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In her critically acclaimed, ingenious memoir, Sarah Messer explores America’s fascination with history, family, and Great Houses. Her Massachusetts childhood home had sheltered the Hatch family for 325 years when her parents bought it in 1965. The will of the house’s original owner, Walter Hatch—which stipulated Red House was to be passed down, "never to be sold or mortgaged from my children and grandchildren forever"—still hung in the living room. In Red House, Messer explores the strange and enriching consequences of growing up with another family’s birthright. Answering the riddle of when shelter becomes first a home and then an identity, Messer has created a classic exploration of heritage, community, and the role architecture plays in our national identity.
From Mark Haddon, the bestselling author of The Curious Incident of the Dog in the Night-Time, comes a dazzlingly inventive novel about modern family life. Richard, a wealthy doctor, invites his estranged sister and her family to join his family for a week at a vacation home in the English countryside. Against the backdrop of a strange family gathering, Haddon skillfully weaves together the stories of eight very different people forced into close quarters. The Red House is a symphony of long-held grudges, fading dreams and rising hopes, tightly guarded secrets and illicit desires, painting a portrait of contemporary family life that is at once bittersweet, comic, and deeply felt.
Derek didn't ask for this. It's bad enough that his brother's body is hosting a dead soul. Then there's that whole business of the evil dead waging war. And don't even get him started on all the weird voices rattling around inside his head. But like
For fifty years fear of the vanishing red house in the Jersey Barrens had warped the lives of Ellen and Pete Yocum. Old Pete swore that the house moved from place to place and that screams heard within it put a hex on anyone who ventured near. Meg Yarrow, raised by the Yocums since childhood, experienced the same terror until Nathan, the new farmhand, arrived. One day they started on a search for the red house in the Oxhead Woods, only to encounter violent danger--whether due to natural or supernatural causes, they could not tell. How they found the house and unraveled its eerie secret forms the powerful climax of this outstanding mystery novel. Mr. Province provides a history of the book by George Agnew Chamberlain, the subsequent film created by the screenplay and direction of Delmer Daves, and in addition, Province provides the story of how the film and book effected him when he saw it as a 3-year-old child in 1947. Put it all together and it gives a fascinating story about how a book can be turned into a film and how that film can eventually give direction to a viewer's life and career.
From a dynamic author-illustrator team comes this fresh, fun and rhythmic exploration of colour.Bold and bright, it's the perfect book for reading aloud and sharing with young children as they learn to identify the colours of their world.
A bit Each Peach Pear Plum, a bit Go, Dog, Go!, this read-aloud joy is deceptively simple yet packed with delights for the very young--a preschool standout deserving of modern-classic status. A little mouse makes her way around the world, and invites preschoolers along as she sets out: Red house / Blue house / Green house / Tree house! / See the tiny mouse in her little brown house? Seamless, simple, and inspiring, the rhyming story abounds in concepts for the very young, with a particular focus on colors, and a delightful search-and-find element on every spread--the intrepid mouse herself! * "Wonderful...Delightful" --Kirkus (starred review) * "Excellent...Perfectly aimed at the very youngest" --The Horn Book (starred review) "Appealing...Calls for engagement on multiple levels" --PW "Fun...offers multiple opportunities for reader interaction" --SLJ
Red House occupies an extraordinary place in British architectural history. It was the first and only house that William Morris ever built. It was the first independent architectural commission from his friend, Philip Webb. The challenge of furnishing the house inspired Morris to found the design firm of Morris & Co. It had a great influence on the Arts & Crafts Movement. But it is also a house that captured William Morris's heart. He was only twenty-five when, in 1858 he decided to buy the site at Bexleyheath, just outside London, but in a rural Kentish setting. He had recently married Jane Burden, daughter of an Oxford ostler, whose particular beauty became inspiration for so much pre-Raphaelite art. With his young wife and his wealth he planned to produce a vision of earthly paradise at Red House. Rosetti described it as 'more a poem than a house', Morris called it 'our place of art', and when he was obliged to give it up for financial reasons in 1865, he resolved never to return. His biographer recorded that he could 'never set eyes on it again, confessing that the sight of it would be more than he could bear'. Red House was saved from an uncertain future in January 2003 by the National Trust, and has already opened its doors. Visitors will be able to see some of the original furnishings but many are now at Kelmscott Manor, the William Morris Gallery in Walthamstow, the Victoria & Albert Museum and other locations. This book, however, will provide both the story of Red House and a 'virtual tour' to enable the reader to see how the house looked and functioned when William Morris, his family and friends lived there.
William Morris and his Palace of Art is a comprehensive new study of Red House, Bexleyheath; the only house commissioned by William Morris and the first independent architectural work of his close friend, Philip Webb. Morris moved in to Red House as an ebullient young man of 26, with an independent income and a head brimming with ideas and the persistent question of ‘how best to live? Red House, together with its Pre-Raphaelite garden, stands as the physical embodiment of his exuberant spirit, youthful ambition, passionate medievalism, creativity and great sense of possibility. For five intense years from 1860–5, it was a place of halcyon days – happy family life, loyal friendship, good humoured competition, and the jovial campaign of decorating; furnishing the house and designing the garden. Drawing on a wealth of new physical evidence, this book argues that Red House constitutes an ambitious and critical chapter in his design history. It will re-consider the inspiration it provided for the founding of ‘the Firm’ of Morris, Marshall, Faulkner & Co. (later Morris & Co.), in 1861, and the vital collaboration of Webb, Burne-Jones, Rossetti and their intimate circle in realising Morris’s dream for his house.
A series of colorful toy houses, each one containing another slightly smaller, reveals a surprise inside.