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Eight short stories, often built on dialog, to tell about some aspects of life in today's world, its contradictions and, above all, the difficult search for new values. The tale "The Refusal", which gives the title to this short collection, was written in the aftermath of the fall of the Twin Towers: the episode is present in watermark, it could be any other situation of war and violence to which, unfortunately, we are too accustomed nowadays, but that people cannot accept, because the normality are not death, violence or massacre, that make people lose their reference points, as it is also stated in the tale "War". In an absurd world where the only parameter for the evaluation is the high efficiency in our job (as it is ironically stated in "The Zoo" and "The new Managind Director" ), perhaps all is not lost: there are still stories of love and jealousy ("Annalisa"), the natural instinct arrives yet to prevail on our rationality ("The Jump"), the people try to build new relationships, to find new formulas to love each other and live together: see for example the stories told in "The Foreigner", which presents the difficulties, but also the beauty of a relationship between people of different nationalities and cultures so distant as Italian and Somali, or even "On the edge of the bed", which describes the formation of a family quite different from the pattern we are accustomed to consider, with the common life of a husband, a wife, the husband’s lover and the two children that the man has had with the two women.
WINNER OF 15 ROMANCE BOOK AWARDS: Overall winner of the 16th National Indie Excellence Awards and the National Excellence in Romance Fiction Awards for best first book. Winner of the Pinnacle Book Achievement Award. Finalist in the International Book awards. Global Book Award Gold. ______________________________________________________________________________ Have you ever had one of those really bad days at work? When you meet a famous guy in a lift and pretend not to know who he is? Only to find you're working for him? No? Just me then? Now I've got to try and dazzle him with my personality and professionalism. Ha, bloody, ha. And you haven't seen him. Janus Phillips. CEO. Floppy hair, heart-breaking smile. In and out of the tabloids. And did I mention his carousel of model girlfriends? I wear Doc Martens and strange clothes. Yeah. Riiiight. Problem is, I think he kind of likes me. That is, until he catches me with someone else. So now he's gorgeous and pissed off. And we've got to go to Hong Kong together. What could possibly go wrong? The Refusal is a full-length romance with a HEA and no cliffhanger. Don't miss out on this fun, edge-of-the-seat read. Click BUY NOW to find out what happens between Jo and Janus.
Girlfriends, Ghosts, and Other Stories brings together eighty-one brief texts spanning Robert Walser’s career, from pieces conceived amid his early triumphs to later works written at a psychiatric clinic in Bern. Many were published in the feuilleton sections of newspapers during Walser’s life; others were jotted down on slips of paper and all but forgotten. They are strung together like consciousness, idiosyncratic and vulnerable, genuine in their irony, wistful in their humor. Some dwell on childish or transient topics—carousels, the latest hairstyles, an ekphrasis of the illustrations in a picture book—others on the grand themes of nature, art, and love. But they remain conversational, almost lighter than air. Every emotion ventured takes on the weight of a sincerity that is imperiled as soon as it comes into contact with the outside world, which retains all of the novelty it had in childhood—and all of the danger.
A superb collection of short fiction--her first in thirty years and spanning many geographies--from the critically acclaimed author of Monkeys, Evening, and Thirty Girls. A NEW YORK TIMES NOTABLE BOOK. A writer dryly catalogs the myriad reasons she cannot write; an artist bicycles through a protest encampment in lower Manhattan and ruminates on an elusive lover; an old woman on her deathbed calls out for a man other than her husband; a hapless fifteen-year-old boy finds himself in sexual peril; two young people in the 1990s fall helplessly in love, then bicker just as helplessly, tortured by jealousy and mistrust. In each of these stories Minot explores the difficult geometry of human relations, the lure of love and physical desire, and the lifelong quest for meaning and connection. Her characters are all searching for truth, in feeling and in action, as societal norms are upended and justice and coherence flounder. Urgent and immediate, precisely observed, deeply felt, and gorgeously written, the stories in Why I Don't Write showcase an author at the top of her form.
In Dear Science and Other Stories Katherine McKittrick presents a creative and rigorous study of black and anticolonial methodologies. Drawing on black studies, studies of race, cultural geography, and black feminism as well as a mix of methods, citational practices, and theoretical frameworks, she positions black storytelling and stories as strategies of invention and collaboration. She analyzes a number of texts from intellectuals and artists ranging from Sylvia Wynter to the electronica band Drexciya to explore how narratives of imprecision and relationality interrupt knowledge systems that seek to observe, index, know, and discipline blackness. Throughout, McKittrick offers curiosity, wonder, citations, numbers, playlists, friendship, poetry, inquiry, song, grooves, and anticolonial chronologies as interdisciplinary codes that entwine with the academic form. Suggesting that black life and black livingness are, in themselves, rebellious methodologies, McKittrick imagines without totally disclosing the ways in which black intellectuals invent ways of living outside prevailing knowledge systems.
From the Pulitzer Finalist and universally beloved author of the New York Times best sellers Swamplandia! and Vampires in the Lemon Grove, a stunning new collection of short fiction that showcases Karen Russell’s extraordinary, irresistible gifts of language and imagination. Karen Russell’s comedic genius and mesmerizing talent for creating outlandish predicaments that uncannily mirror our inner in lives is on full display in these eight exuberant, arrestingly vivid, unforgettable stories. In“Bog Girl”, a revelatory story about first love, a young man falls in love with a two thousand year old girl that he’s extracted from a mass of peat in a Northern European bog. In “The Prospectors,” two opportunistic young women fleeing the depression strike out for new territory, and find themselves fighting for their lives. In the brilliant, hilarious title story, a new mother desperate to ensure her infant’s safety strikes a diabolical deal, agreeing to breastfeed the devil in exchange for his protection. The landscape in which these stories unfold is a feral, slippery, purgatorial space, bracketed by the void—yet within it Russell captures the exquisite beauty and tenderness of ordinary life. Orange World is a miracle of storytelling from a true modern master.
"The Woman of the Wolf, written in 1904, is probably Renée Vivien's finest achievement, the one work in which she combines powerful characters and exciting narratives with the poetic clarity of style and vision so apparent in her other works. In this collection of short stories and prose poems, Vivien manages to touch on all the themes and ideas that obsessed her throughout her short life." --from back cover
A new collection featuring the story that inspired Real Steel, a major motion picture starring Hugh Jackman.
Contains Leaf Storm, The Handsomest Drowned Man in the World, A Very Old Man With Enormous Wings, Blacaman the Good, Vendor of Miracles, The Last Voyage of the Ghost Ship, Monologue of Isabel Watching It Rain in Macondo, Nabo
Named a Best Book of 2020 by Slate, Electric Literature, and PopMatters F*ckface is a brassy, bighearted debut collection of twelve short stories about rurality, corpses, honeybee collapse, and illicit sex in post-coal Appalachia. The twelve stories in this knockout collection—some comedic, some tragic, many both at once—examine the interdependence between rural denizens and their environment. A young girl, desperate for a way out of her small town, finds support in an unlikely place. A ranger working along the Blue Ridge Parkway realizes that the dark side of the job, the all too frequent discovery of dead bodies, has taken its toll on her. Haunted by his past, and his future, a tech sergeant reluctantly spends a night with his estranged parents before being deployed to Afghanistan. Nearing fifty and facing new medical problems, a woman wonders if her short stint at the local chemical plant is to blame. A woman takes her husband’s research partner on a day trip to her favorite place on earth, Dollywood, and briefly imagines a different life. In the vein of Bonnie Jo Campbell and Lee Smith, Leah Hampton writes poignantly and honestly about a legendary place that’s rapidly changing. She takes us deep inside the lives of the women and men of Appalachia while navigating the realities of modern life with wit, bite, and heart.