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A terrifying and heartbreaking new novel of guilt and innocence, from CWA Dagger-­winner Steve Mosby. The hardest crimes to acknowledge are your own. Charlie Matheson died two years ago in a car accident. So how is a woman bearing a startling resemblance to her claiming to be back from the dead? Detective Mark Nelson is called in to investigate and hear her terrifying account of what she's been through in the afterlife. Every year, Detective David Groves receives a birthday card for his son—even though he buried him years ago. His son's murder took everything from him, apart from his belief in the law, even though the killers were never found. This year, though, the card bears a different message: I know who did it. Uncovering the facts will lead them all on a dark journey, where they must face their own wrongs as well as those done to those they love. It will take them to a place where justice is a game, and punishments are severe. Nelson and Groves know the answers lie with the kind of people you want to turn and run from. But if they're to get to the truth, they must face their own wrongs, as well as those inflicted on the ones they love.
When a car crashes into a garage on an ordinary street, the attending officer is shocked to look inside the damaged building and discover a woman imprisoned within. As the remains of several other victims are found in the attached house, police believe they have finally identified the Red River Killer—a man who has been abducting women for nearly twenty years and taunting the police with notes about his crimes. But now the main suspect, John Blythe, is on the run. As the manhunt for Blythe intensifies, Detective Inspector Will Turner finds himself fighting to stay involved in the investigation. The Red River murders hold a personal significance to him and he must be the one to find the killer, although he’s determined to keep this from his fellow officers at all costs.
615 pages. Green cover. Soiled. Acidification.
Vol. 77- includes Yearbook of the Association, 1931-
This landmark two-volume set is the richest and most important extant collection of information about traditional Cherokee culture. Because many of the Cherokees own records were lost during their forced removal to the west, the Payne-Butrick Papers are the most detailed written source about the Cherokee Nation during the late eighteenth and early nineteenth centuries. In the 1830s John Howard Payne, a respected author, actor, and playwright, and Daniel S. Butrick, an American Board missionary, hastened to gather information on Cherokee life and history, fearing that the cultural knowledge would be lost forever. Butrick, who was conversant with the Cherokees culture and language after having spent decades among them, recorded what elderly Cherokees had to say about their lives. The collection also contains much of the Cherokee leaders correspondence, which had been given to Payne for safekeeping. This amazing repository of information covers nearly all aspects of traditional Cherokee culture and history, including politics, myths, early and later religious beliefs, rituals, marriage customs, ball play, language, dances, and attitudes toward children. It will inform our understanding and appreciation of the history and enduring legacy of the Cherokees.
In the first book-length study of Arkansas slavery in more than sixty years, A Weary Land offers a glimpse of enslaved life on the South’s western margins, focusing on the intersections of land use and agriculture within the daily life and work of bonded Black Arkansans. As they cleared trees, cultivated crops, and tended livestock on the southern frontier, Arkansas’s enslaved farmers connected culture and nature, creating their own meanings of space, place, and freedom. Kelly Houston Jones analyzes how the arrival of enslaved men and women as an imprisoned workforce changed the meaning of Arkansas’s acreage, while their labor transformed its landscape. They made the most of their surroundings despite the brutality and increasing labor demands of the “second slavery”—the increasingly harsh phase of American chattel bondage fueled by cotton cultivation in the Old Southwest. Jones contends that enslaved Arkansans were able to repurpose their experiences with agricultural labor, rural life, and the natural world to craft a sense of freedom rooted in the ability to own land, the power to control their own movement, and the right to use the landscape as they saw fit.
The 50/50 killer preys on couples. He manipulates their love for each other and makes them play a game. He stalks them, tortures them and then forces them to choose. What is going to break first? Their will or their love for each other? Only two things are certain: One of them will die. And the other will have killed them.