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From the author of The Red Notebook, described as 'Parisian perfection' by HRH The Duchess of Cornwall, The Readers' Room is a thrilling murder mystery set in the world of publishing. ‘The plot blends mystery with comedy to great effect’– Daily Mail When the manuscript of a debut crime novel arrives at a Parisian publishing house, everyone in the readers’ room is convinced it’s something special. And the committee for France’s highest literary honour, the Prix Goncourt, agrees. But when the shortlist is announced, there’s a problem for editor Violaine Lepage: she has no idea of the author’s identity. As the police begin to investigate a series of murders strangely reminiscent of those recounted in the book, Violaine is not the only one looking for answers. And, suffering memory blanks following an aeroplane accident, she’s beginning to wonder what role she might play in the story ... Antoine Laurain, bestselling author of The Red Notebook, combines intrigue and charm in this dazzling novel of mystery, love and the power of books.
From the international bestselling author of These Are the Names: “A brilliant exploration of the uneasy transition from adolescence into adulthood” (The Independent). After a decade away, gifted young pianist Ludwig Unger returns to his hometown of Kings Ness, England, where the houses are on the verge of falling into the sea. With little else but a plastic bag filled with his mother’s ashes, Ludwig hopes to make amends with his lonely past and say goodbye to the familial ghosts that still haunt him. Ludwig’s mother tried to create a normal life for him after his father abandoned them, but Ludwig grew up in her shadow, developing an obsession with her and her sensual allure. When he discovers her secret past as “the Grace Kelly of porn,” Ludwig’s world spins out of control. He soon finds himself homeless, shouldering the shame of his mother’s career, and embarking on a journey around the world in search of answers about his dysfunctional artistic family and the legacy they left behind. “Beautifully lyrical storytelling under a banner of gray skies and heavy hearts.” —Dan Kennedy, host of The Moth storytelling podcast and author of Rock On “Although perfectly charming as picaresque, the tragedy of Unger’s plight registers just as strongly as its understated oddness . . . Wieringa plays for keeps.” —Publishers Weekly, starred review “[A] beautifully realized novel about a young man seeking to understand his difficult, eccentric parents.” —Library Journal
You (Desmond) are woken in your hotel room by the bedside phone ringing at 2 a.m. A damsel in distress is calling you from the room immediately above. She begs you to come and rescue her at once as two men are about to attack her.The damsel, who is young, blonde and beautiful, explains that she is an MI5 agent and her assailants (who are identical twins) are employees of a foreign power in search of a mysterious brief case, known as 'The McGonagall.'You suddenly find yourself in dangerous world full of spies, threats, glamour and betrayal. You are knocked senseless in a Soho nightclub and wake up in a rat- infested cellar. You are threatened with torture by the twins but rescued by a retired Colonel. After a number of other adventures, including a boxing match with dogs, everyone gets decorations and Frank, the writer, rewards you and your damsel with a glamorous society wedding and a working honeymoon on the Moon. As the plot develops, you keep complaining to the writer about the way you are treated. The Readers Group also give the writer a hard time with their critical comments.Night Bell is a hilarious metafictional spy adventure in which 'you' play the leading role!
Robert Darnton, Roger Chartier, and others have written much on the history of reading in the Old Regime, but this is the first broad study of reading to focus on the period after 1800. How and why did people understand texts as they did in modern France? In answering this question, James Allen moves easily from one interpretive framework to another and draws on a wide range of sources--novels, diaries, censor reports, critical reviews, artistic images, accounts of public and private readings, and the letters that readers sent to authors about their books. As he analyzes reading "in the public eye," the author explores the formation of "interpretive communities" during the years when reading silently and alone gradually became more common than reading aloud in a group. In the Public Eye discusses printing, publishing, literacy, schooling, criticism, and censorship, to study the social, cultural, economic, and political forces that shaped French interpretive practice. Examining the art and act of reading by different audiences, it discloses the mentalities of literate people for whom few other historical records exist. The book will be essential reading for those interested in modern French history, post-structuralist literary theory and criticism, reader-response theory and criticism, and social and intellectual history in general. Originally published in 1991. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
"Few of the countless real-life stories of workplace discrimination suffered by men and women every day are ever told publicly. This book boldly and eloquently rights that wrong, going where no plaintiff testimony could ever dare because these stories are often too raw, honest, ambiguous, and nuanced to be told in court or reported in a newspaper."—from the Foreword Telling Stories Out of Court reaches readers on both an intellectual and an emotional level, helping them to think about, feel, and share the experiences of women who have faced sexism and discrimination at work. It focuses on how the federal courts interpreted Title VII of the Civil Rights Act of 1964. Offering insights that law texts alone cannot, the short stories collected here—all but two written for this volume—help readers concentrate on the emotional content of the experience with less emphasis on the particulars of the law. Grouped into thematic parts titled "In Their Proper Place," "Unfair Treatment," "Sexual Harassment," and "Hidden Obstacles," the narratives are combined with interpretive commentary and legal analysis that anchor the book by revealing the impact this revolutionary law had on women in the workplace. At the same time, the stories succeed on their own terms as compelling works of fiction, from "LaKeesha's Job Interview," in which a woman's ambition to move from welfare to work faces an ironic obstacle, to "Plato, Again," in which a woman undergoing treatment for cancer finds her career crumble under her, to "Vacation Days," which takes the reader inside the daily routine of a nanny who works at the whim of her employer.
Includes, beginning Sept. 15, 1954 (and on the 15th of each month, Sept.-May) a special section: School library journal, ISSN 0000-0035, (called Junior libraries, 1954-May 1961). Also issued separately.
A critical analysis of the written sources for early modern Irish history.
Even to a girl from the slums of Bristol, the streets of Glasgow were inhospitable and grey; the wealth and splendour of its mansions cold and heartless. But for Hester Dark, there could be no turning back - she would make this cruel city the home of her dreams. Everyone said that Hester was lucky. Lucky to have a wealthy uncle in Scotland who was willing to take her in. Lucky to have all the advantages that his money could buy. But Hester's new, bright world held dark secrets, jealousies and fears. And no one had spoken of the women who would despise her for her beauty and her independence - and the men who would buy her soul and call it love. Praise for Emma Blair: 'An engaging novel and the characters are endearing - a good holiday read' Historical Novels Review 'All the tragedy and passion you could hope for . . . Brilliant' The Bookseller 'Romantic fiction pure and simple and the best sort - direct, warm and hugely readable. Women's fiction at an excellent level' Publishing News 'Emma Blair explores the complex and difficult nature of human emotions in this passionately written novel' Edinburgh Evening News 'Entertaining romantic fiction' Historical Novels Review '[Emma Blair] is well worth recommending' The Bookseller