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Winner of the Merle Curti Award Winner of the James A. Rawley Prize Winner of the Louis Gottschalk Prize Longlisted for the Cundill Prize “Vincent Brown makes the dead talk. With his deep learning and powerful historical imagination, he calls upon the departed to explain the living. The Reaper’s Garden stretches the historical canvas and forces readers to think afresh. It is a major contribution to the history of Atlantic slavery.”—Ira Berlin From the author of Tacky’s Revolt, a landmark study of life and death in colonial Jamaica at the zenith of the British slave empire. What did people make of death in the world of Atlantic slavery? In The Reaper’s Garden, Vincent Brown asks this question about Jamaica, the staggeringly profitable hub of the British Empire in America—and a human catastrophe. Popularly known as the grave of the Europeans, it was just as deadly for Africans and their descendants. Yet among the survivors, the dead remained both a vital presence and a social force. In this compelling and evocative story of a world in flux, Brown shows that death was as generative as it was destructive. From the eighteenth-century zenith of British colonial slavery to its demise in the 1830s, the Grim Reaper cultivated essential aspects of social life in Jamaica—belonging and status, dreams for the future, and commemorations of the past. Surveying a haunted landscape, Brown unfolds the letters of anxious colonists; listens in on wakes, eulogies, and solemn incantations; peers into crypts and coffins, and finds the very spirit of human struggle in slavery. Masters and enslaved, fortune seekers and spiritual healers, rebels and rulers, all summoned the dead to further their desires and ambitions. In this turbulent transatlantic world, Brown argues, “mortuary politics” played a consequential role in determining the course of history. Insightful and powerfully affecting, The Reaper’s Garden promises to enrich our understanding of the ways that death shaped political life in the world of Atlantic slavery and beyond.
Winner of the Merle Curti Award Winner of the James A. Rawley Prize Winner of the Louis Gottschalk Prize Longlisted for the Cundill Prize ÒVincent Brown makes the dead talk. With his deep learning and powerful historical imagination, he calls upon the departed to explain the living. The ReaperÕs Garden stretches the historical canvas and forces readers to think afresh. It is a major contribution to the history of Atlantic slavery.ÓÑIra Berlin From the author of TackyÕs Revolt, a landmark study of life and death in colonial Jamaica at the zenith of the British slave empire. What did people make of death in the world of Atlantic slavery? In The ReaperÕs Garden, Vincent Brown asks this question about Jamaica, the staggeringly profitable hub of the British Empire in AmericaÑand a human catastrophe. Popularly known as the grave of the Europeans, it was just as deadly for Africans and their descendants. Yet among the survivors, the dead remained both a vital presence and a social force. In this compelling and evocative story of a world in flux, Brown shows that death was as generative as it was destructive. From the eighteenth-century zenith of British colonial slavery to its demise in the 1830s, the Grim Reaper cultivated essential aspects of social life in JamaicaÑbelonging and status, dreams for the future, and commemorations of the past. Surveying a haunted landscape, Brown unfolds the letters of anxious colonists; listens in on wakes, eulogies, and solemn incantations; peers into crypts and coffins, and finds the very spirit of human struggle in slavery. Masters and enslaved, fortune seekers and spiritual healers, rebels and rulers, all summoned the dead to further their desires and ambitions. In this turbulent transatlantic world, Brown argues, Òmortuary politicsÓ played a consequential role in determining the course of history. Insightful and powerfully affecting, The ReaperÕs Garden promises to enrich our understanding of the ways that death shaped political life in the world of Atlantic slavery and beyond.
It was sometime in the twenty-first century, when one discovery revolutionized the world further than any ever before it. This was the discovery of a nonlinear power, which lies inside of every living and nonliving organism on the planet. Its discoverers termed it Meteora. With it came the ability to tap into a clean, seemingly unlimited source of energy. With further study, it was found that only a few genetically gifted individuals could use this power World War III was fought between these new beings and the United Governments of the world. After fighting to a stalemate, the governments and the beings who had access to this power, now known as Homospiritus, came to an agreement called the Accords. Code 23: By law, all children born who are capable of using Meteora will be taken for safety reasons to Gardens to learn to control their powers, and serve the greater good of the commonwealth. Which meant to become a soldier in the army of the new world order. Tenchi was four years old when they came for him. Despite the best efforts by his mother to keep him hidden and safe, he was taken by force to Juneau Gardens, which is the home of the Homospiritus and the new governing order of the former United States of America, now named Juneau. It is a Gardens itself, one of a series of peaceful and beautiful utopian societies made up of the now free Homospiritus who, under the terms of the Accords, were allowed their independence and sovereignty. Gardens are realms, which demonstrate the height of Meteora manipulation and the coming together of humans with Meteora to create a utopian, Shangri-La-like paradise on a level with the Garden of Eden. Now inside of Gardens, Tenchi is swept up in a world of Meteora, fighting, and war, to protect a world he does not really feel a part of. He is taken from his home, his mother, and the only family he has ever known and commissioned to fight in a war for the peace and safety of the planet. He is forced to go through rigorous training and trials, as well as torment from other Homospiritus, when the only thing he truly cares about is getting home to his mother. And, after six years in the Gardens’ Academy comes to an end, he seems to get his chance when, at the age of ten, Tenchi graduates. Now he is an apprentice, under the command of a Master Agent who guards, trains, and protects him and his two other apprentices, Ko and Suki. In the field as a second level of training, Tenchi has a greater degree of freedom, though under the careful guidance and tutelage of Master Agent Shaun. The team members begin their journey all over the world carrying out peace missions while simultaneously improving and learning how to better use Meteora in real-life battle situations, all to prepare the young Agents to eventually go out on their own. This is vital, as it is public knowledge that the life of an apprentice is a very short one. Tenchi is then swept up in a series of missions, both dangerous and important to the fate and the safety of the whole world. Eventually, he is sent on a mission where he encounters terrorists with nuclear arms who have also taken their own dark dive into the use of Meteora, only to corrupt it. Tenchi is given the chance to abandon his mission and continue his own, which has always been to return to his mother. But now he is faced with a choice, to return home or to fight to secure and prevent the misuse of The Sword of Heaven, an ancient weapon of unparalleled power forged of Meteora itself. If not kept in check, The Sword will throw the world into an apocalyptic age from which we may never recover, a fate that will visit both Homospiritus and humankind alike.
A green thumb is not the only tool one needs to garden well—at least that’s what the makers of gardening catalogs and the designers of the dizzying aisle displays in lawn- and-garden stores would have us believe. Need to plant a bulb, aerate some soil, or keep out a hungry critter? Well, there’s a specific tool for almost everything. But this isn’t just a product of today’s consumer era, since the very earliest gardens, people have been developing tools to make planting and harvesting more efficient and to make flora more beautiful and trees more fruitful. In A History of the Garden in Fifty Tools, Bill Laws offers entertaining and colorful anecdotes of implements that have shaped our gardening experience since the beginning. As Laws reveals, gardening tools have coevolved with human society, and the story of these fifty individual tools presents an innovative history of humans and the garden over time. Laws takes us back to the Neolithic age, when the microlith, the first “all-in-one” tool was invented. Consisting of a small sharp stone blade that was set into a handle made of wood, bone, or antler, it was a small spade that could be used to dig, clip, and cut plant material. We find out that wheelbarrows originated in China in the second century BC, and their basic form has not changed much since. He also describes how early images of a pruning knife appear in Roman art, in the form of a scythe that could cut through herbs, vegetables, fruits, and nuts and was believed to be able to tell the gardener when and what to harvest. Organized into five thematic chapters relating to different types of gardens: the flower garden, the kitchen garden, the orchard, the lawn, and ornamental gardens, the book includes a mix of horticulture and history, in addition to stories featuring well-known characters—we learn about Henry David Thoreau’s favorite hoe, for example. A History of the Garden in Fifty Tools will be a beautiful gift for any home gardener and a reassuring reminder that gardeners have always struggled with the same quandaries.
Welcome to My People Garden will introduce you to the parable of the sower in a different light where you find the applicability in today’s world. You will learn to explore and develop your relationship with in your own backyard, grow your relationship with yourself, with God, to develop better relationships with other people. When you work your people garden with intention of growth and harvest while working the ground, then you will discover that your relationships will be bountiful in ways you would never imagine. You too will find yourself saying, Welcome to my People Garden with pure unconditional joy and love in your heart.
CONTENTS: Foreword, Vanessa Northington Gamble “Introduction: Healing and the History of Medicine in the Atlantic World,” Sean Morey Smith and Christopher D. E. Willoughby “Zemis and Zombies: Amerindian Healing Legacies on Hispaniola,” Lauren Derby “Poisoned Relations: Medical Choices and Poison Accusations within Enslaved Communities,” Chelsea Berry “Blood and Hair: Barbers, Sangradores, and the West African Corporeal Imagination in Salvador da Bahia, 1793–1843,” Mary E. Hicks “Examining Antebellum Medicine through Haptic Studies,” Deirdre Cooper Owens “Unbelievable Suffering: Rethinking Feigned Illness in Slavery and the Slave Trade,” Elise A. Mitchell “Medicalizing Manumission: Slavery, Disability, and Medical Testimony in Late Colonial Colombia,” Brandi M. Waters “A Case Study in Charleston: Impressions of the Early National Slave Hospital,” Rana A. Hogarth “From Skin to Blood: Interpreting Racial Immunity to Yellow Fever,” Timothy James Lockley “Black Bodies, Medical Science, and the Age of Emancipation,” Leslie A. Schwalm “Epilogue: Black Atlantic Healing in the Wake,” Sharla M. Fett