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Winner of the Consul Cremer Prize, The Red Canary follows the compelling quest to turn the green canary red. The creation of Dolly the sheep in the 1990s was for many people the start of a new era: the age of genetically modified animals. However, the idea was not new, for in the 1920s an amateur scientist, Hans Duncker, decided to genetically engineer a red canary. Favored originally for their voice, by the middle of the nineteenth century canaries had become so popular that millions were exported from Europe to the United States to satisfy demand. During the 1870s, English canary breeders caused a scandal by feeding their birds red peppers to turn them orange. In the 1930s, Duncker's genetics efforts caught the attention of the Nazi regime who saw him as a champion of their eugenic policies, even though his ingenious experiments were not successful. Nonetheless, Duncker's work paved the way thirty years later for an Englishman, Anthony Gill, and an American, Charles Bennett, to succeed, after recognizing that the red canary would need to be a product of both nature and nurture. In Tim Birkhead's masterful hands, this highly original narrative reveals how the obsession of bird keepers turned the wild canary from green to red, and in the process, heralded exciting but controversial developments in genetic manipulation.
The creation of Dolly the sheep in the 1990s was for many people the start of a new era: the age of genetically modified animals. However, the idea was not new for in the 1920s an amateur scientist, Hans Duncker, decided to genetically engineer a red canary. Though his experiments failed, they paved the way for others to succeed when it was recognised that the canary needed to be both a product of nature and nurture. This highly original narrative, of huge contemporary relevance, reveals how the obsession with turning the wild canary from green to red heralded the exciting but controversial developments in genetic manipulation.
Columbia Theatre, Columbia Theatre Co., proprietors, Frank Metzerott, Pres, Oliver Metzeroff, treas., Fred G. Berger, manager. The Mackey Production Company, Inc. J.C. Rigby, general manager presents Lina Abarbanell in the new musical play "The Red Canary," produced under direction of Frank M. Smithson, book by Alexander Johnstone and William Le Baron, music by Harold Orlob, lyrics by Will B. Johnstone. Manager Frank Williams, business manager S. Goodfriend, stage manager Geo. E. Romain, music director Leonard Hornsey.
One doctor's courageous fight to save a small town from a silent epidemic that threatened the community's future--and exposed a national health crisis. When Dr. Will Cooke, an idealistic young physician just out of medical training, set up practice in the small rural community of Austin, Indiana, he had no idea that much of the town was being torn apart by poverty, addiction, and life-threatening illnesses. But he soon found himself at the crossroads of two unprecedented health-care disasters: a national opioid epidemic and the worst drug-fueled HIV outbreak ever seen in rural America. Confronted with Austin's hidden secrets, Dr. Cooke decided he had to do something about them. In taking up the fight for Austin's people, however, he would have to battle some unanticipated foes: prejudice, political resistance, an entrenched bureaucracy--and the dark despair that threatened to overwhelm his own soul. Canary in the Coal Mine is a gripping account of the transformation of a man and his adopted community, a compelling and ultimately hopeful read in the vein of Hillbilly Elegy, Dreamland, and Educated.
THE NEW YORK TIMES BESTSELLING SERIES! DC Icons continues with the first-ever YA origin story of superhero Black Canary, from the internationally bestselling author Alexandra Monir. In this thrilling novel, Dinah Lance's voice is her weapon. And in a near-future world where women have no rights, she won't hesitate to use everything she has--including her song--to fight back. Dinah Lance was eight years old when she overheard the impossible: the sound of a girl singing. It was something she was never meant to hear--not in her lifetime and not in Gotham City, taken over by the vicious, patriarchal Court of Owls. The sinister organization rules Gotham City as a dictatorship and has stripped women of everything--their right to work, to make music, to learn, to be free. Now seventeen, Dinah can't forget that haunting sound, and she's beginning to discover that her own voice is just as powerful. But singing is forbidden--a one-way route to a certain death sentence. Fighting to balance her father's desire to keep her safe, a blossoming romance with mysterious new student Oliver Queen, and her own need to help other women and girls rise up, Dinah wonders if her song will finally be heard. And will her voice be powerful enough to destroy the Court of Owls once and for all?
It's dangerous enough when an ordinary college girl turns confidential informant. Even more dangerous when she's smarter than the killer, kingpins, and cops who think they control her. Honors student Sarie Holland is busted by the local police while doing a favor for her boyfriend. Unwilling to betray him but desperate to avoid destroying her future, Sarie has no choice but to become a "CI" -- a confidential informant. Philly narcotics cop Ben Wildey is hungry for a career-making bust. The detective thinks he's found the key in Sarie: her boyfriend scores from a mid-level dealer with alleged ties to the major drug gangs. Sarie turns out to be the perfect CI: a quick study with a shockingly keen understanding of the criminal mind. But Wildey, desperate for results, pushes too hard and inadvertently sends the nineteen-year-old into a death trap, leaving Sarie hunted by crooked cops and killers alike with nothing to save her -- except what she's learned during her harrowing weeks as an informant. Which is bad news for the police and the underworld. Because when it comes to payback, CI #1373 turns out to be a very quick study...
LAMBDA LITERARY AWARD FINALIST FOR BEST MYSTERY! Los Angeles, 1956. It's a dangerous time to be gay. Nobody knows that better than closeted prosecutor Paul Winters, the rising star in the L.A. District Attorney's office. But when the police insist a gay man arrested for soliciting committed suicide in custody--and Paul knows it was murder--he risks everything to uncover the truth. Thrown together with a strikingly handsome vice cop with a dark past, the two men race to expose a conspiracy at the highest levels of government that threatens to tear the city apart. THE YELLOW CANARY is the first book in The L.A. AFTER MIDNIGHT Quartet, a four-book four-decade spanning saga of gay life from the 1950s to the 1980s in America's most corrupt city.