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William Chambers (May 26, 1865 - December 16, 1933) was an American artist and writer. According to some estimates, Chambers was one of the most successful literary careers of his period, his later novels selling well and a handful achieving best-seller status. Many of his works were also serialized in magazines. About "The Red Republic," the New York Press wrote: "With all its rush and excitement there is a solid basis of painstaking and thoughtfulness in 'The Red Republic.' Mr. Chambers is wholly free from self-consciousness; indeed his gifts seem to be little short of genius. Wonderfully vivid and graphic." The New York Times wrote: "Mr. Chambers shows great familiarity with the many dreadful days of 1871m and Mr. Thiers's policy is critically examined. 'The Red Republic' abounds with action."
In refocusing attention on the Paris Commune as a key event in American political and cultural memory, Sensational Internationalism radically changes our understanding of the relationship between France and the United States in the long nineteenth century. It offers fascinating, remarkably accessible readings of a range of literary works, from periodical poetry and boys' adventure fiction to radical pulp and the writings of Henry James, as well as a rich analysis of visual, print, and performance culture, from post-bellum illustrated weeklies and panoramas to agit-prop pamphlets and Coney Island pyrotechnic shows. This book will speak to readers looking to understand the affective, cultural, and aesthetic afterlives of revolt and revolution pre-and-post Occupy Wall Street, as well as those interested in space, gender, performance, and transatlantic print culture.