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Mina Loy is recognised today as one of the most innovative modernist poets, numbering Gertrude Stein, Marcel Duchamp, Djuna Barnes and T.S. Eliot amongst her admirers. Drawing on substantial new archival research, this book challenges the existing critical myth of Loy as a ‘modern woman' through an analysis of her unpublished autobiographical prose. Mina Loy's Autobiographies explores this major twentieth century writer's ideas about the ‘modern' and how they apply to the ‘modernist' writer—based on her engagement with twentieth-century avant-garde aesthetics—and charts how Loy herself uniquely defined modernity in her essays on literature and art. Sandeep Parmar here shows how, ultimately, Loy's autobiographies extend the modernist project by rejecting earlier impressions of avant-garde futurity and newness in favour of a ‘late modernist' aesthetic, one that is more pessimistic, inward and interested in the fragmentary interplay between the past and present.
Loy (1882-1966) made a career of friendship. Before World War I, she actively participated in the Futurist movement in Italy. During the war years she was a friend and associate of William Carlos Williams and other writers associated with New York Dada. In the 1920s, she was a vivid presence in the Paris literary scene. Her poems during these years were saluted by such critics as Ezra Pound, who linked her to Marianne Moore.
Mina Loy—poet, artist, exile, and luminary—was a prominent and admired figure in the art and literary circles of Paris, Florence, and New York in the early years of the twentieth century. But over time, she gradually receded from public consciousness and her poetry went out of print. As part of the movement to introduce the work of this cryptic poet to modern audiences, Poetic Salvage: Reading Mina Loy provides new and detailed explications of Loy’s most redolent poems. This book helps readers gain a better understanding of the body of Loy’s work as a whole by offering compelling close readings that uncover the source materials that inspired Loy’s poetry, including modern artwork, Baedekertravel guides, and even long-forgotten cultural venues. Helpfully keyed to the contents of Loy’s Lost Lunar Baedeker, edited by Roger Conover, this book is an essential aid for new readers and scholars alike. Mina Loy forged a legacy worthy of serious consideration—through a practice best understood as salvage work, of reclaiming what has been so long obscured. Poetic Salvage: Reading Mina Loy dives deep to bring hidden treasures to the surface.
Featuring many rare images, an enlightening exploration of the life and work of avant-garde multihyphenate Mina Loy. Mina Loy was born in London in 1882, became American, and lived variously in New York, Europe, and finally, Aspen until she died in 1966. Flamboyant and unapologetically avant-garde, she was a poet, painter, novelist, essayist, manifesto-writer, actress, and dress and lampshade designer. Her life involved an impossible abundance of artistic friends, performance, and spectacular adventures in the worlds of Futurism, Christian Science, feminism, fashion, and everything modern and modernist. This new account by Mary Ann Caws explores Mina Loy’s exceptional life and features many rare images of Mina Loy and her husband, the Swiss writer, poet, artist, boxer, and provocateur Arthur Cravan—who disappeared without a trace in 1918.
Representing Lives: Women and Auto/biography is an eclectic and comprehensive collection of essays, exploring contemporary issues and debates concerning women's auto-biographical representations from a range of disciplinary perspectives. With authoritative contributions from a number of prominent figures in the field of women's auto/biography, as well as innovative new voices, this volume offers a broad and contemporary lens on the issues and debates relevant to the act of representing women's lives. Drawing on a variety of theoretical frameworks and discussing theatre, literature, popular culture and women in history, these essays help to map out some of the new intellectual spaces inhabited by feminist scholarship in the 1990s.
"The "infrathin" was Marcel Duchamp's name for the thinnest shade of difference: that between, say, the report of a gunshot and the appearance of the bullet hole on its target, or between two objects in a series made from the same mold. In this book, the esteemed literary critic Marjorie Perloff shows how such differences occur at the level of words and argues that it is this infrathin space, this micropoetics of language, that separates poetry from prose. Perloff treats the relationship between Duchamp and Gertrude Stein; ranges over Concrete, Objectivist, and Black Mountain poetry; and gives stunning readings of poets from Eliot, Yeats, and Pound to Samuel Beckett, John Ashbery, and Rae Armantrout. Poetry, Perloff shows us, exists in the play of the infrathin, and it is the poet's role to create unexpected relationships-verbal, visual, and sonic-from the finest nuances of language"--
A monument to the literary genius of women throughout the ages, A Book of Women Poets from Antiquity to Now is an invaluable collection. Here in one volume are the works of three hundred poets from six different continents and four millennia. This revised edition includes a newly expanded section of American poets from the colonial era to the present. "[A] splendid collection of verse by women" (TIME) throughout the ages and around the world; now revised and expanded, with 38 American poets.
Stories and Essays of Mina Loy is the first book-length volume of Mina Loy's narrative writings and critical work ever published. This volume brings together her short fiction, as well as hybrid works that include modernized fairy tales, a Socratic dialogue, and a ballet. Loy's narratives address issues such as abortion and poverty, and what she called "the sex war" is an abiding theme throughout. Stories and Essays of Mina Loy also contains dramatic works that parody the bravado and misogyny of Futurism and demonstrate Loy's early, effective use of absurdist technique. Essays and commentaries on aesthetics, historical events, and religion complete this beguiling collection, cementing Mina Loy's place as one of the great writers of the twentieth century.