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'This book is about one of the most important questions under investigation both in Hungary and throughout Europe, namely, how and under what effects is traditional popular culture territorially distributed. This work uses new methods and new sources; it is based on the digital elaboration of the biggest and most comprehensive data set of Hungarian ethnological research, the 634 maps of the Atlas of Hungarian Folk Culture. Borsos's interdisciplinary elaboration creates a synthesis in ethnocartography with the help of mathematical, statistical methods and computerised cluster analysis, and thus assures an important leap in the science of ethnography.' Committee of Ethnology, Hungarian Academy of Sciences 'This work is a compendium, in the classical sense of the word, justifying, clarifying or eventually refuting our former knowledge obtained on the extremely rich distribution pattern of land and culture which characterises the Hungarian people. A comprehensive outlook, giving help to find our way in the complicated spatial labyrinth of cultural organisation.' Balázs Balogh, Director, HAS RCH Institute of Ethnology Balázs Borsos, Prof., DSc. of ethnography, has been working at the Institute of Ethnology of the Hungarian Academy of Sciences for nearly 30 years, since 2010 as scientific councilor (full professor). He was deputy director of the institute between 2002 and 2012. His main research interests lie in visual and ecological anthropology, ethnocartography, African ethnology.
It is necessary for every discipline to take stock of its own current state every 20-30 years. Such review helps determine the discipline's path and tasks for the coming decades, and it also facilitates reflection upon the changes and challenges of the scientific and non-scientific world around it. For this purpose, the Committee of Ethnography of the Hungarian Academy of Sciences organized a series of conferences on the current state and the future of ethnography between 2018 and 2020. Those papers of international interest have been translated and are presented in this volume. The first section discusses the dilemmas of ethnography/ethnology as an independent discipline. Articles in the second section provide a fresh perspective on the intrinsic interrelatedness of agriculture, livelihood, environmental perception, and traditional ecological knowledge studied by Hungarian ethnographers. The subsequent section scrutinizes research into and management of cultural heritage in Hungary and the role of ethnographic scholarship in safeguarding intangible heritage. The volume closes with insightful case studies on when ethnographic situations/experiences can be translated into meaningful social actions.
First Published in 1998. This book serves as the key to study of Kodaly for an English-speaking audience. The volume presents a biographical outline, a catalog of his compositions according to genre, and over 1,400 annotated primary and secondary sources. Three indexes cover listings by author and title, Kodaly's compositions, and proper names. Primary sources include Kodaly's own essays, articles, lectures on folk music and art music, letters and other documents, and his folk music collections and facsimiles. Secondary sources include: biographical and historical studies; theoretic, analytic, stylistic, and aesthetic studies of his music; discussions of folk music influences and art music influences; studies of his compositional process; and discussions of the Kodaly concept. Doctoral dissertations and Masters theses pertaining to Kodaly are included in this guide. This annotated, topically organized book is the first to draw together the most important primary and secondary bibliographic sources that cover his varied activities as composer, ethnomusicologist, linguist, and educator.
Europe has its strength in regional cultural diversity. However, current debates surrounding globalisation and the integration of markets tend to focus on the homogenisation of cultures, whilst the emergence of vital and innovative regional cultures has typically been neglected. This edited collection addresses this gap, considering relevant questions such as how strategies, orientations, values and symbols help a company to become aware of its location, and how different regional cultures are of interest to particular types of companies. The book’s central focus is the interaction of regional and corporate cultures; how different cultures come together, shape each other and change. The volume takes an interdisciplinary approach, bringing together research from cultural science, regional science, social science and economics. This book was originally published as a special issue of the journal European Planning Studies.
The study combines the debate on regionalisation with transformation research. It regards the formation of regional actors and institutions not primarily from the perspective of formal organisational structures, but also a consequence of the macro-political transformation regime and region-specific opportunity structures. These structures include evonomic restrictions, historical legacies and cultural resources that are conveyed in present informal mechanisms, personal networks, discourses, and development strategies. The qualitative empirical approach offers a vivid picture of regional developments. The two volumes cover Malopolska and Silesia (Poland), Hajdu-Bihar County (Hungary), Timis County (Romania), and the L'viv and Donetsk regions (Ukraine).
"UNESCO publication, released on 18 February 2016, brings together insights from States Parties, Site Managers and other stakeholders involved in the protection, conservation and management of World Heritage properties in the region. It gives an in-depth look at the current trends and practices while presenting a clear vision for future priorities"--Publisher's description.
In Hungary, jazz was at the forefront of heated debates sparked by the racialised tensions between national music traditions and newly emerging forms of popular culture that challenged the prevailing status quo within the cultural hierarchies of different historical eras. Drawing on an extensive, four-year field research project, including ethnographic observations and 29 in-depth interviews, this book is the first to explore the hidden diasporic narrative(s) of Hungarian jazz through the system of historically formed distinctions linked to the social practices of assimilated Jews and Romani musicians. The chapters illustrate how different concepts of authenticity and conflicting definitions of jazz as the "sound of Western modernity" have resulted in a unique hierarchical setting. The book's account of the fundamental opposition between US-centric mainstream jazz (bebop) and Bartók-inspired free jazz camps not only reveals the extent to which traditionalism and modernism were linked to class- and race-based cultural distinctions, but offers critical insights about the social logic of Hungary’s geocultural positioning in the ‘twilight zone’ between East and West to use the words of Maria Todorova. Following a historical overview that incorporates comparisons with other Central European jazz cultures, the book offers a rigorous analysis of how the transition from playing ‘caféhouse music’ to bebop became a significant element in the status claims of Hungary’s ‘significant others’, i.e. Romani musicians. By combining the innovative application of Pierre Bourdieu’s cultural sociology with popular music studies and postcolonial scholarship, this work offers a forceful demonstration of the manifold connections of this particular jazz scene to global networks of cultural production, which also continue to shape it.
This book analyses the emotional message of Hungarian folksongs from a Cultural Linguistic perspective, employing a wide range of empirical devices. It combines theoretical notions with analytical devices and has a multidisciplinary essence: it relies on the latest Cultural Linguistic findings, employing spatial semantics, cognitive linguistics, cognitive psychology and ethnography. The book addresses key questions including: How is nature conceptualized by a folk cultural group? How are emotions and other mental states expressed via nature imagery with respect to metaphors and construal schemas? The author argues that folksongs reflect the Hungarian peasant communities’ specific treatment of emotions, captured in an underlying cultural schema ‘reservedness.’ This schema is grounded in principals of morality and tradition, and governs the various levels of representation. The main topics discussed are related to two core issues: cultural metaphors and cultural schemas of construal in folksongs. It provides a detailed example, based on over 1000 folksongs, of how a cultural group’s cognition can be analyzed and better understood through a representative corpus-based linguistic approach. The research is also pioneering in constructing a comprehensive analysis framework adapted to folk poetry, and offers an example of how cultural conceptualizations can be investigated in various discourse types. Last but not least, the book offers insights into the work of Hungarian linguists and folklorists concerning cultural conceptualizations, which have largely been unavailable in English.