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This book leads you down the not-so-hallowed halls of law enforcement of four decades ago. It gives you an extra set of eyes and ears in the roll call lineups, in the patrol cars and detective cruisers, on the radio calls, in the streets and in the interview rooms, in the chases, arrests, gunfights, fist fights, hostage situations, and investigationsnot on a movie set but the real thing. You experience the sights, the sounds, the smells of a cops days and nights. You hear their words and those of the victims, witnesses and suspects when theyre not reading from a screenwriters script or posturing for the cameras of a reality show. It is populated not with fictional creations but real characters, by every definition of those words. The events, emotions and language are all served rawno dressing, no garnish. The rookies enthusiasm and optimism, the experienced veterans cynicism, the boredom of routine, the thrill of the pursuit, the satisfaction of a job well done, the frustration when events go bad, the anger, the hilarity, the dark and irreverent sense of humor, all pathways to the Ph. D. in Human Nature every street cop receives in a big city.
"[The] weird, beautiful, unapologetically apocalyptic Last Policeman trilogy is one of my favorite mystery series."—John Green, author of The Fault in Our Stars and Paper Towns Winner of the 2013 Edgar® Award Winner for Best Paperback Original! What’s the point in solving murders if we’re all going to die soon, anyway? Detective Hank Palace has faced this question ever since asteroid 2011GV1 hovered into view. There’s no chance left. No hope. Just six precious months until impact. The Last Policeman presents a fascinating portrait of a pre-apocalyptic United States. The economy spirals downward while crops rot in the fields. Churches and synagogues are packed. People all over the world are walking off the job—but not Hank Palace. He’s investigating a death by hanging in a city that sees a dozen suicides every week—except this one feels suspicious, and Palace is the only cop who cares. The first in a trilogy, The Last Policeman offers a mystery set on the brink of an apocalypse. As Palace’s investigation plays out under the shadow of 2011GV1, we’re confronted by hard questions way beyond “whodunit.” What basis does civilization rest upon? What is life worth? What would any of us do, what would we really do, if our days were numbered? Ebook contains an excerpt from the anticipated second book in the trilogy, Countdown City.
“A genre-defying blend of crime writing and science fiction.”—Alexandra Alter, The New York Times The explosive final installment in the Edgar® Award winning Last Policeman series. With the doomsday asteroid looming, Detective Hank Palace has found sanctuary in the woods of New England, secure in a well-stocked safe house with other onetime members of the Concord police force. But with time ticking away before the asteroid makes landfall, Hank’s safety is only relative, and his only relative—his sister Nico—isn’t safe. Soon, it’s clear that there’s more than one earth-shattering revelation on the horizon, and it’s up to Hank to solve the puzzle before time runs out...for everyone.
It's raw, profane, offensive, bizarre. It's not politically correct or warm and fuzzy. It's real. How did police officers do their jobs four decades ago during some of the nation's most turbulent and violent times? These aren't one-dimensional Hollywood characters. They're society's soldiers, real people cut from whole cloth. They try to help when they can, bristle when they're insulted, retaliate when they're attacked, bleed when they're injured, laugh when they're amused (sometimes inappropriately) and get ready for the next shift. Without bulletproof vests, portable radios and other equipment considered essential today, often riding alone, they developed a "One riot-one ranger" mentality by necessity. This book will put you beside some of them, sometimes inside their heads-om radio calls, both mundane and life-threatening, in interrogations, in hostage situations, undercover arrests, investigating burglaries, robberies, rapes and murders. These are the type of stories cops share with each other-stories of comedy, tragedy, chaos and the endless uniqueness of human behavior. These are some of the experiences that make them what they are, for better and worse. The experiences that forever change them, that set them apart from the rest of us, that make them a brotherhood closer than most brothers.
For sixty years Jewish refugees and their descendants have prospered in the Federal District of Sitka, a "temporary" safe haven created in the wake of the Holocaust and the shocking 1948 collapse of the fledgling state of Israel. The Jews of the Sitka District have created their own little world in the Alaskan panhandle, a vibrant and complex frontier city that moves to the music of Yiddish. But now the District is set to revert to Alaskan control, and their dream is coming to an end. Homicide detective Meyer Landsman of the District Police has enough problems without worrying about the upcoming Reversion. His life is a shambles, his marriage a wreck, his career a disaster. And in the cheap hotel where Landsman has washed up, someone has just committed a murder—right under his nose. When he begins to investigate the killing of his neighbor, a former chess prodigy, word comes down from on high that the case is to be dropped immediately, and Landsman finds himself contending with all the powerful forces of faith, obsession, evil, and salvation that are his heritage. At once a gripping whodunit, a love story, and an exploration of the mysteries of exile and redemption, The Yiddish Policemen's Union is a novel only Michael Chabon could have written.
A "former cop sets the record straight in this ... memoir about his youth selling crack in the '80s with one of NYC's toughest gangs and later rise through the ranks of the NYPD to become a community leader"--
The first installment in the delightful, internationally acclaimed series featuring Chief of Police Bruno. Meet Benoît Courrèges, aka Bruno, a policeman in a small village in the South of France. He’s a former soldier who has embraced the pleasures and slow rhythms of country life. He has a gun but never wears it; he has the power to arrest but never uses it. But then the murder of an elderly North African who fought in the French army changes all that. Now Bruno must balance his beloved routines—living in his restored shepherd’s cottage, shopping at the local market, drinking wine, strolling the countryside—with a politically delicate investigation. He’s paired with a young policewoman from Paris and the two suspect anti-immigrant militants. As they learn more about the dead man’s past, Bruno’s suspicions turn toward a more complex motive. "Enjoyable.... Martin Walker plots with the same finesse with which Bruno can whip up a truffle omelette, and both have a clear appreciation for a life tied to the land." —The Christian Science Monitor "A nice literary pairing with the slow-food movement.... [It is] lovely...to linger at the table." —Entertainment Weekly "A wonderfully crafted novel as satisfying as a French pastry but with none of the guilt or calories." —Tuscon Citizen's Journal
In 1948, responding to orders from on high, the Atlanta Police Department is forced to hire its first black officers, including war veterans Lucius Boggs and Tommy Smith. The newly minted policemen are met with deep hostility by their white peers; they arent allowed to arrest white suspects, drive squad cars, or set foot in the police headquarters. But they carry guns, and they must bring law enforcement to a deeply mistrustful community. When black a woman who was last seen in a car driven by a white man turns up dead, Boggs and Smith take up the investigation on their own, as no one else seems to care. Their findings set them up against a brutal cop, Dunlow, who has long run the neighborhood as his own, and his partner, Rakestraw, a young progressive who may or may not be willing to make allies across color lines. Among shady moonshiners, duplicitous madams, crooked lawmen, and the constant restrictions of Jim Crow, Boggs and Smith will risk their new jobs, and their lives, while navigating a dangerous world--a world on the cusp of great change. --