; a traveler awakens to find his horse dangling from a church steeple. Eighteenth-century fiction brims with moments such as these, in which the prosaic rubs up against the marvelous. While it is a truism that the period's literature is distinguished by its realism and air of probability, Eighteenth-Century Fiction and the Reinvention of Wonder argues that wonder is integral to—rather than antithetical to—the developing techniques of novelistic fiction. Positioning its reader on the cusp between recognition and estrangement, between faith and doubt, modern fiction hinges upon wonder. Eighteenth-Century Fiction and the Reinvention of Wonder unfolds its new account of fiction's rise through surprising readings of classic early novels—from Daniel Defoe's Robinson Crusoe to Jane Austen's Northanger Abbey—and brings to attention lesser-known works, most notably Rudolf Raspe's Baron Munchausen's Narrative of His Marvellous Travels. In this bold new account, the eighteenth century bears witness not to the world's disenchantment but rather to wonder's relocation from the supernatural realm to the empirical world, providing a reevaluation not only of how we look back at the Enlightenment, but also of how we read today.
Gillian Savigny's Notebook M imagines what scientific creativity might accomplish if given the space to play, free of the burden of empirical proof and the need to control meaning. Inspired by Charles Darwin's own Notebook M, in which he brought his scientific sensibility towards decidedly unscientific notions of metaphysics, morals, imagination, and expression, in this collection the poet dons a lab coat and brings together the techniques and procedures of poetry and science. The result is a remarkably accomplished first collection of poetry. Natural selection becomes a technique to pull poems from Darwin's prose, in a series of found poems. Metaphor becomes an experiment -- a way of testing hypotheses about the nature of being and seeing. Savigny manipulates the lyric mode to address issues pertinent to both poets and scientists: issues of authorship, originality, copyright, and value. Invested with wonder, mystery, wit, and pathos, these poems strain against their own procedures and logic, affirming the wild, expressive potential of words.
“An invaluable aid in this time of troubled spirits, muddled truths, and convoluted thinking.” — Mark Mothersbaugh, Devo Paul Vermeersch has reinvented the “new and selected.” Bringing together the very best of his poetry from the last quarter century with new and never-before-published works, Shared Universe is a sprawling chronicle of the dawn of civilizations, the riddles of 21st-century existence, and any number of glorious, or menacing, futures. Selected poetry collections are traditionally organized according to the books in which the poems first appeared, but these poems are arranged by prophecy and mythos, corresponding to the human (or trans-human) body, or as dictated by animal speech. In this universe, time is thematic instead of chronological, and space is aesthetic rather than voluminous. Here, alongside popular favourites, are recently unearthed gems and visionary new poems that reveal the books hidden within the books of one of Canada’s most distinctive and imaginative poets.
"Of beach plums, ramps, and Ramada Inns: a quietly sensitive eminently sensible consideration of the landscapes of our lives . . . A gift." —Kirkus Reviews Following her bestselling The Architect of Desire, Suzannah Lessard returns with a remarkable book, a work of relentless curiosity and a graceful mixture of observation and philosophy. This intriguing hybrid will remind some of W. G. Sebald’s work and others of Rebecca Solnit’s, but it is Lessard’s singular talent to combine this profound book–length mosaic— a blend of historical travelogue, reportorial probing, philosophical meditation, and prose poem—into a work of unique genius, as she describes and reimagines our landscapes. In this exploration of our surroundings, The Absent Hand contends that to reimagine landscape is a form of cultural reinvention. This engrossing work of literary nonfiction is a deep dive into our surroundings—cities, countryside, and sprawl—exploring change in the meaning of place and reimagining the world in a time of transition. Whether it be climate change altering the meaning of nature, or digital communications altering the nature of work, the effects of global enclosure on the meaning of place are panoramic, infiltrative, inescapable. No one will finish this book, this journey, without having their ideas of living and settling in their surroundings profoundly enriched.
An entertaining book “filled with inspirational anecdotes” (People) about second acts in life and reinventing yourself from beloved television actress Patricia Heaton—Emmy Award–winning star of Everybody Love’s Raymond, The Middle, Patricia Heaton Parties, and most recently, Carol’s Second Act. Patricia Heaton is one of TV’s most recognizable and beloved moms. She’s won three Emmys, two for her starring role as Debra Barone on the long-running comedy Everybody Loves Raymond, and followed that career-making role with another gem as Frances Heck on the popular sitcom The Middle. She returned to television as the lead in the series Carol’s Second Act, which followed divorced fifty-year-old Carol Kenney (played by Heaton), who after raising two children and retiring as a teacher decides to finally pursue her dream of becoming a doctor. Patricia Heaton knows what it’s like to stage a second act and navigate pivotal transitions in life. When Heaton’s children left the nest, she found herself in a new and unfamiliar stage of life, compelling her to evaluate which direction to take next. Heaton discovered she had the time pursue passions that were previously placed on hold, both personally and professionally. She made her move and took a step forward in her career and for the first time, Heaton was not only the star of her own show, but also the executive producer. She now finds her greatest fulfillment in using her influence to support humanitarian efforts as a Celebrity Ambassador for World Vision, the world’s largest non-governmental organization. She and her husband support their work in poverty relief around the globe, something that was planted in her heart long ago. Through her own experience, Heaton became curious about other people’s stories of second-act transitions and ways to offer support in the process. Now, in Your Second Act, she shares wisdom from her own personal journey as well as insight from stories of numerous people across the country. From work to health, to love and more, the results are heartwarming, inspiring, and surprisingly relatable. “If you’ve been wanting to start your second act, Patricia Heaton may have just what you need” (Today). Filled with light-hearted anecdotes and pragmatic steps, Heaton shows us that midlife doesn’t have to be about crisis when you focus on the opportunity. After all, it’s never too late, or too early to stage your second act.