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Jim Svejda has done it again! In this fully revised and expanded edition of "The Record Shelf Guide to Classical CDs and Audiocassettes, the irreverent and opinionated author guides readers to more of the best in classical music. Host of the long-running American Public Radio show" The Record Shelf, Svejda has assembled this comprehensive guide alphabetically by composer. Meant to be used as a reference manual, Svejdaa concentrates mainly on what he feels is the classical music people actually "listen to most.In his opinion, this consists of music produced from the middle of the eighteenth century to roughly the middle of the twentieth.This book is filled with Svejda's own brand of unusual, acerbic comments and sugary prose. It includes feisty reviews such as ." . . Pachelbel was a third-rate baroque non-entity who occasional rose to the level of second-rate in some of his organ music." And praise of favorites such as Fritz Kreisler, ." . . one of the greatest violins in history whose recordings of Beethoven, Brahms, and Mendelssohn concertos remain unsurpassed in their Romantic daring and philosophical depth . . ."About the Author: Jim Svejda hosts the popular weekly American Public Radio show "The Record Shelf, as well as the CBS Radio program "On Film. In addition to his radio programs, he is the station manager for KUSC in Los Angeles.
Here, in the revised edition of his acclaimed book, Svejda captures the flavorr of his highly priced radio commentary. While traversing the rep ertoire alphabetically, by composer, he is merciless with those performers he considers charlatans and rhapsodic about those he champions. The most literate and controversial recordingi guide.
More irreverent, selective, and highly opinionated recording reviews from the host of American Public Radio's "The Record Shelf". While traversing the repertoire alphabetically, by composer, Svejda is merciless with those performers he considers charlatans and rhapsodic about those he champions.
For hundreds of thousands of loyal listeners throughout the United States, Jim Svejda's weekly radio program The Record Shelf is not to be missed. Now, this amusing and irreverent guide captures the special flavor of Svejda's unique program. Without fear or favor, he recommends his choices of CDs and cassettes for hundreds of compositions from the standard, and not-so-standard, fare. You'll enjoy reading this wryly humorous and candid collection time and time again. "No one on the air treats both composers and performers with such personal devotion or has such a fine ear for differences in inflections and interpretations." --New York Times "The best, most searching and fascinating review of music around." --Dudley Moore "If you want to expand or enrich your musical horizons, this book is indispensable. No matter how sophisticated you may be about the world of classical music, Jim Svejda's book will introduce you to new performances and perspectives." --Michael Medved, PBS's Sneak Preview "Great fun to read." --Sir Andre Preven
The most readable and comprehensive guide to enjoying over five hundred years of classical music -- from Gregorian chants, Johann Sebastian Bach, and Wolfgang Amadeus Mozart to Johannes Brahms, Igor Stravinsky, John Cage, and beyond. The Vintage Guide to Classical Music is a lively -- and opinionated -- musical history and an insider's key to the personalities, epochs, and genres of the Western classical tradition. Among its features: -- chronologically arranged essays on nearly 100 composers, from Guillaume de Machaut (ca. 1300-1377) to Aaron Copland (1900-1990), that combine biography with detailed analyses of the major works while assessing their role in the social, cultural, and political climate of their times; -- informative sidebars that clarify broader topics such as melody, polyphony, atonality, and the impact of the early-music movement; -- a glossary of musical terms, from a cappella to woodwinds; -- a step-by-step guide to building a great classical music library. Written with wit and a clarity that both musical experts and beginners can appreciate, The Vintage Guide to Classical Music is an invaluable source-book for music lovers everywhere.
MAKE A SOUND INVESTMENT IN CLASSICAL MUSIC Who are the ten most important classical composers? Who in the world was Palestrina? Why did Stravinsky's "Rite of Spring" cause a riot? Which five of each important composer's works should you buy? What is a concerto and how does it differ from a sonata? Maybe you don't know the answers to these questions; author Phil Goulding certainly didn't. When Goulding first tried to learn about classical music, he found himself buried in an avalanche of technical terms and complicated jargon--so he decided to write the book he couldn't find. The result is a complete classical music education in one volume. Comprehensive, discriminating, and delightfully irreverent, Classical Music provides such essential information as: * Rankings of the top 50 composers (Bach is #1. Borodin is #50) * A detailed and anecdotal look at each composer's life and work * The five primary works of each composer and specific recommended CDs for each. * Further great works of each composer--if you really like him * Concise explanations of musical terminology, forms, and periods * A guide to the parts and history of the symphony orchestra "This book uses every conceivable gimmick to immerse readers in the richness of classical music: lists, rankings, sidebars devoted to lively anecdotes, and catchy leads." --The Washington Post "One terrific music appreciation book...The information is surprisingly detailed but concisely presented. Goulding's writing style is breezy yet mature....[He] has raised music appreciation from a racket to a service." --The Arizona Daily Star
"Kenneth Morgan, who began collecting Reiner's recordings while still a schoolboy, has consulted printed and archival resources and undertaken new interviews with Reiner's associates, critics, and family. Fritz Reiner, Maestro and Martinet also offers the first close and systematic look at Reiner's recordings, interpretations, and musicality, vividly characterizing Reiner's distinctive qualities as a conductor."--Jacket.
Winner of the 2007 National Book Critics Circle Award for Criticism A New York Times Book Review Top Ten Book of the Year Time magazine Top Ten Nonfiction Book of 2007 Newsweek Favorite Books of 2007 A Washington Post Book World Best Book of 2007 In this sweeping and dramatic narrative, Alex Ross, music critic for The New Yorker, weaves together the histories of the twentieth century and its music, from Vienna before the First World War to Paris in the twenties; from Hitler's Germany and Stalin's Russia to downtown New York in the sixties and seventies up to the present. Taking readers into the labyrinth of modern style, Ross draws revelatory connections between the century's most influential composers and the wider culture. The Rest Is Noise is an astonishing history of the twentieth century as told through its music.
Companion CD contains 13 recordings from 1942-1952.
This new completely revised edition of the Penguin Guidesurveys the major classical recordings issued and reissued over the past five decades, many of which have dominated the catalogue because of their sheer excellence, irrespective of their recording dates. More thorough than ever before, it indicates key recordings on CD, as well as on DVD, with their extra video dimension, and enhanced SACD, including those in surround sound. If you want the finest available version of any major classical work (including DVDs of opera and ballet) you will find it listed and acutely assessed in these pages. THE PENGUIN GUIDE TO RECORDED CLASSICAL MUSIC OFFERS- The pick of the latest releases, as well as all key established recordings The greatest historic recordings, many in outstanding new transfers (including the very first recording of Beethoven's Fifth Symphony) An in-depth survey of the best of the budget-priced CDs, including countless new issues A comprehensive new collection of 'Portraits' of the major artists - singers, conductors and instrumentalists