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Unravelling the fierce debate in Spain about nation and identity which is still causing division today, this book looks at the debate and its role as part of a wider global process in which traditional identities are evolving rapidly, or being challenged.
Unravelling the debate about the Spanish nation and its identity in the new democracy, this book looks at the issue as both a historical debate and a contemporary political problem, particularly complex due to the legacy of the Francoist Dictatorship which deeply eroded the legitimacy of Spanish nationalism. During and since the transition Spanish nationalist discourse has evolved to meet the challenge of new concepts of nation and identity. These formulations argue very different configurations of the relationship between nation and state. While the Constitution of 1978 defines Spain as a nation of nationalities, many politicians and intellectuals now claim that Spain is a nation of nations, others that it is a nation of nations and regions, or a post-traditional nation state, or post-national state. For the peripheral nationalists, it is merely a state of nations and regions. What is at issue is not whether Spain exists or not as a nation; rather, it is the traditional ways of seeing Spain from both the centre and the periphery that are being challenged. The Reinvention of Spain examines the ways in which Spanish and regional identities are projected and how influence the external actions of the Spanish state. It also analyses the dynamic of comparative grievance and competition between regions deriving from the peculiar architecture of the state in Spain, and their effect on social and political cohesion. Finally, it examines scenarios of change that might foster solutions but asserts that Spain will continue to reinvent itself.
The long history of transatlantic movement in the Spanish-speaking world has had a significant impact on present-day concepts of Mexico and the implications of representing Mexico and Latin America more generally in Spain, Europe, and throughout the world. In addition to analyzing texts that have received little to no critical attention, this book examines the connections between contemporary travel, including the local dynamics of encounters and the global circulation of information, and the significant influence of the history of exchange between Spain and Mexico in the construction of existing ideas of place. To frame the analysis of contemporary travel writing, author Jane Hanley examines key moments in the history of Mexican-Spanish relations, including the origins of narratives regarding Spaniards' sense of Mexico's similarity to and difference from Spain. This history underpins the discussion of the role of Spanish travelers in their encounters with Mexican peoples and places and their reflection on their own role as communicators of cultural meaning and participants in the tourist economy with its impact—both negative and positive—on places.
When the right-wing military dictatorship of Francisco Franco decided in 1959 to devalue the Spanish currency and liberalize the economy, the country's already steadily growing tourist industry suddenly ballooned to astounding proportions. Throughout the 1960s, glossy images of high-rise hotels, crowded beaches, and blondes in bikinis flooded public space in Spain as the Franco regime showcased its success. In Destination Dictatorship, Justin Crumbaugh argues that the spectacle of the tourist boom took on a sociopolitical life of its own, allowing the Franco regime to change in radical and profound ways, to symbolize those changes in a self-serving way, and to mobilize new reactionary social logics that might square with the structural and cultural transformations that came with economic liberalization. Crumbaugh's illuminating analysis of the representation of tourism in Spanish commercial cinema, newsreels, political essays, and other cultural products overturns dominant assumptions about both the local impact of tourism development and the Franco regime's final years.
The regime of Primo de Rivera in Spain was one of the major dictatorships of the interwar period. Making Spaniards examines how the military regime created nationalist doctrine, rituals and symbols and how these were transmitted throughout Spanish society in an attempt to 'make' new authoritarian Spaniards and halt democratic reform.
This book investigates the use of football to create, shape and promote Spanish, Catalan and Basque national identities and explores the utilization of soccer to foster patriotic feelings, exposing the often dark vested interests behind the propagation of national narratives through soccer.
The Politics of Contemporary Spain charts the trajectory of Spanish politics since the transition to democracy through to the present day, including the aftermath of the Madrid bombings.
This is a book about the role of culture in social change and the Spanish transition to democracy after Franco. Laura Desfor Edles takes a distinctively culturalist approach to the 'strategy of consensus' deployed by the Spanish elite and uses systematic textual interpretation (with a particular focus on Spanish newspapers) to show how a new symbolic framework emerged in post-Franco Spain which enabled the resolution of specific events critical to the success of the transition. In addition to uncovering underlying processes of symbolization, she shows that politico-historical transitions can themselves be understood as ritual processes, involving as they do phases and symbols of separation, liminality and re-aggregation.
Does fiction do more than just represent space? Can our experiences with fictional storytelling be in themselves spatial? In Constructing Spain: The Re-imagination of Space and Place in Fiction and Film, Nathan Richardson explores relations between cultural representation and spatial transformation across fifty years of Spanish culture. Beginning in 1953, the year Spanish space was officially reopened to Western thought and capital, and culminating in 2003, the year of Aznar's unpopular involvement of his country in the second Iraq War, Richardson traces in popular and critically acclaimed fiction and film an evolution in Spanish storytelling that, while initially representative in nature, increasingly engages its audience in spatial practices that go beyond mere perception or conception of local material geographies. In original readings of films by Luis Berlanga, Luis Bu uel, Alex de la Iglesia, Alejandro Amen bar, and Julio Medem, and novels by Juan Goytisolo, Antonio Mu oz Molina, and Javier Mar as, Richardson shows this formal evolution as a necessary response to developments, restorations, and transformations of local landscapes that resulted during these years from various human migrations, tourist-invasions, urban development plans, resurgent nationalisms, and finally globalization. As these changes occur, Richardson traces a shift in the works studied from mere representation of spatial change toward actual engagement with shifting physical and social geographies, as they inch ever closer toward the production of an actual spatial experience for their audiences. In the final chapters of this book, Richardson offers in-depth and highly original readings of the storytelling projects of Medem and Mar as in particular, showing how these two artists invite readers to not only reconceive hegemonic notions of space and place, but to practice alternative notions of being-in-place. In these final readings, Constructing Spain, points to the newest developments in contemporary Spanish narrative and film, a rise of new grammars of creation to challenge the ongoing capital-driven creative destruction of globalized Spanish geography.
Traces the origins of the complex system of devolution and regional home rule that currently shapes and directs the Spanish political process.