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Cimbala (history, Fordham U., New York) and Miller (history, Saint Joseph's U., Philadelphia) introduce a dozen contributions on the Civil War battlefront's effects on the Northern homefront. Authors (some from the Northern US) explore the war's impact on such areas as journalism, popular literature, bond drive-construction of patriotism, Republican ideology on race, women's growing sense of entitlement, the Smithsonian Institution, dissent, laws on the return of slaves to the South, and the Federal system. Annotation copyrighted by Book News, Inc., Portland, OR
A surprising work of narrative history and detection that illuminates one of the most daring—and long-forgotten—heroes of the Civil War. Independence Day, 1861. The schooner S. J. Waring sets sail from New York on a routine voyage to South America. Seventeen days later, it limps back into New York’s frenzied harbor with the ship's black steward, William Tillman, at the helm. While the story of that ill-fated voyage is one of the most harrowing tales of captivity and survival on the high seas, it has, almost unbelievably, been lost to history. Now reclaiming Tillman as the real American hero he was, historian Brian McGinty dramatically returns readers to that riotous, explosive summer of 1861, when the country was tearing apart at the seams and the Union army was in near shambles following a humiliating defeat at the First Battle of Bull Run. Desperate for good news, the North was soon riveted by reports of an incident that occurred a few hundred miles off the coast of New York, where the Waring had been overtaken by a marauding crew of Confederate privateers. While the white sailors became chummy with their Southern captors, free black man William Tillman was perfectly aware of the fate that awaited him in the ruthless, slave-filled ports south of the Mason-Dixon Line. Stealthily biding his time until a moonlit night nine days after the capture, Tillman single-handedly killed three officers of the privateer crew, then took the wheel and pointed it home. Yet, with no experience as a navigator, only one other helper, and a war-torn Atlantic seaboard to contend with, his struggle had just begun. It took five perilous days at sea—all thrillingly recounted here—before the Waring returned to New York Harbor, where the story of Tillman's shipboard courage became such a tabloid sensation that he was not only put on the bill of Barnum’s American Museum but also proclaimed to be the "first hero" of the Civil War. As McGinty evocatively shows, however, in the horrors of the war then engulfing the nation, memories of his heroism—even of his identity—were all but lost to history. As such, The Rest I Will Kill becomes a thrilling and historically significant work, as well as an extraordinary journey that recounts how a free black man was able to defy efforts to make him a slave and become an unlikely glimmer of hope for a disheartened Union army in the war-battered North.
The Confederate privateers is a book of action and adventure filled with stories of the Confederacy's privately armed ships and their sea battles with the Union. Called 'pirates' by the North, the South preferred to call them 'gentlemen adventurers', justly boasting of their exploits. Using Naval War records and other archives, the author provides readers with an authentic description of the privateers, their cruises and prizes, their successes and failures, and their ultimate fates. In fact, this is the first narrative history of privateer cruises aboard the Jefferson Davis, the Dixie, the Sally, and the pygmy submarine Pioneer.
In this groundbreaking work of cultural history, Alice Fahs explores a little-known and fascinating side of the Civil War--the outpouring of popular literature inspired by the conflict. From 1861 to 1865, authors and publishers in both the North and the South produced a remarkable variety of war-related compositions, including poems, songs, children's stories, romances, novels, histories, and even humorous pieces. Fahs mines these rich but long-neglected resources to recover the diversity of the war's political and social meanings. Instead of narrowly portraying the Civil War as a clash between two great, white armies, popular literature offered a wide range of representations of the conflict and helped shape new modes of imagining the relationships of diverse individuals to the nation. Works that explored the war's devastating impact on white women's lives, for example, proclaimed the importance of their experiences on the home front, while popular writings that celebrated black manhood and heroism in the wake of emancipation helped readers begin to envision new roles for blacks in American life. Recovering a lost world of popular literature, The Imagined Civil War adds immeasurably to our understanding of American life and letters at a pivotal point in our history.
This Open Access book, Crisis and Legitimacy in Atlantic American Narratives of Piracy: 1678-1865, examines literary and visual representations of piracy beginning with A.O. Exquemelin’s 1678 Buccaneers of America and ending at the onset of the US-American Civil War. Examining both canonical and understudied texts—from Puritan sermons, James Fenimore Cooper’s The Red Rover, and Herman Melville’s “Benito Cereno” to the popular cross-dressing female pirate novelette Fanny Campbell, and satirical decorated Union envelopes, this book argues that piracy acted as a trope to negotiate ideas of legitimacy in the contexts of U.S. colonialism, nationalism, and expansionism. The readings demonstrate how pirates were invoked in transatlantic literary production at times when dominant conceptions of legitimacy, built upon categorizations of race, class, and gender, had come into crisis. As popular and mobile maritime outlaw figures, it is suggested, pirates asked questions about might and right at critical moments of Atlantic history.
DigiCat Publishing presents to you this unique collection of sea adventure novels and true stories of the most notorious pirates._x000D_ History of Pirates of the Caribbean:_x000D_ Contents:_x000D_ The King of Pirates: Of Captain Avery, And his Crew_x000D_ Captain Martel_x000D_ Captain Teach, alias Blackbeard_x000D_ Edward England_x000D_ Charles Vane_x000D_ Rackam_x000D_ Mary Read_x000D_ Anne Bonny_x000D_ John Bowen_x000D_ The Trial of the Pirates at Providence_x000D_ The Pirate Gow _x000D_ The Pirates of Panama..._x000D_ Novels & Stories:_x000D_ Treasure Island (Robert Louis Stevenson)_x000D_ The Pirate (Walter Scott)_x000D_ Blackbeard: Buccaneer (Ralph D. Paine)_x000D_ Pieces of Eight (Richard Le Gallienne)_x000D_ The Gold-Bug (Edgar Allan Poe)_x000D_ Jack London:_x000D_ Hearts of Three_x000D_ Tales of the Fish Patrol_x000D_ Daniel Defoe:_x000D_ Robinson Crusoe_x000D_ Captain Singleton_x000D_ Jules Verne:_x000D_ The Mysterious Island_x000D_ Facing the Flag_x000D_ The Dark Frigate (Charles Boardman Hawes)_x000D_ Peter Pan and Wendy (J. M. Barrie)_x000D_ The Dealings of Captain Sharkey (Arthur Conan Doyle)_x000D_ The Pirate (Frederick Marryat)_x000D_ The Madman and the Pirate (R. M. Ballantyne)_x000D_ The Pirate City (R. M. Ballantyne)_x000D_ Gascoyne, the Sandal-Wood Trader (R. M. Ballantyne)_x000D_ Captain Boldheart& the Latin-Grammar Master (Charles Dickens)_x000D_ The Master Key (L. Frank Baum)_x000D_ A Man to His Mate (J. Allan Dunn)_x000D_ The Isle of Pirate's Doom (Robert E. Howard)_x000D_ Queen of the Black Coast (Robert E. Howard)_x000D_ James Fenimore Cooper:_x000D_ Afloat and Ashore_x000D_ Homeward Bound_x000D_ The Red Rover_x000D_ The Rose of Paradise (Howard Pyle)_x000D_ The Count of Monte Cristo (Alexandre Dumas)_x000D_ The Ghost Pirates (William Hope Hodgson)_x000D_ The Offshore Pirate (F. Scott Fitzgerald)_x000D_ Harry Collingwood:_x000D_ A Pirate of the Caribbees_x000D_ The Pirate Island_x000D_ Among Malay Pirates (G. A. Henty)_x000D_ Great Pirate Stories (Joseph L. French)_x000D_ Fanny Campbell, the Female Pirate Captain (Maturin Murray Ballou)_x000D_ The Dark Frigate (Charles B. Hawes)_x000D_ Kidd the Pirate (Washington Irving) _x000D_ The Death Ship (William Clark Russell)_x000D_ The Iron Pirate (Max Pemberton)...
Includes titles on all subjects, some in foreign languages, later incorporated into Memorial Library.