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Happily ever after is only the beginning in this epic YA reimagining of the princesses as young rulers of their lands, aided by a mystical group of women called the Queen's Council, whose job it is to advise queens throughout history.
Daniel Fischlin is a leading Canadian humanities researcher who has written over twenty books. Also a musician and community organizer, he chairs the Board of Silence, a community art space in Guelph, and is the founding director of the newly launched MA/PhD program in Critical Studies in Improvisation at the University of Guelph. Ajay Heble is the founding director of the International Institute for Critical Studies in Improvisation (IICSI) and professor of English in the School of English and Theatre Studies at the University of Guelph. He is the founding artistic director of the award-winning Guelph Jazz Festival and Colloquium and a founding co-editor of the peer-reviewed journal Critical Studies in Improvisation. Heble is also an accomplished pianist who, with Daniel Fischlin, records and performs with the improvising quartet, The Vertical Squirrels.
This epic saga of brotherhood and rivalry, of loyalty and treachery, of victory and death, forms part of the indelible core of classical Chinese culture and continues to fascinate modern-day readers. In 220 EC, the 400-year-old rule of the mighty Han dynasty came to an end and three kingdoms contested for control of China. Liu Pei, the legitimate heir to the Han throne, elects to fight for his birthright and enlists the aid of his sworn brothers, the impulsive giant Chang Fei and the invincible knight Kuan Yu. The brave band faces a formidable array of enemies, foremost among them the treacherous and bloodthirsty Ts'ao Ts'ao. The bold struggle of the three heroes seems doomed until the reclusive wizard Chuko Liang offers his counsel, and the tide begins to turn. Romance of the Three Kingdoms is China's oldest novel and the first of a great tradition of historical fiction. Believed to have been compiled by the play-wright Lo Kuan-chung in the late fourteenth century, it is indebted to the great San-kuo chi (Chronicles of the Three Kingdoms) completed by the historian Ch'en Shou just before his death in 297 CE. The novel first appeared in print in 1522. This edition, translated in the mid-1920s by C. H. Brewitt-Taylor, is based on a shortened and simplified version which appeared in the 1670s. An Introduction to this reprint by Robert E. Hegel, Professor of Chinese and Comparative Literature at Washington University, provides an insightful commentary on the historical background to the novel, its literary origins and its main characters.
From Kirkus Reviews: A friendly yet not uncritical biography of the secretary of state in the Lincoln and Andrew Johnson Cabinets. Taylor--who chronicled his father's life in General Maxwell Taylor (1987)- -offers neither much original scholarship nor
For sheer bravado and style, no woman in the North or South rivaled the Civil War heroine Rose O’Neale Greenhow. Fearless spy for the Confederacy, glittering Washington hostess, legendary beauty and lover, Rose Greenhow risked everything for the cause she valued more than life itself. In this superb portrait, biographer Ann Blackman tells the surprising true story of a unique woman in history. “I am a Southern woman, born with revolutionary blood in my veins,” Rose once declared–and that fiery spirit would plunge her into the center of power and the thick of adventure. Born into a slave-holding family, Rose moved to Washington, D.C., as a young woman and soon established herself as one of the capital’s most charming and influential socialites, an intimate of John C. Calhoun, James Buchanan, and Dolley Madison. She married well, bore eight children and buried five, and, at the height of the Gold Rush, accompanied her husband Robert Greenhow to San Francisco. Widowed after Robert died in a tragic accident, Rose became notorious in Washington for her daring–and numerous–love affairs. But with the outbreak of the Civil War, everything changed. Overnight, Rose Greenhow, fashionable hostess, become Rose Greenhow, intrepid spy. As Blackman reveals, deadly accurate intelligence that Rose supplied to General Pierre G. T. Beauregard written in a fascinating code (the code duplicated in the background on the jacket of this book). Her message to Beauregard turned the tide in the first Battle of Bull Run, and was a brilliant piece of spycraft that eventually led to her arrest by Allan Pinkerton and imprisonment with her young daughter. Indomitable, Rose regained her freedom and, as the war reached a crisis, journeyed to Europe to plead the Confederate cause at the royal courts of England and France. Drawing on newly discovered diaries and a rich trove of contemporary accounts, Blackman has fashioned a thrilling, intimate narrative that reads like a novel. Wild Rose is an unforgettable rendering of an astonishing woman, a book that will stand with the finest Civil War biographies.
The Amish and modern worlds clash in this moving conclusion to The Rose Trilogy as two sisters love young men lost to the English world.
She brought honor on the battlefield. Now comes a new kind of war... The war is over. Now a renowned hero, Mulan spends her days in her home village, training a militia of female warriors. The peace is a welcome one, and she knows it must be protected. When Shang arrives with an invitation to the Imperial City, Mulan's relatively peaceful life is upended once more. The aging emperor decrees that Mulan will be his heir to the throne. Such unimagined power and responsibility terrifies her, but who can say no to the Emperor? As Mulan ascends into the halls of power, it becomes clear that not everyone is on her side. Her ministers undermine her, and the Huns sense a weakness in the throne. When hints of treachery appear even amongst those she considers friends, Mulan has no idea whom she can trust. But the Queen's Council helps Mulan uncover her true destiny. With renewed strength and the wisdom of those that came before her, Mulan will own her power, save her country, and prove once again that, crown or helmet, she was always meant to lead. This fierce reimagining of the girl who became a warrior blends fairy-tale lore and real history with a Disney twist.
Analyzes contemporary Yucatecan and Chiapanecan Maya narratives. Recovering Lost Footprints, Volume 2 is an in-depth analysis of the sociohistorical conflict impacting Indigenous communities in Latin America. Continuing the project he began in volume 1, Arturo Arias analyzes contemporary Peninsular and Chiapanecan Maya narratives. He examines the works of Yucatecan writers Jorge Cocom Pech, Javier Gómez Navarrete, Isaac Carrillo Can, and Marisol Ceh Moo. For Chiapas, Arias looks at the works of Tseltal novelist Diego Méndez Guzmán, Tsotsil short-story writer Nicolás Huet Bautista, and Tseltal narrative writer Josías López Gómez. Arias problematizes the nature of Western modernity and the crisis of Western models of development in the present. By way of his analysis, he suggests that we are facing a historical impasse because we have neglected native knowledges that offer alternative codes of ethics and beingness that emerge from Indigenous cosmovisions. The text skillfully contributes to and strengthens debates between US-centered and Latin American cultural studies theorists, as well as the hemispheric expansion of Native American and Indigenous Studies. Recovering Lost Footprints, Volume 2 is inspired more by the past as it impinges upon a continuing, constantly expanding present. Arias’s reading of Maya literatures forces us to reconsider the space-time structure of Western thinking. Indeed, this book is intriguing precisely because it views literature from an Indigenous perspective, evidencing how that social space is full of multiple contrasting experiences and historical processes. “By drawing attention to the articulation between the contemporary literary production and its relationship to Mayan cosmovision in a broad sense, and focusing on the different traditions preserved through diverse languages and customs, this rich, comprehensive overview offers glimpses of a very different worldview.” — Cynthia Margarita Tompkins, author of Affectual Erasure: Representations of Indigenous Peoples in Argentine Cinema