Download Free The Regional Production Of Red Figure Pottery Book in PDF and EPUB Free Download. You can read online The Regional Production Of Red Figure Pottery and write the review.

In the latter part of the fifth century BC, regional red-figure productions were established outside Attica in regional Greece and in the western Mediterranean, propelled by the impact of the art of Attic vase painting. This collection of papers addresses key issues posed by these production centres. Why did they emerge? To what degree was their inception prompted by the emigration of Attic craftsmen in the context of the weakened Attic pottery market at the onset of the Peloponnesian War? How did Attic vase painting influence already existing traditions, and what was selected, adopted or adapted at the receiving end? Who was using red-figure in mainland Greece and Italy, and what were its particular functions in the local cultures? These and more questions are addressed here with the presentation not only of syntheses, but also primary publication of much newly discovered material. Regional production centres covered include those of Euboea, Boeotia, Corinth, Laconia, Macedonia, Ambracia, Lucania, Apulia, Sicily, Locri and Etruria.
During the latter part of the fifth century BC a range of new local red-figure productions were established outside Attica: in mainland Greece as well as in the western Mediterranean. The 17 papers collected in this anthology deal with the norms and conventions of these regional production centres, the means of transmission, pottery-industry circumstances, iconographic choices, archaeological contexts, as well as issues of reception and function from a cross-regional perspective. The contributions reflect the rapid development within this field of study during the last decades and include material and syntheses on this topic published for the first time to an English-speaking audience. The papers will deal with the Euboean, Boeotian, Corinthian, Laconian, Ambracian and Macedonian production centres in mainland Greece and the Sicilian, Calabrian, Lucanian, Apulian and Etruscan workshops in the Italic peninsula.
Contributions on a variety of topics, e.g. mantle-figures on Athenian late classical red-figure, white-ground cups in fifth-century graves, late 'Apulian' red-figure vases, an overview of Athenian pottery in Southern Italy and Sicily, the Panathenaic amphora shape in Southern Italian red-figure production and Achilles and Troilos in Athens and Etruria. Contributions by Martin Langner, Annie Verbanck-Pierard, Adrienne Lezzi-Hafter, Athena Tsingarida, Maurizio Gualtieri, Helena Fracchia, Victoria Sabetai, Martin Bentz, Thomas Mannack, Stine Scierup and Guy Hedreen.
Most of the previous scholarship on Paestan red-figure pottery has focused on the cataloguing of collections, the attribution of vases to painters and workshops, iconographic and stylistic matters, and individual vessels and vase forms. This partly reflects the history of vase-painting scholarship, which grew out of antiquarian collecting during 18th and 19th centuries, and partly the fact that a full archaeological provenance is not preserved for the majority of vessels. This book uses a database containing in excess of 1,800 vessels and fragments to identify patterns in the production and decoration of Paestan vases that cast light on the choices made by vase-producers and the preferences of their customers. It considers the popularity of different vessel shapes over time, the use of highly generic decorative scenes, which are characteristic of Paestan red-figure, as well as the popularity of scenes of myth, images of the gods, and scenes of nude and half-draped women. Paestan red-figure is compared with the vessels decorated in Applied Red produced at the same site. A comparison is also made between the output of the Paestan red-figure industry and that of Apulia. As the majority of the vases in the sample derive from tombs, the patterns identified provide insights into the ways in which the ancient populations of Paestum and South-West Italy commemorated the dead.
Most of the previous scholarship on Apulian red-figure pottery has focused on the cataloguing of collections, the attribution of vases to painters and workshops, iconographic and stylistic matters, and individual vessels and vase forms. This partly reflects the history of vase-painting scholarship, which grew out of antiquarian collecting during the eighteenth and nineteenth centuries, and the fact that a full archaeological provenance is not preserved for the overwhelming majority of vessels. This book takes a different approach by using a database containing in excess of 13,500 vessels and fragments to identify patterns in the production and decoration of Apulian vases that cast light on the choices made by vase-producers and the preferences of their customers. Individual chapters consider the popularity of different vessel shapes over time, the use of highly generic decorative scenes, which are characteristic of Apulian red-figure, as well as the popularity of scenes of myth, images of the gods, scenes of the life of the non-Greek population of ancient Puglia, and those showing funerary monuments. As virtually all of the vases in the sample derive from tombs, the patterns identified provide insights into the ways in which the ancient populations of South-East Italy, both Greek and indigenous, honoured their dead.
Inferior clays and glazes, unsuited to the red-figure style, means that the indigenous production of red-figure vases in Corinth was very limited. However for about 75 years, in the middle of the 5th century B.C., Corinthian potters tried to imitate the Athenian fashion and this book catalogues 186 pieces of their work. The author discusses the reasons for the production of Corinthian red figure even in limited quantities. Six painters are identified as responsible for at least half the known pieces. Thirteen deposits provide chronological evidence to supplement that of the painting style. The volume serves to bring forward a small but significant segment of the non-Attic pottery industries, and should stimulate interest in other unpublished, unreported examples. All items in the catalogue are illustrated in photographs; line drawings are used to demonstrate details of technique.
This book makes recent scholarship on the Italic people of fourth-century BC Apulia available to English-speaking audiences.
This volume draws attention to the importance of pottery evidence in evaluating archaeological material from Thrace. The volume considers the informative value of pottery in tracing cultural and political phases, by providing us with important data about production centres, commercial relations, daily life, religious rituals and burial customs.
32 papers consider issues of pottery production in the wider Adriatic area during Roman times, in particular relation to landscape and communication features, ceramic building materials, as well as general studies on ceramic production, pottery and glass finds.
A Companion to Sparta umfasst zwei Bände und präsentiert erstmals umfassend Essays unterschiedlichster Autoren über sämtliche Aspekte der Geschichte und Gesellschaft Spartas, von den Anfängen in den Dunklen Jahrhunderten Griechenlands bis zum Römischen Kaiserreich. - Bietet eine klare und umfassende Einführung in sämtliche Aspekte von Sparta als eine Gemeinschaft, die von Städten aus dieser Zeit als eine der einflussreichsten Mächte im klassischen Griechenland angesehen wurde. - Präsentiert ausführlich die Geschichte und Kultur Spartas in Beiträgen internationaler Autoren, darunter nahezu alle Experten und Wissenschaftler des Fachgebiets. - Enthält über ein Dutzend Abbildungen zur Kunst Spartas, die die Entwicklung des alltäglichen Lebens in Sparta zeigen. - Beleuchtet die heutige Kontroverse über Veränderungen in der Gesellschaft Spartas, von der archaischen bis zur klassischen Periode, aus einem neuen Blickwinkel.