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By the big red barn In the great green field, There was a pink pig Who was learning to squeal. There were horses and sheep and goats and geese--and a jaunty old scarecrow leaning on his hoe. And they all lived together by the big red barn. In joyous and exuberant Pictures, Felicia Bond lovingly evokes Margaret Wise Brown's simple, rhythmic text about the cycle of a day on a farm, where a family of animals peacefully plays and sleeps. In the barnyard there are roosters and cows, horses and goats, and a pink piglet who is learning to squeal. Margaret Wise Brown's lulling story about a day in the life of a barnyard is now available as a sturdy board book. Felicia Bond's atmospheric illustrations add to the tranquil simplicity of this story.
Learn about barnyard animals and life on a farm. This chunky board book has especially thick flaps for baby to grasp and lift. Simple sentences reinforce future language structure. Illustrations include lots of details to hold babys attention.
Combining woodcut illustrations with inspirational prose, this picture book follows the Tuttle family, who, through the years, witnessed many historical events as they passed down their farm from generation to generation.
Recounts the history of the Musser family farm in Shanksville, Pennsylvania, leading up to the the crash of United Airlines Flight 93 on September 11, 2001, as told from the point-of-view of a barn that appeared in a widely-seen photograph of that incident.
Matt the cat is looking for a mouse in this noisy lift-the-flap barnyard adventure, but there are so many places where the mouse could be hiding? On The Farm joins Matt on his search as he meets the other farm animals along the way. Children will improve their motor skills by lifting the door flaps on every spread, and the light activated sounds will help with discovering who's hiding behind each one. Preschoolers can discover the neighing horse, a quacking duck, an oinking pig, a mooing cow and a cheeping chick. The mouse's tail hidden on each page will also give children something extra to look for, whilst the simple text builds early knowledge of the farmyard and encourages preschoolers to learn through repetition. With stunning photography and beautiful illustrations your little one will love this exciting and engaging introduction to life on the farm.
Poetry. Latinx Studies. Translated by Katherine M. Hedeen. Winner of Spain's Alfons el Magnànim Prize in 2013 and published the following year by the prestigious press Hiperión, Víctor Rodríguez Núñez's FROM A RED BARN is a compelling companion work and follow-up to the critically acclaimed TASKS, published by co-im-press in 2016. In this book-length sequence spanning seven sections of eleven poems each, Rodríguez Núñez reaffirms his stature as a globally engaged poet, by turns capably blending colloquial lyricism with an innovative compositional style that opens poems to a plurality of meaning-making and turns formal conventions inside out, fostering his vital and ongoing interrogation of how identity is actualized in the liminal space between homelands, ideologies, and hegemonic expectations. From this blending, a poetry of resistance emerges, ever at odds with imperialism, neocolonialism, racism, and xenophobia, while challenging and rethinking prevailing notions of otherness. Drawing on her extensive history translating the most revered Latin American poets, Katherine M. Hedeen transports FROM A RED BARN to English with a rich, artful translation that epitomizes her two decades mapping the trajectories of Rodríguez Núñez's substantial oeuvre. "Víctor Rodríguez Núñez's poetry represents a profound renewal of poetic language. It forces us to see that poetry accounts for itself precisely because it accounts for the world."--Raúl Zurita "FROM A RED BARN is simultaneously bodily and abstract, tender and brutal, bucolic and geographic, mnemonic and exilic. Víctor Rodríguez Núñez's syllable-driven rhythmic syntax and what the brilliant translator Katherine M. Hedeen refers to as 'the fluidity of the poetic subject and the plurality of meaning' decenter and defy subjectivity that's tied to the dominant global order of national, ideological, stereotypical identities. from a red barn speaks one of multiple and multiplying languages of the diasporic selves and worlds. Its voice is solely entwined with translation-tongue, the ultimate language of destabilization, amplified by Hedeen's powerful translation."--Don Mee Choi "Víctor Rodríguez Núñez is one of the greatest living poets I know and FROM A RED BARN is his magnum opus. Here, he reconfirms his position as a global poet, one who is able to sweep us from his homeland of Cuba to the farms of the American Midwest, back and across the world. Read then read again this vibrant and open mythogeography where language is tempered by staggering traversals between time and place. This is an exilic poetics on the move. Cleverly evading mere nostalgia, it prefers to activate what is felt organically through physical space, through mind and body. This is a poet operating at the height of his range, linguistically rich, both ludic and vatic. And the poems sing beautifully in English, a testament to Katherine M. Hedeen, whose immersion into Rodríguez Núñez's aesthetic is absolute and collaborative, an extraordinary act of sensitivity and extra-linguistic perception. FROM A RED BARN is a brilliant and deeply illuminating book. There is such nourishment here."--James Byrne "The imagination of this Cuban, this true poet...stains the darkness of these times with a red squirrel guided by the light... Víctor Rodríguez Núñez doesn't wait for the arrival of anyone because he was baptized by poetry at birth."--Juan Gelman
Ted Lyons has a three day odyssey with an extra terrestrial race.
"Hitchcock would approve." - The Times (UK)"A dark story of dissolving identity... Mesmeric." - ObserverConnecticut, 1969. On their way back from a party, two couples struggle home through thesnow. Not everyone arrives safely.The great detective writer Georges Simenon escaped France at the end of World War Two, and arrived in the USA to start again. With his American wife, he settled at Shadow Rock Farm in Lakeville. Years later, he wrote La Main, a psychological thriller set in a New England farmhouse. David Hare has taken this novel, and forged from it a startling new play.
In this new edition of his classic book, award-winning author Jerry Apps shares a unique perspective on the great barns of rural Wisconsin. Digging deep as both an enthusiast and a farmer, Apps reaps a story of change: from the earliest pioneer structures to the low steel buildings of modern dairy farms, barns have adapted to meet the needs of each generation. They’ve housed wheat, tobacco, potatoes, and dairy cows, and they display the optimism, ingenuity, hard work, and practicality of the people who tend land and livestock. Featuring more than 100 stunning full-color photographs by Steve Apps, plus dozens of historic images, Barns of Wisconsin illuminates a vanishing way of life. The book explores myriad barn designs—from rectangular to round, from gable roof to gambrel, from fieldstone to wood—always with an eye to the history and craftsmanship of the Norwegians, Germans, Swiss, Finns, and others who built and used them. Barns of Wisconsin captures both the iconic and the unique, including historic and noteworthy barns, and discusses the disappearance of barns from our landscape and preservation efforts to save these important symbols of American agriculture.