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This intoxicating book by the author of The Revolution of Little Girls combines autobiography, reporting, and the dressed-up lies we call fiction. An underground classic since its initial publication, it is the wildly funny personal testament of Blanche McCrary Boyd, sixties radical and born-again Southerner, a lesbian with an un-P.C. passion for skydiving and stock-car racing, a graduate of Esalen and kundalini yoga who now takes her altered states "raw, like oysters." The Redneck Way of Knowledge is about family reunions and kamikaze love affairs. It is about crashing an arts festival with two precociously decayed Charleston aristocrats and watching the Pope deliver Communion at Yankee Stadium. It is about the selves we try on and slough off on the way to becoming who we are. Throughout, Blanche Boyd travels the expressway between the realm of the senses and the state of grace, and reports on the journey in prose that combines riotous humor, diamond-hard intelligence, and savage lyricism.
Finalist for the 2019 PEN/Faulkner Award for Fiction “In this suspenseful novel . . . Boyd gives a chilling portrait of the white terrorist network in the US during the time of Timothy McVeigh, convicted of the 1995 Oklahoma City bombing.” —BBC Culture Blanche McCrary Boyd's first novel in twenty years continues the story of former activist Ellen Burns, whose search for her estranged brother leads her across the country and into the dark abyss of racism and white supremacy, and the confrontation that occurs when she learns the truth about her family's past.
No matter how hard she tries, Ellen Burns will never be Scarlett O'Hara. As a little girl in South Carolina, she prefers playing Tarzan to playing Jane. As a teenage beauty queen she spikes her Cokes with spirits of ammonia and baffles her elders with her Freedom Riding sympathies. As a young woman in the 1960s and '70s, she hypnotizes her way to Harvard, finds herself as a lesbian, then very nearly loses herself to booze and shamans. And though the wry, rebellious, and vision-haunted heroine of this exhilarating novel may sometimes seem to be living a magnolia-scented Portrait of the Artist as a Young Woman, Blanche McCrary Boyd's The Revolution Of Little Girls is a completely original arid captivating work.
This explosive new book challenges many of the long-prevailing assumptions about blacks, about Jews, about Germans, about slavery, and about education. Plainly written, powerfully reasoned, and backed with a startling array of documented facts, Black Rednecks and White Liberals takes on not only the trendy intellectuals of our times but also suc...
Willman looks at the way country music's increasing popularity and conservative drift parallel the transformation of the Democratic South into the heart of the Republican mainstream.
"The Liberal Rednecks--a three-man stand-up comedy group doing scathing political satire--celebrate all that's good about the South while leading the Redneck Revolution and standing proudly blue in a sea of red. Smart, hilarious, and incisive, the Liberal Rednecks confront outdated traditions and intolerant attitudes, tackling everything people think they know about the South--the good, the bad, the glorious, and the shameful--in a laugh-out-loud funny and lively manifesto for the rise of a New South. Home to some of the best music, athletes, soldiers, whiskey, waffles, and weather the country has to offer, the South has also been bathing in backward bathroom bills and other bigoted legislation that Trae Crowder has targeted in his Liberal Redneck videos, which have gone viral with over 50 million views. Perfect for fans of Stuff White People Like and I Am America (And So Can You), The Liberal Redneck Manifesto skewers political and religious hypocrisies in witty stories and hilarious graphics--such as the Ten Commandments of the New South--and much more! While celebrating the South as one of the richest sources of American culture, this entertaining book issues a wake-up call and a reminder that the South's problems and dreams aren't that far off from the rest of America's"--
In Girl Walking Backwards, Skye wants what all teenagers want--to survive high school. She lives in Southern California, though, which is making that difficult. Her mother has fallen victim to the pseudo-New Age culture and insists on dragging her to consciousness-raising workshops and hypnotists. As if this weren't difficult enough, Skye falls in love with Jessica, a troubled gothic punk girl who cuts herself regularly with sharp objects. When she finds her boyfriend having sex with Jessica in a bathroom stall at a rave, her romantic illusions collapse and she has to face the fact that she's been running away from her mother's insanity. Right when things look their worst though, Skye is helped by Mol, a pagan who becomes her true friend, and Lorri, a graceful volleyball player with whom she finds real love. From them she learns how to feel authentic emotions in a culture of poseurs and New Age charlatans. In this anti-coming-of-age novel by Bett Williams, where growing up is irrelevant, this is the best gift of all.
Char Booth, an avid library education and technology advocate, introduces a series of concepts that will empower readers at any level of experience to become better designers and presenters, as well as building their confidence and satisfaction as library educators
Examining the icon's foundations in James Fenimore Cooper's Natty Bumppo--'an ideal white man, free of the boundaries of civilization'--and the degraded rural poor of Erskine Caldwell's Tobacco Road, Matthew Ferrence shows how Redneck stereotypes were further extended in Deliverance, both the novel and the film, and in a popular cycle of movies starring Burt Reynolds in the 1970s and '80s, among other manifestations. As a contemporary cultural figure, the author argues, the Redneck represents no one in particular but offers a model of behavior and ideals for many. Most important, it has become a tool--reductive, confining, and (sometimes, almost) liberating--by which elite forces gather and maintain social and economic power. Those defying its boundaries, as the Dixie Chicks did when they criticized President Bush and the Iraq invasion, have done so at their own peril.
A profound portrait of family dynamics in the rural South and “an essential novel” (The New Yorker) “As close to flawless as any reader could ask for . . . The living language [Allison] has created is as exact and innovative as the language of To Kill a Mockingbird and The Catcher in the Rye.” —The New York Times Book Review The publication of Dorothy Allison’s Bastard Out of Carolina was a landmark event that won the author a National Book Award nomination and launched her into the literary spotlight. Critics have likened Allison to Harper Lee, naming her the first writer of her generation to dramatize the lives and language of poor whites in the South. Since its appearance, the novel has inspired an award-winning film and has been banned from libraries and classrooms, championed by fans, and defended by critics. Greenville County, South Carolina, is a wild, lush place that is home to the Boatwright family—a tight-knit clan of rough-hewn, hard-drinking men who shoot up each other’s trucks, and indomitable women who get married young and age too quickly. At the heart of this story is Ruth Anne Boatwright, known simply as Bone, a bastard child who observes the world around her with a mercilessly keen perspective. When her stepfather Daddy Glen, “cold as death, mean as a snake,” becomes increasingly more vicious toward her, Bone finds herself caught in a family triangle that tests the loyalty of her mother, Anney—and leads to a final, harrowing encounter from which there can be no turning back.