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"The Reason For The Rhymes" will rekindle your innate creativity to significantly enhance your ability to innovate. By mixing practical how-tos with song-based examples that everyone knows, GRAMMY-recognized #1 hit songwriter, Cliff Goldmacher, will teach you how to explore, shape and sell your ideas by teaching you how to write songs. Using the book's fun and accessible exercises, you will develop the essential skills of lateral thinking, creativity, communication, empathy, collaboration, risk-taking and the diffusion of ideas which will, quite simply, make you a better innovator.
Rhymes & Reasons is a smart, up-to-date, all-in-one guide to phonological awareness-what it is, what it isn't, and the best practices for teaching it.
Seventy-three classic nursery rhymes and the "reasons" behind them.
A history of the origins and meanings of nursery rhymes reveals the popular sport behind "Jack Be Nimble" and Humpty Dumpty's identity as a cannon mounted on the walls of a Colchester church.
Is there too much violence in hip-hop music? What’s the difference between Kimberly Jones and the artist Lil' Kim? Is hip-hop culture a "black" thing? Is it okay for N.W.A. to call themselves niggaz and for Dave Chappelle to call everybody bitches? These witty, provocative essays ponder these and other thorny questions, linking the searing cultural issues implicit — and often explicit — in hip-hop to the weighty matters examined by the great philosophers of the past. The book shows that rap classics by Lauryn Hill, OutKast, and the Notorious B.I.G. can help uncover the meanings of love articulated in Plato's Symposium; that Rakim, 2Pac, and Nas can shed light on the conception of God's essence expressed in St. Thomas Aquinas's Summa Theologica; and explores the connection between Run-D.M.C., Snoop Dogg, and Hegel. Hip-Hop and Philosophy proves that rhyme and reason, far from being incompatible, can be mixed and mastered to contemplate life's most profound mysteries.
Machine generated contents note: 1. Introduction; 2. Phonological motivation in language evolution and development; 3. Phonetic symbolism; 4. Onomatopoeia; 5. Rhyme and alliteration in blends and compounds; 6. Words, words, words: rhyme and repetition in multi-word expressions; 7. Conclusions: the piggy in the middle.
Despite its global popularity, rap has received little scholarly attention in terms of its poetic features. Rhymes in the Flow systematically analyzes the poetics (rap beats, rhythms, rhymes, verse and song structures) of many notable rap songs to provide new insights on rap artistry and performance. Defining and describing the features of what rappers commonly call flow, the authors establish a theory of the rap line as they trace rap’s deepest roots and stylistic evolution—from Anglo-Saxon poetry to Lil Wayne—and contextualize its complex poetics. Rhymes in the Flow helps explain rap’s wide appeal by focusing primarily on its rhythmic and thematic power, while also claiming its historical, cultural, musical, and poetic importance.
This delightful children's book presents highlights from the book of Genesis in rhyming couplets, from the creation to the story of Joseph. It teaches kids not only the events and themes of Genesis, but also God's heart, in a fun way. Lively, full-color illustrations beautifully complement the text. Genesis: The Rhyme and Reason Series creatively presents the entire panorama of the book of Genesis, and includes the stories of: The creation, Adam and Eve, Cain and Abel, Noah and the Flood, The Tower of Babel, Abraham and Sarah, Sodom and Gomorrah, Isaac and Rebekah, Jacob, Joseph, and the 11 brothers, Joseph and Pharaoh ...and much more! Genesis: The Rhyme and Reason Series provides a powerful tool for creating an understanding of, and passion for, the Word of God. Children and adults alike will be delighted by this one-of-a-kind book.
In that Rhymes and Reasons are songs, not poems, I’ve left them in the accepted patterns necessary to set them to music. There may be some repetition but rare is the song sang in its entirety without repeating verses or choruses especially, what is now considered the chorus. The earlier songs were primarily AABA or ABAC patterns which were the norm back then. As patterns evolved into the more contemporary verse-chorus mode, I’d suspect that happened because repetition of the chorus allows for more rousing concert finales in which audience might be tempted to sing along.