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The creative partnership of acclaimed writer and academic Mary M. Talbot and graphic-novel pioneer Bryan Talbot has produced some of the most challenging and entertaining graphic novels in recent memory, including 2012's Costa Award medalist Dotter of Her Father's Eyes. The Red Virgin and the Vision of Utopia explores the life of revolutionary French feminist Louise Michel, a visionary teacher, poet, and radical who took up arms against a reactionary regime that executed thousands. Even deportation to a distant penal colony could not stop Michel from taking up the cause of the indigenous population against French colonial oppression.
Part personal history, part biography, Dotter of Her Father's Eyes contrasts two comingofage narratives: that of Lucia, the daughter of James Joyce, and that of author Mary Talbot, daughter of the eminent Joycean scholar James S. Atherton. Social expectations and gender politics, thwarted ambitions and personal tragedy are played out against two contrasting historical backgrounds, poignantly evoked by the atmospheric visual storytelling of awardwinning graphicnovel pioneer Bryan Talbot. Produced through an intense collaboration seldom seen between writers and artists, Dotter of Her Father's Eyes is smart, funny, and sadan essential addition to the evolving genre of graphic memoir. * Bryan Talbot is recognized worldwide as one of the true original voices in graphic fiction. * Bryan Talbot's Grandville Mon Amour was nominated for a 2011 Hugo Award.
A graphic novel in collaboration with the Edinburgh International Book Festival to mark its 30th anniversary, IDP (short for 'internally displaced person or persons') imagines a Scotland 30 years in the future. Six teams of major names in European comics and graphics novels collaborate on a single narrative. Celebrated French graphic novelist and illustrator Barroux, Costa Award short-listed Mary Talbot and artist Kate Charlesworth, 'grandfather of British comics' and co-creator of 2000AD Pat Mills and graphic novelist Hannah Berry, enfant terrible of Scottish letters and author of Trainspotting Irvine Welsh and graphic artist Dan McDaid, graphic novelists Adam Murphy and Will Morris, have been brought together by story editor, crime writer and graphic novelist, Denise Mina. The story follows the catastrophic effects of a small rise in sea levels on the county's heavily populated low lying areas and how society reimagines itself in the face of a huge population shift in a world of scarce resources.
Follows the fortunes of a common housemaid swept up in the feminist militancy of early 20th century Edwardian Britain. As the growing hunger for change grows within a culture of rigid social mores and class barriers, Sally and thousands like her rise up to break the bonds of oppression at the risk of ostracization and violence.
Convicted psychotic killer and extremist fanatic Edward "Mad Dog" Mastock violently escapes the guillotine's blade in the Tower of London to once again terrorize the Socialist Republic of Britain. But dogging Mastock's bloody footsteps is his longtime adversary and nemesis, Detective Inspector Archie LeBrock, at odds with Scotland Yard and intent on bringing Mastock's horrific murder spree to an end, once and for all. Aided by his friend and colleague Detective Roderick Ratzi, LeBrock follows the trail of carnage to Paris, otherwise known as Grandville, the largest city in a world dominated by the French Empire and the prime target of Mastock's sadistic terrorism. Can LeBrock capture the Mad Dog before he can mete out his final vengeance, or will LeBrock's own quest for redemption be dragged to ground by the demons of his past? The badger is back! Set three weeks after the finale of Grandville Bryan Talbot's critically acclaimed steampunk graphic novelGrandville Mon Amour explores an alternate artnouveau world populated by intelligent animals, a human underclass, robot automatons, and advanced steam technology that power everything from hansom cabs to iron flying machines. * Grandville Mon Amour is the second in a planned series of Grandville graphic novels. * The world of Grandville is described by Talbot as "like Jules Verne and Sherlock Holmes directed by Quentin Tarantinowith animals!" [On Grandville] "Every panel is a work of art." Booklist
Louise Michel was born illegitimate in 1830 and became a schoolmistress in Paris. She was involved in radical activities during the twilight of France’s Second Empire, and during the Franco-Prussian War of 1870 and the siege of Paris. She was a leading member of the revolutionary groups controlling Montmarte. Michel emerged as one of the leaders of the insurrection during the Paris Commune of March-May 1871; and French anarchists saw her as martyr and saint – The Red Virgin. When the Versailles government crushed the Commune in May 1871, Michel was sentenced to exile in New Caledonia, until the general amnesty of 1880, when she returned to France and great popular acclaim and support from the working people of the country. Michel was arrested again during a demonstration in Paris in 1883 and sentenced to six years in prison. Pardoned after three years, she continued her speeches and writing, although she spent the greater part of her time from 1890 until her death in 1905 in England in self-imposed exile. It was during her prison term from 1883 to 1886 that she compiled her Memoires, now available in English. These memoirs offer readers a view of the non-Marxist left and give an in-depth look into the development of the revolutionary spirit. The early chapters treat her childhood, the development of her revolutionary feelings, and her training as a schoolteacher. The next section describes her activities as a schoolteacher in the Haute-Marne and Paris and therefore contains much of interest on education in 19th-century Europe. Her chapters on the siege of Paris, the Commune, and her first trial show those events from the point of view of a major participant. Of particular interest is a chapter on women’s rights, which Michel saw as part of the search for the rights of all people, male and female, and not as a separate struggle. The Red Virgin: Memoirs of Louise Michel will be useful to both scholars and students of 19th-century French history and women’s studies.
Paris, 1871. Four young people will rewrite their destinies. Paris is in revolt. After months of siege at the hands of the Prussians, a wind of change is blowing through the city, bringing with it murmurs of a new revolution. Alone and poverty-stricken, sixteen-year-old Zéphyrine is quickly lured in by the ideals of the city's radical new government, and she finds herself swept away by its promises of freedom, hope, equality and rights for women. But she is about to be seduced for a second time, following a fateful encounter with a young violinist. Anatole's passion for his music is soon swiftly matched only by his passion for this fierce and magnificent girl. He comes to believe in Zéphyrine's new politics - but his friends are not so sure. Opera singer Marie and photographer Jules have desires of their own, and the harsh reality of life under the Commune is not quite as enticing for them as it seems to be for Anatole and Zéphyrine. And when the violent reality of revolution comes crashing down at their feet, can they face the danger together - or will they be forced to choose where their hearts really lie?
From acclaimed writer/historian Mary M Talbot and graphic-novel pioneer Bryan Talbot comes Rain, a chronicle of the growing relationship of two young women, one an environmental activist, set against the backdrop of the disastrous 2015 floods in northern England. The wild Brontë moorlands are being criminally mismanaged as crops are being poisoned, and birds and animals are being slaughtered. While the characters are fictional, the tragedy is shockingly real. Rain is the fourth graphic-novel collaboration between Mary M Talbot and husband Bryan Talbot, a partnership that has produced the award winning Dotter of Her Father's Eyes, Sally Heathcote: Suffragette (with Kate Charlesworth), and The Red Virgin and the Vision of Utopia.
Utopia has long been banished from political theory, framed as an impossible—and possibly dangerous—political ideal, a flawed social blueprint, or a thought experiment without any practical import. Even the "realistic utopias" of liberal theory strike many as wishful thinking. Can politics think utopia otherwise? Can utopian thinking contribute to the renewal of politics? In Political Uses of Utopia, an international cast of leading and emerging theorists agree that the uses of utopia for politics are multiple and nuanced and lie somewhere between—or, better yet, beyond—the mainstream caution against it and the conviction that another, better world ought to be possible. Representing a range of perspectives on the grand tradition of Western utopianism, which extends back half a millennium and perhaps as far as Plato, these essays are united in their interest in the relevance of utopianism to specific historical and contemporary political contexts. Featuring contributions from Miguel Abensour, Étienne Balibar, Raymond Geuss, and Jacques Rancière, among others, Political Uses of Utopia reopens the question of whether and how utopianism can inform political thinking and action today.
. . . An outrageous collection of the unreported exploits of comic creators - the stories usually only told late at night between the hallowed walls of convention pro bars!