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THE RED FAIRY BOOK - With Original Illustrations: A Book That Inspired Tolkien. "I have been a lover of fairy stories since I learned to read," Professor J.R.R. Tolkien once stated. The Red Fairy Book was one of Tolkien's favorites. Fantasy and medieval literature specialist Douglas A. Anderson asserted, "As a child Tolkien found delight in the variously colored fairy tale books of Andrew Lang. Especially he enjoyed 'The Red Fairy Book', for it contained Lang's retelling of one of the greatest dragon stories in northern literature, that of Fafnir from the Volsung Saga." In a 1965 interview Tolkien said, "Dragons always attracted me as a mythological element. They seemed to be able to comprise human malice and bestiality together so extraordinarily well, and also a sort of malicious wisdom and shrewdness - terrifying creatures." The Red Fairy Book was illustrated by H.J. Ford and Lancelot Speed. As a child, and later as an adult, Tolkien was exposed to these pictures as he leafed through the pages of the fairytales. Consciously or unconsciously, he came under their spell. The gorgeously illustrated Red Fairy Book was a source of immense joy to Tolkien as he was growing up, helping to inform his creation of The Hobbit and The Lord of the Rings.
THE RED FAIRY BOOK- A BOOK THAT INSPIRED TOLKIEN. With original illustrations. THE PROFESSOR'S BOOKSHELF #4.'I have been a lover of fairy stories since I learned to read, ' Professor J.R.R. Tolkien once stated. 'The Red Fairy Book' was one of Tolkien's favorites. Fantasy and medieval literature specialist Douglas A. Anderson asserted, 'As a child Tolkien found delight in the variously colored fairy tale books of Andrew Lang. Especially he enjoyed "The Red Fairy Book", for it contained Lang's retelling of one of the greatest dragon stories in northern literature, that of Fafnir from the "Volsung Saga."' Dart-Thornton's introduction sheds more light on Tolkien's connection with 'The Red Fairy Book' and its editor, Andrew Lang. 'The Red Fairy Book' was illustrated by H.J. Ford and Lancelot Speed. As a child, and later as an adult, Tolkien was exposed to these pictures as he leafed through the pages of the fairy tales. Consciously or unconsciously, he came under their spell. More than 100 drawings adorned the pages of the original 1890 edition. This is a close replica of that edition, with every illustration and embellishment included. Twenty-first century readers are able to enjoy the pictures as young Tolkien would have enjoyed them. This gorgeously illustrated book was a source of immense joy to Tolkien as he was growing up, and contributed to his conception of 'The Hobbit' and 'The Lord of the Rings'.
THE PRINCESS AND THE GOBLIN - A BOOK THAT INSPIRED TOLKIEN. With original illustrations. THE PROFESSOR'S BOOKSHELF #5: Professor J.R.R. Tolkien, author of The Lord of the Rings and The Hobbit, was a great admirer of George MacDonald's fairy-stories. When his children were young, he used to read The Princess and the Goblin to them in the evenings, before they went to bed. 'Tolkien knew well MacDonald's children's books "The Princess and the Goblin" and "The Princess and Curdie", both of which influenced Tolkien's depiction of goblins in The Hobbit, ' writes Douglas A. Anderson in 'Tales Before Tolkien: The Roots of Modern Fantasy'. Dart-Thornton's introduction notes similarities between this story and Tolkien's works, for example: 'The wise, magical, prescient grandmother of the Princess Irene, seems to be a literary ancestor of Galadriel; centuries old and yet looking young, a queen, a healer, a beautiful, golden-haired woman associated with water. 'Princess Irene has a magic ring which is associated with invisibility, being linked to a semi-visible thread. This ring aids her in an escape from the Goblin Underground, much as The One Ring aids Bilbo.' This new edition contains ten illustrations by Jessie Willcox-Smith from the 1920 edition, which was published when Tolkien was aged 28, his eldest child John was three years old and his second child Michael had just been born. The delicately beautiful drawings of Willcox-Smith have been loved by generations of children to this very day. Also included is an illustration by Arthur Hughes from the 1911 edition.
GRIMMS' FAIRY TALES - A BOOK THAT INSPIRED TOLKIEN. With Original Illustrations. In his essay "On Fairy Stories", Professor JRR Tolkien made specific mention of the brothers Grimm. The brothers, Jacob and Wilhelm, together travelled rural Germany collecting and publishing old, traditional folktales. They are among the most well-known storytellers of German folklore. Their first collection, "Children's and Household Tales", was published in 1812. In the nineteenth century Europe, Britain and the British colonies experienced a flowering of Romanticism in the form of art, architecture, poetry, literature, folklore and folk tales. The latter, in particular, played a major role in the development of Tolkien's Middle-earth mythology. Tolkien mined the folklore of the Grimm brothers for literary gems. In his essay he mentioned his love of a tale in this collection by the name of The Juniper Tree (renamed The Almond Tree for British audiences). The 1882 edition of Household Stories was beautifully illustrated by Walter Crane (1845-1915) - an influential member of the Arts and Crafts movement like William Morris, whose works of fantasy were also among Tolkien's favorites. "Certain artists did provide visual sources for Tolkien's writing, particularly in their illustrations for the fairy tales that so appealed to him." So writes Mary Podles in her article "Tolkien and the New Art: Visual Sources for The Lord of the Rings". "Crane illustrated a version of 'Grimms' Fairy Tales' that may in several instances have inspired specific scenes and incidents in 'The Lord of the Rings'. Often Crane added details to his black-and-white illustrations that were not in Grimm, but proved to be the very ones that stuck in Tolkien's memory and resurfaced in his novel." This new edition, a replica of the original, contains more than 180 pictures, embellishments and ornate initials. Crane's illustrations for the fairy tales that Tolkien read as a boy do justice to the richness, strangeness and beauty of the folklore which fired the imagination of the author of "The Lord of the Rings".
Looking for a stiff dose of classic fantasy? Look no further than Lord Dunsany's remarkably well-written collection, A Book of Wonder. This medley of fables, fantasy, and action-adventure will pique the interest of a wide array of readers. If you're in the mood for tales of quests, dragons, and brave warriors, this collection will definitely do the trick.
THE POETIC EDDA - With Original Illustrations. A BOOK THAT INSPIRED TOLKIEN. Also contains the original Old Norse text, side by side with English translations. The Poetic Edda, also known as The Elder Edda, is a collection of thirty-four Icelandic poems, interwoven with prose, dating from the 9th century to the 12th. Professor J. R. R. Tolkien readily acknowledged his debt to this source. He was sixteen years old when the Viking Club of London published this beautifully illustrated translation by Olive Bray. Readers of Tolkien's work will easily spot his inspirations - the names of the dwarves in The Hobbit; riddle games; Mirkwood; the Paths of the Dead; an underworld creature being tricked into remaining above-ground until dawn, when sunlight turns him to stone; different races calling a single thing by various names, and more. The language is archaic, so for 21st century readers a glossary is provided at the back of this book, as well as an index of names to help identify all the characters. Bray's lengthy introduction has also been revised for modern readers, and some footnote citations omitted; all else remains as it was in Tolkien's time.Remarkably in Bray's edition, the original Icelandic text was included. This would have appealed to Tolkien, as a philologist. He must have relished comparing the English words with the Icelandic, page by page. Illustrator W. G. Collingwood was an English author, artist, antiquary and professor. In 1897 he travelled to Iceland where he spent three months exploring the actual sites that are the settings for the medieval Icelandic sagas. He produced a large number of sketches and watercolours during this time and published an illustrated account of his expedition in 1899. His study of Norse and Anglican archaeology made him widely recognized as a leading authority, and his Art Nouveau-style illustrations for the Bray edition are rich with symbolism. The Poetic Edda, the most important existing source on Norse mythology and Germanic heroic legends, is part of the literature that influenced Tolkien's inner world, informing the creation of The Hobbit and The Lord of the Rings.
Terry Brooks. David Eddings. George R. R. Martin. Robin Hobb. The top names in modern fantasy all acknowledge J. R. R. Tolkien as their role model, the author whose work inspired them to create their own epics. But what writers influenced Tolkien himself? Here, internationally recognized Tolkien expert Douglas A. Anderson has gathered the fiction of authors who sparked Tolkien’s imagination in a collection destined to become a classic in its own right. Andrew Lang’s romantic swashbuckler, “The Story of Sigurd,” features magic rings, an enchanted sword, and a brave hero loved by two beautiful women— and cursed by a ferocious dragon. Tolkien read E. A. Wyke-Smith’s “The Marvelous Land of Snergs” to his children, delighting in these charming tales of a pixieish people “only slightly taller than the average table.” Also appearing in this collection is a never-before-published gem by David Lindsay, author of Voyage to Arcturus, a novel which Tolkien praised highly both as a thriller and as a work of philosophy, religion, and morals. In stories packed with magical journeys, conflicted heroes, and terrible beasts, this extraordinary volume is one that no fan of fantasy or Tolkien should be without. These tales just might inspire a new generation of creative writers. Tales Before Tolkien: 22 Magical Stories “The Elves” by Ludwig Tieck “The Golden Key” by George Macdonald “Puss-Cat Mew” by E. H. Knatchbull-Hugessen “The Griffin and the Minor Canon” by Frank R. Stockton “The Demon Pope” by Richard Garnett “The Story of Sigurd” by Andrew Lang “The Folk of the Mountain Door” by William Morris “Black Heart and White Heart” by H. Rider Haggard “The Dragon Tamers” by E. Nesbit “The Far Islands” by John Buchan “The Drawn Arrow” by Clemence Housman “The Enchanted Buffalo” by L. Frank Baum “Chu-bu and Sheemish” by Lord Dunsany “The Baumhoff Explosive” by William Hope Hodgson “The Regent of the North” by Kenneth Morris “The Coming of the Terror” by Arthur Machen “The Elf Trap” by Francis Stevens “The Thin Queen of Elfhame” by James Branch Cabell “The Woman of the Wood” by A. Merritt “Golithos the Ogre” by E. A. Wyke-Smith “The Story of Alwina” by Austin Tappan Wright “A Christmas Play” by David Lindsay
TOLKIEN'S BOOKSHELF #2: THE POETIC EDDA The Poetic Edda, also known as The Elder Edda, is a collection of thirty-four Icelandic poems, interwoven with prose, dating from the 9th century to the 12th. J. R. R. Tolkien readily acknowledged his debt to this source. He was sixteen years old when the Viking Club of London published this beautifully illustrated translation by Olive Bray. Readers of Tolkien's work will easily spot his inspirations - the names of the dwarves in The Hobbit; riddle games; Mirkwood; the Paths of the Dead; an underworld creature being tricked into remaining above-ground until dawn, when sunlight turns him to stone; different races calling a single thing by various names, and more. Illustrator W. G. Collingwood was an English author, artist, antiquary and professor. In 1897 he travelled to Iceland where he spent three months exploring the actual sites that are the settings for the medieval Icelandic sagas. His study of Norse and Anglican archaeology made him widely recognized as a leading authority, and his Art Nouveau-style illustrations for the Bray edition are rich with symbolism. The Poetic Edda, the most important existing source on Norse mythology and Germanic heroic legends, is part of the literature that influenced Tolkien's inner world, informing the creation of The Hobbit and The Lord of the Rings.