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The Unraveling of Michelle DuBois, aka *Alice Johnson* (Fall 2011) Published by Aperture Ideas. Self-Reflexive & Errant Hairs,with an introduction by Eleanor Kaufman & essay by Andrew Berardini.8 × 10 inches,240 pages, 220 four-color imagesThe Unraveling of Michelle duBois aka “Alice Johnson” is a print-on-demand artist book. It is the second in a four-volume set by the artist Zoe Crosher.Zoe Crosher’s The Archives of Michelle duBois, Vols. 1-4 is a reconsidered archive culled from crates, boxes, and albums consisting of endless flirtatious smiles, tourist shots, cheesecake mementos, and suggestive poses, in every film type and size.Identical in structure, each volume offers an alternate perspective on the archive of Michelle duBois, an enigmatic collection of images bequeathed to the artist by the subject and compiler. In each subsequent volume, Crosher configures a new set of identities and meanings for this ephemeral archive of photographic detritus, through a selection of unique sets of images, reinterpretations of photos seen in previous volumes, as well as new texts.
The Disappearance of Michele DuBois, aka *Mitchi* (Fall 2012) Published by Aperture Ideas.Almost The Same & Obfuscated,with an introduction by Christine Y. Kim & essay by Lucas Blalock.8 × 10 inches,240 pages, 208 four-color images.The Disappearance of Michelle duBois is a print-on-demand artist’s book. It is the fourth volume in a four-volume set by the artist Zoe Crosher. This volume is part of Aperture Ideas: Writers and Artists on Photography, a series devoted to the finest critical and creative minds exploring key concepts in photography, including new technologies of production and dissemination.Identical in structure, each volume offers an alternate perspective on the archive of Michelle duBois, an enigmatic collection of images bequeathed to the artist by the subject and compiler. In each subsequent volume, Crosher configures a new set of identities and meanings for this ephemeral archive of photographic detritus through a selection of unique sets of images, reinterpretations of photos seen in previous volumes, as well as new texts.Zoe Crosher’s The Disappearance of Michelle duBois is a reconsidered archive culled from crates, boxes and albums consisting of endless flirtatious smiles, tourist shots, cheesecake mementos and suggestive poses in every film type and size.
Pae White's work roams exuberantly across genres from furniture, textiles and graphic design to sculptural installations, in particular her monumental tapestries that form the focus of this clothbound volume. It particularly highlights Sea Beast, a 2010 work commissioned by The Power Plant, which incorporates a found macram� wall hanging.
The Unveiling of Michelle duBois, aka *Cricket* (Spring 2012) Published by Aperture Ideas.Asianesque & Collecting,with an introduction by Jan Tumlir & essay by Catherine G. Wagley.8 X 10 inches,240 pages, 220 four-color images.The Unraveling of Michelle duBois aka “Alice Johnson” is a print-on-demand artist book. It is the third in a four-volume set by the artist Zoe Crosher.Zoe Crosher’s The Archives of Michelle duBois, Vols. 1-4 is a reconsidered archive culled from crates, boxes, and albums consisting of endless flirtatious smiles, tourist shots, cheesecake mementos, and suggestive poses, in every film type and size.Identical in structure, each volume offers an alternate perspective on the archive of Michelle duBois, an enigmatic collection of images bequeathed to the artist by the subject and compiler. In each subsequent volume, Crosher configures a new set of identities and meanings for this ephemeral archive of photographic detritus, through a selection of unique sets of images, reinterpretations of photos seen in previous volumes, as well as new texts.
Guideline 12: If the Results of Previous Studies Are Inconsistent or Widely Varying, Cite Them Separately
"From its founding, Los Angeles has been a victim of urban experiments and endless real estate developments disguised as community building. L.A. ForumU+2019s new publication, After The City, This (is how we live), gives an important insider view into the real world of real estate development in Southern California. Using the structure of a screenplay to tell the story, architect Tom Marble takes the reader inside the minds of the people on both sides of the development conflict U+2013 those seeing land as a commodity for profit, and those who see it as a valued resource for all to enjoy"--R.A.M. Publications + Distribution WWW site, Apr. 31, 2009.
The second edition of Why Art Photography? is an updated, expanded introduction to the ideas behind today’s striking photographic images. Lively, accessible discussions of key issues such as ambiguity, objectivity, fiction, authenticity, and photography’s expanding field are supplemented with new material around timely topics such as globalization, selfie culture, and photographers’ use of advanced digital technologies, including CGI and virtual reality. The new edition includes: an expanded introduction extended chapters featuring emerging trends a larger selection of images, including new color images an improved and expanded bibliography This new edition is essential for students looking to enrich their understanding of photography as a complex and multi-faceted art form.
By the middle of the nineteenth century, the most common method of photography was the daguerreotype—Louis Jacques Mandé Daguerre’s miraculous invention that captured in a camera visual images on a highly polished silver surface through exposure to light. In this book are presented nearly eighty masterpieces—many never previously published—from the J. Paul Getty Museum’s extensive daguerreotype collection.
Fourteen provocative papers on the oppression of women in capitalist countries, along with three articles on the subordinate position of women in two communist countries, Cuba and China. These important, often path-breaking articles are arranged in five basic sections, the titles of which indicate the broad range of issues being considered: Introduction; motherhood, reproduction, and male supremacy; socialist feminist historical analysis; patriarchy in revolutionary society; socialist feminism in the United States. The underlying thrust of the book is toward integrating the central ideas of radical feminist thought with those pivotal for Marxist or socialist class analysis.