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On June 10, 1779, a Loyalist raiding party landed on the shore of Monmouth County, New Jersey, and advanced unnoticed on the town of Tinton Falls. It captured five leading Patriots and plundered many others. Homes and barns were burned to the ground; stores were looted and livestock driven off. The local militia scattered. That afternoon, as the raiders loaded their barges, a reinforced militia engaged the Loyalists in a battle that climaxed with vicious hand-to-hand combat. Historian Michael Adelberg brings the Tinton Falls raid to life, re-creating the day in the voices of ten narrators based on real people--a child of a Revolutionary leader, a Loyalist officer, a militiaman, a pacifist, a businesswoman and many others--each of whom experienced the day very differently.
"This is 'you are there' history at its best...[Reporting the Revolutionary War] lets us see and feel how events unfolded for the people who lived them."—American History For the colonists of the new world, the years of the American Revolution were a time of upheaval and rebellion. History boils it down to a few key events and has embodied it with a handful of legendary personalities. But the reality of the time was that everyday people witnessed thousands of little moments blaze into an epic conflict-for more than twenty years. Now, for the first time, experience the sparks of revolution the way the colonists did—in their very own town newspapers and broadsheets. Reporting the Revolutionary War is a stunning collection of primary sources, sprinkled with modern analysis from 37 historians. Featuring Patriot and Loyalist eyewitness accounts from newspapers printed on both sides of the Atlantic, readers will experience the revolution as it happened with the same immediacy and uncertainty of the colonists. The American newspapers of the eighteenth century fanned the flames of rebellion, igniting the ideas of patriotism and liberty among average citizens who had never before been so strongly united. Within the papers, you'll also read the private correspondence and battlefield letters of the rebels and patriots who grabbed the attention of each and every colonist and pushed them to fight for freedom and change. From one of America's leading Revolutionary War newspaper archivists, Todd Andrlik, and guided by scores of historians and experts, Reporting the Revolutionary War brings you into the homes of Americans and lets you see through their eyes the tinderbox of war as it explodes. "The story of the battle for independence unlike any version that has been told." —Military Review
Words That Make New Jersey History is a book-length collection of documents that spans the history of New Jersey, from the arrival of Dutch traders in the 1600s to the present. The materials touch on a range of subjects such as factories and farms, cities and suburbs, slavery and abolitionism, the temperance and woman suffrage campaigns, race and ethnic relations, the labor movement, and economic and environmental issues. The documents include letters, journals, pamphlets, petitions, artwork, and songs created not only by those who exercised power, but also by men and women of more humble station--immigrants, workers, slaves, foreign travelers, and civil servants. Their lively accounts range from descriptions of Native Americans in the seventeenth century to Bruce Springsteen's recent lament about a declining factory town. New to this expanded edition is the text of James McGreevey's "I am a Gay American" speech, as well as entries about the Abbott v. Burke court ruling mandating that New Jersey equalize funding of urban and suburban schools districts, sprawl and its effects on water supply, and the state's economic boom in the 1990s. A balanced survey of New Jersey's history presented in the context of a changing nation, this volume is well suited to general readers who want to explore the primary sources of the state's past, and to U.S. history students at the high school and college levels.
Focusing on the development of a single African American community in eastern New Jersey, Hodges examines the experience of slavery and freedom in the rural north. This unique social history addresses many long held assumptions about the experience of slavery and emancipation outside the south. For example, by tracing the process by which whites maintained "a durable architecture of oppression" and a rigid racial hierarchy, it challenges the notions that slavery was milder and that racial boundaries were more permeable in the north. Monmouth County, New Jersey, because of its rich African American heritage and equally well-preserved historical record, provides an outstanding opportunity to study the rural life of an entire community over the course of two centuries. Hodges weaves an intricate pattern of life and death, work and worship, from the earliest settlement to the end of the Civil War.
A scrappy Brooklyn orphan turned vengeful assassin narrates a visionary tale of the American West In this panoramic tale of Manifest Destiny—the second stand-alone book in The American Novels series—Stephen Moran comes of age with the young country that he crosses on the Union Pacific, just as the railroad unites the continent. Propelled westward from his Brooklyn neighborhood and the killing fields of the Civil War to the Battle of Little Big Horn, he befriends Walt Whitman, receives a medal from General Grant, becomes a bugler on President Lincoln’s funeral train, goes to work for railroad mogul Thomas Durant, apprentices with frontier photographer William Henry Jackson, and stalks General George Custer. When he comes face-to-face with Crazy Horse, his life will be spared but his dreams haunted for the rest of his days. By turns elegiac and comic, American Meteor is a novel of adventure, ideas, and mourning: a unique vision of America’s fabulous and murderous history.
In the hard-edged tradition of Hubert Selby Jr., Daniel Woodrell, and Donald Ray Pollock, and with the fresh, complex humanity of Breaking Bad and Reservoir Dogs, a blistering debut collection that unsparingly confronts the extreme, brutal parts of the human heart. A man runs away from his grave and into a maelstrom of bullets and fire. A Hollywood fixer finds love over the corpse of a dead celebrity. A morbidly obese woman imagines a new life with the jewel thief who is scheming to rob the store where she works. A man earns the name “Mad Dog” and lives to regret it. Denizens of the shadows who live outside the law—from the desolate meth labs of the Ozark Mountains to the dog-fighting rings of Detroit to the lavish Los Angeles mansions of the rich and famous—the characters in Love and Other Wounds all thirst for something seemingly just beyond their reach. Some are on the run, pursued by the law or propelled relentlessly forward by a dangerous past that is disturbingly close. Others are searching for a semblance of peace and stability, and even love, in a fractured world defined by seething violence and ruthless desperation. All are bruised, pushed to their breaking point and beyond, driven to extremes they never imagined. Crackling with cinematic energy, raw and disquieting yet filled with pathos and a darkly vital humor, Love and Other Wounds is an unforgettable debut from an electrifying new voice.
A domestic story told in numerous original and endearing voices. The story opens with Wesley, a tenth grader, and involves his two sets of parents (the mom and her second husband, a very thoughtful doctor; and the father who has become a major gay lawyer/activist and his fabulous "significant other" who owns a restaurant). Wesley is a fabulous kid, whose equally fabulous best friend Theo has just won a big school election and simultaneously surprises everyone in his life by announcing that he is gay. No one is more surprised than Wesley, who actually lives temporarily with his gay father and partner, so that he can get to know his rather elusive dad. When a dramatic and unexpected trauma befalls the boys in school, all the parents converge noisily in love and well-meaning support. But through it all, each character ultimately is made to face certain challenges and assumptions within his/her own life, and the playing out of their respective life priorities and decisions is what makes this novel so endearing and so special.
King George III will not stay on the ground. Ever since a crowd in New York City toppled his equestrian statue in 1776, burying some of the parts and melting the rest into bullets, the king has been riding back into American culture, raising his gilded head in visual representations and reappearing as fragments. In this book, Wendy Bellion asks why Americans destroyed the statue of George III-and why they keep bringing it back. Locating the statue's destruction in a transatlantic space of radical protest and material violence-and tracing its resurrection through pictures and performances-Bellion advances a history of American art that looks beyond familiar narratives of paintings and polite spectators to encompass a riotous cast of public sculptures and liberty poles, impassioned crowds and street protests, performative smashings and yearning re-creations. Bellion argues that iconoclasm mobilized a central paradox of the national imaginary: it was at once a destructive phenomenon through which Americans enacted their independence and a creative phenomenon through which they continued to enact British cultural identities. Persuasive and engaging, Iconoclasm in New York demonstrates how British monuments gave rise to an American creation story. This fascinating cultural history will captivate art historians, specialists in iconoclasm, and general readers interested in American history and New York City.
Poetic, comic, obsessed with minutiae, My Beautiful Bus is a welcome dose of serious frivolity at the expense of the contemporary novel. Based on an actual bus trip across France taken by Oulipo-member Jacques Jouet, this fictional reconstruction focuses not so much on the scenery as on the possibilities offered an author by the eponymous vehicle and its occupants. Poetic, comic, obsessed with minutiae, My Beautiful Bus is a welcome dose of serious frivolity at the expense of the contemporary novel. Based on an actual bus trip across France taken by Oulipo-member Jacques Jouet in the late ’80s, his fictional reconstruction of the experience twenty years later focuses not so much on the scenery as on the possibilities offered an author by the eponymous vehicle and its occupants. With detours through everything from Puss in Boots to Pascal’s maxims, we are introduced to each eccentric passenger as they climb aboard (one, for example, claims to have a corpse in his luggage), every character bringing us one step further into Jouet’s imaginative universe: their conversations, preoccupations, reactions, and possibilities taking their places as elements of a fiction in the narrator’s mind. In the final pages it becomes clear that the book itself is a sort of bus, boarded impulsively and with no fixed destination in mind, and that it has carried its readers to places they could not have imagined.