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More irreverent, selective, and highly opinionated recording reviews from the host of American Public Radio's "The Record Shelf". While traversing the repertoire alphabetically, by composer, Svejda is merciless with those performers he considers charlatans and rhapsodic about those he champions.
Jim Svejda has done it again! In this fully revised and expanded edition of "The Record Shelf Guide to Classical CDs and Audiocassettes, the irreverent and opinionated author guides readers to more of the best in classical music. Host of the long-running American Public Radio show" The Record Shelf, Svejda has assembled this comprehensive guide alphabetically by composer. Meant to be used as a reference manual, Svejdaa concentrates mainly on what he feels is the classical music people actually "listen to most.In his opinion, this consists of music produced from the middle of the eighteenth century to roughly the middle of the twentieth.This book is filled with Svejda's own brand of unusual, acerbic comments and sugary prose. It includes feisty reviews such as ." . . Pachelbel was a third-rate baroque non-entity who occasional rose to the level of second-rate in some of his organ music." And praise of favorites such as Fritz Kreisler, ." . . one of the greatest violins in history whose recordings of Beethoven, Brahms, and Mendelssohn concertos remain unsurpassed in their Romantic daring and philosophical depth . . ."About the Author: Jim Svejda hosts the popular weekly American Public Radio show "The Record Shelf, as well as the CBS Radio program "On Film. In addition to his radio programs, he is the station manager for KUSC in Los Angeles.
For hundreds of thousands of loyal listeners throughout the United States, Jim Svejda's weekly radio program The Record Shelf is not to be missed. Now, this amusing and irreverent guide captures the special flavor of Svejda's unique program. Without fear or favor, he recommends his choices of CDs and cassettes for hundreds of compositions from the standard, and not-so-standard, fare. You'll enjoy reading this wryly humorous and candid collection time and time again. "No one on the air treats both composers and performers with such personal devotion or has such a fine ear for differences in inflections and interpretations." --New York Times "The best, most searching and fascinating review of music around." --Dudley Moore "If you want to expand or enrich your musical horizons, this book is indispensable. No matter how sophisticated you may be about the world of classical music, Jim Svejda's book will introduce you to new performances and perspectives." --Michael Medved, PBS's Sneak Preview "Great fun to read." --Sir Andre Preven
Here, in the revised edition of his acclaimed book, Svejda captures the flavorr of his highly priced radio commentary. While traversing the rep ertoire alphabetically, by composer, he is merciless with those performers he considers charlatans and rhapsodic about those he champions. The most literate and controversial recordingi guide.
INDEPENDENT BOOKS OF THE YEAR This completely new edition of the Penguin Guide reviews the 1000 best classical albums issued and reissued over the past five decades, many of which dominate the catalogue because of their sheer excellence, irrespective of recording dates. More comprehensive than ever before, it indicates key recordings on CD, DVD and enhanced SACD, including those in surround sound. If you want the finest available version of any major classical album you will find it listed and assessed in these pages. Ranging from long-established albums to the newest releases, the latest edition represents the cream of the international repertoire and has all the information you need to select the finest classical music available.
A Paperback Original. The author who has taught tens of thousands of people to love opera now introduces readers to the rich and soul-stirring world of classical music. For anyone who is aching to discover classical music, this comprehensive and accessible book is the ideal teacher. Writing in the clear and highly entertaining prose that made Opera 101 the standard text in its field, Fred Plotkin -- music expert, teacher, lecturer, and famous author -- presents classical music in a way that respects both the reader and the art form. In Classical Music 101: --The reader will discover how to become an expert listener, which is essential for learning to love classical music. --A thousand years of music are explored, with emphasis on great works in all styles. Significant composers will be profiled in depth, including Beethoven, Mozart, Bach, Tchaikovsky, Dvorak, and many more. --Important musicians, such as pianist Emanuel Ax, singer Marilyn Horne, and conductor James Levine, speak about their art in interviews. Classical Music 101, the newest addition to a highly successful series intended for readers who don't consider themselves dummies or idiots, will help the person drawn to the finer things in life (and readers who don't know how to approach them) discover the glories of music.
Winner of the 2007 National Book Critics Circle Award for Criticism A New York Times Book Review Top Ten Book of the Year Time magazine Top Ten Nonfiction Book of 2007 Newsweek Favorite Books of 2007 A Washington Post Book World Best Book of 2007 In this sweeping and dramatic narrative, Alex Ross, music critic for The New Yorker, weaves together the histories of the twentieth century and its music, from Vienna before the First World War to Paris in the twenties; from Hitler's Germany and Stalin's Russia to downtown New York in the sixties and seventies up to the present. Taking readers into the labyrinth of modern style, Ross draws revelatory connections between the century's most influential composers and the wider culture. The Rest Is Noise is an astonishing history of the twentieth century as told through its music.
Classical Recording: A Practical Guide in the Decca Tradition is the authoritative guide to all aspects of recording acoustic classical music. Offering detailed descriptions, diagrams, and photographs of fundamental recording techniques such as the Decca tree, this book offers a comprehensive overview of the essential skills involved in successfully producing a classical recording. Written by engineers with years of experience working for Decca and Abbey Road Studios and as freelancers, Classical Recording equips the student, the interested amateur, and the practising professional with the required knowledge and confidence to tackle everything from solo piano to opera.
Offering comprehensive coverage of classical music, this guide surveys more than eleven thousand albums and presents biographies of five hundred composers and eight hundred performers, as well as twenty-three essays on forms, eras, and genres of classical music. Original.