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Poetry. Asian American Studies. THE REFUSAL OF SUITORS draws on Penelope and her loom to engage the landscapes, wants, forms, and ultimately the repetitions and variations of contemporary urban life. Through varying styles, voices, and layouts, these poems move collectively with a sonic force, the "pure acoustics of declaratives," through "a night that begins / with our falling asleep, the wet paragraph that he aspirates," with a visionary amalgam of phenomenon and symbol. From long-lined, romantic odes to tight, pictorial meditations akin to classical Asian poetry from the jocular to the reposed to the amorous to the despondent these are poems that are never satisfied, that relish the "sweet chorea of the longest day."
NATIONAL BESTSELLER • An extraordinary book that reveals how the themes and symbols of ancient narratives continue to bring meaning to birth, death, love, and war. The Power of Myth launched an extraordinary resurgence of interest in Joseph Campbell and his work. A preeminent scholar, writer, and teacher, he has had a profound influence on millions of people—including Star Wars creator George Lucas. To Campbell, mythology was the “song of the universe, the music of the spheres.” With Bill Moyers, one of America’s most prominent journalists, as his thoughtful and engaging interviewer, The Power of Myth touches on subjects from modern marriage to virgin births, from Jesus to John Lennon, offering a brilliant combination of intelligence and wit. From stories of the gods and goddesses of ancient Greece and Rome to traditions of Buddhism, Hinduism and Christianity, a broad array of themes are considered that together identify the universality of human experience across time and culture. An impeccable match of interviewer and subject, a timeless distillation of Campbell’s work, The Power of Myth continues to exert a profound influence on our culture.
The renowned master of mythology is at his warm, accessible, and brilliant best in this illustrated collection of thirteen lectures covering mythological development around the world.
As portrayed in Homer's Odyssey, Penelope - wife of Odysseus and cousin of the beautiful Helen of Troy - has become a symbol of wifely duty and devotion, enduring twenty years of waiting when her husband goes to fight in the Trojan War. As she fends off the attentions of a hundred greedy suitors, travelling minstrels regale her with news of Odysseus' epic adventures around the Mediterranean - slaying monsters and grappling with amorous goddesses. When Odysseus finally comes home, he kills her suitors and then, in an act that served as little more than a footnote in Homer's original story, inexplicably hangs Penelope's twelve maids. Now, Penelope and her chorus of wronged maids tell their side of the story in a new stage version by Margaret Atwood, adapted from her own wry, witty and wise novel. The Penelopiad premiered with the Royal Shakespeare Company in association with Canada's National Arts Centre at the Swan Theatre, Stratford-upon-Avon, in July 2007.
The portrayal of the hero in classical myths and modern films continues to exert a compelling influence on the collective imagination, entertaining and inspiring audiences the world over. On a deeper level, the myth of the hero's adventure is recognized as a fundamental pattern of human experience itself, a symbolic expression of the individual's struggle for greater consciousness, psychological wholeness, and spiritual realization. In The Rebirth of the Hero, Keiron Le Grice draws on the ideas and life experiences of C. G. Jung, Joseph Campbell, and Friedrich Nietzsche to explore the spiritual journey of the modern self, from existential crisis and the awakening of the self to the dramatic encounter with the underworld of the psyche and the arduous labour of spiritual transformation. In a work of wide-ranging scope and penetrating insight, Le Grice analyzes scenes from a number of popular films - Jason and the Argonauts, Star Wars, The Lord of the Rings, Pan's Labyrinth, and more - to illuminate the themes and stages of psychospiritual rebirth and individuation, helping to make the deepest of transformative experiences more readily accessible and intelligible to us all. Drawing interchangeably on classical Greek myths, Christianity, alchemy, Romanticism, and depth psychology, the author also relates the individual's personal journey of transformation to the relationship in Western civilization between spirit and nature, reason and instinct, and masculine and feminine. In so doing, The Rebirth of the Hero demonstrates the critical significance of the archetypal pattern of the hero not only for the individual, but also for cultural renewal and the wider spiritual transformation of our time.
The time is an imaginary future, one and a half millennia after the collapse of our own civilisation. Nicholas Raspero, the descendant of the Barons of Raspero and the possessor of wandlore secrets, has arrived in New Landern, the capital of Anglashia. Almost immediately he is drawn into the underworld when he defeats a group of thugs who attempt to rob him, thus making him an enemy of Jolly, the most powerful gangster in the city. Jolly therefore recruits Angela Ashton, the lovely actress, to act as bait for a trap he has set for Nicholas Raspero. Meanwhile, Nicholas has set his heart on Isabel Grangeshield of Grangeshield House - the wealthiest, most beautiful heiress in New Landern and the most obstinate. For lovers of steampunk and fantasy, The Last Suitor will have you cheering for Nicholas Raspero, the wand-fighting hero, and wishing that you too could transport to the world of New Landern, where everyone who has a wand is not afraid to use it in a duel to maintain one's honour.
V. 1-11. House of Lords (1677-1865) -- v. 12-20. Privy Council (including Indian Appeals) (1809-1865) -- v. 21-47. Chancery (including Collateral reports) (1557-1865) -- v. 48-55. Rolls Court (1829-1865) -- v. 56-71. Vice-Chancellors' Courts (1815-1865) -- v. 72-122. King's Bench (1378-1865) -- v. 123-144. Common Pleas (1486-1865) -- v. 145-160. Exchequer (1220-1865) -- v. 161-167. Ecclesiastical (1752-1857), Admiralty (1776-1840), and Probate and Divorce (1858-1865) -- v. 168-169. Crown Cases (1743-1865) -- v. 170-176. Nisi Prius (1688-1867).