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"The Red Room" is a short story written by H. G. Wells. First published in the 1896 edition of "The Idler" magazine, it is a quintessentially Gothic tale about a man who spends a night in a supposedly haunted room in Lorraine Castle in an attempt to disprove the legends surrounding it. This thrilling tale constitutes a must-read for fans of Gothic literature and Wells' seminal work, and it would make for a fantastic addition to any collection. Herbert George Wells (1866 - 1946) was a prolific English writer who wrote in a variety of genres, including the novel, politics, history, and social commentary. "The Father of Science Fiction" was also a staunch socialist, and his later works are increasingly political and didactic. Today, he is perhaps best remembered for his contributions to the science fiction genre thanks to such novels as "The Time Machine" (1895), "The Invisible Man" (1897), and "The War of the Worlds" (1898). Many vintage books such as this are becoming increasingly scarce and expensive. We are republishing this book now in an affordable, modern, high-quality edition complete with a specially commissioned new biography of the author.
The smash-hit, most-talked-about comic of 2021 is back with its second season and trade paperback! Collecting the four-issue comic book series Red Room: Trigger Warnings, with tons of extras!
A cyberpunk, outlaw, splatterpunk masterpiece from the New York Times bestselling creator of Hip Hop Family Tree and X-Men: Grand Design!
Bruce and Bill meet a strange boy with a bulldog who offers to introduce them to the ghosts in his house.
"I'll tell you what, Ygberg, I believe one has to be very unscrupulous if one wants to get on in the world." That's how The Red Room could be summarised through one of its sentences. Through a number of cultural workers Strindberg asks the question of how life should be lived. As a young person, you can pretend to be an ardent idealist; as an older, somewhat sober person, you can come to realise that what you from the beginning thought to be idealistic may not really be. Through its straightforward language The Red Room (1879) is often called the first modern novel in Swedish. It constitutes a representation of Stockholm in the 1870s and is known for its depictions of the urban environment as well as its satire. The book is an attempt to stand by the lower classes by humorously attacking the hypocrisy of the higher classes. The Red Room was described as dirt by contemporary critics, but it was an immediate success. This edition of The Red Room constitutes the first novel in the cluster text style, which could be 20 percent better than ordinary texts, and is intended to function as a kind of survey for how we look at text, reading and book design. This book, in Swedish, was made as an entry for Svensk bokkonst, which every year rewards good examples of book design. The winners get to participate in Stiftung Buchkunt's Best Book Design from all over the World which in German is called Schönste Bücher aus aller Welt. This difference captures an important gap. Book design has long been about designing beautiful books. Now we'll see how Svensk bokkonst and possibly Stiftung Buchkunst see this. What do you think? Should we read cluster texts? You will get an answer to that question by reading this edition of The Red Room. PLEASE NOTE that the text in this book, i.e. cluster text, cannot be reflown and therefore needs to be read on tablets/screens at least 13 centimetres wide, which can handle line lengths of 95 characters (i.e. smaller screens are not suitable).
Modern Korean fiction is to a large extent a literature of witness to the historic upheavals of twentieth-century Korea. Often inspired by their own experiences, contemporary writers continue to show us how individual Koreans have been traumatized by wartime violence—whether the uprooting of whole families from the ancestral home, life on the road as war refugees, or the violent deaths of loved ones. The Red Room brings together stories by three canonical Korean writers who examine trauma as a simple fact of life. In Pak Wan-so’s "In the Realm of the Buddha," trauma manifests itself as an undigested lump inside the narrator, a mass needing to be purged before it consumes her. The protagonist of O Chong-hui’s "Spirit on the Wind" suffers from an incomprehensible wanderlust—the result of trauma that has escaped her conscious memory. In the title story by Im Ch’or-u, trauma is recycled from torturer to victim when a teacher is arbitrarily detained by unnamed officials. Western readers may find these stories bleak, even chilling, yet they offer restorative truths when viewed in light of the suffering experienced by all victims of war and political violence regardless of place and time.
The Red Room is several years work collected in one anthology for your enjoyment - 13 stories in one book. The tales inside range from flash fiction and short stories in length and cover horror and black comedy. The most highly praised stories within are 'Welcome to iCult' - a tale of horror as seen through forum posts and skype messages written by a group of immature teenagers dabbling in the occult for obscure internet stardom amongst a set of misbegotten peers. And of course the 'The Red Room' - the namesake of the anthology, a story of an author wrestling with the blurred lines of fact and fiction and able to distinguish neither. Welcome to my Anthology (Volume 1).
Eleanor Roosevelt tries to find out who stabbed a notorious mobster in the Red Room of the White House.
Red Rooms is a unique journey articulating the lives of the Native patrons of an urban hotel as seen through the eyes of the hotels cleaning lady. The characters face the crises in their lives in ways that are easily identifiable and not uncommon to Native people. What is unique about this collection of stories is Dimaline's sometimes cryptic, sometimes comedic, always compassionate and visionary housekeeper who offers hindsight, insight and foresight to the reader in the representation of their lives."Haunting and complex Red Rooms is the Native Rosetta Stone. A lovely tour de force from an up-and-coming writer to watch."Eden Robinson
Collects X-Men: Grand Design - X-Tinction #1-2 - plus the classic Uncanny X-Men (1981) #268, masterfully recolored by Ed. Presented in the same dynamic, oversized format of the best-selling Hip Hop Family Tree. The series that has critics and fans raving returns for its final installment! The fall and rise of the X-Men revisited! Relive the now-classic storylines of the 1980s - including the Mutant Massacre, the Fall of the Mutants, Inferno and the X-Tinction Agenda! And it's out with the old and in with the blue and gold as the X-Men enter the '90s! An explosive era of X-Men history is revisited, expanded and polished for a new generation - including the debuts of such 1990s mainstays as Jubilee, Gambit, Psylocke, Mister Sinister and more! The final chapter of this best-selling prestige series caps off the first three decades of X-Men lore in one neat package - all of it brought to life by the master of graphic fiction himself, Ed Piskor!