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Communist Genocide in Romania
Architecturally, Romania was long regarded as one of the most interesting and beautiful countries In Europe. This book documents the systematic destruction of that heritage by the Ceausescu regime, a process of systematization intended to destroy the cultural indentity of a nation on a huge scale.
Communism has cast a long shadow over Romania. The passage of little over a quarter of a century since the overthrow in December 1989 of Romania’s last Communist leader, Nicolae Ceaușescu, offers a symbolic standpoint from which to penetrate that shadow and to throw light upon the entire period of Communist rule in the country. An appropriate point of departure is the observation that Romania’s trajectory as a Communist state within the Soviet bloc was unlike that of any other. That trajectory has its origins in the social structures, attitudes and policies in the pre-Communist period. The course of that trajectory is the subject of this inquiry.
Romania occupies a unique position on the map of Eastern Europe. It is a country that presents many paradoxes. In this book the preeminent Romanian historian Lucian Boia examines his native land's development from the Middle Ages to modern times, delineating its culture, history, language, politics and ethnic identity. Boia introduces us to the heroes and myths of Romanian history, and provides an enlightening account of the history of Romanian Communism. He shows how modernization and the influence of the West have divided the nation - town versus country, nationalists versus pro-European factions, the elite versus the masses - and argues that Romania today is in chronic difficulty as it tries to fix its identity and envision a future for itself. The book concludes with a tour of Bucharest, whose houses, streets and public monuments embody Romania's traditional values and contemporary contradictions.
In 1973, Romanians were beginning to recognize that the regime of Nicolae Ceausescu, contrary to what his first five or six years in power seemed to imply, would bring no respite from communism. Instead, after a 1971 "mini cultural revolution" ended hope for a Bucharest "spring" and intellectual latitude was curtailed further in 1972-73, the ominous possibilities of Ceausescu were becoming evident. In 1973, I went to Romania on a dissertation research grant from the International Research and Exchanges Board. It was a year in which wide-ranging survey research was still possible. But it was also a time when historians and writers who had different ideas, or workers who gave thought to non-party union organization, felt the heavy hand of Ceausescu's Securitate. As happens to most graduate students and their field research, it was a formative experience with indelible impressions that remain today.
Crimes against History takes a global approach to the extreme forms of censorship to which history and historians have been subjected through the ages. The book opens by considering the varieties of censorship, from suppression, dismissal, and defamation to persecution and murder. Part I, "Kill switch," tells the tragic story of how the censorship of history has sometimes turned into deadly crimes against history, with chapters looking at topics such as historians and archivists being killed for political reasons, attacks by political leaders on historians, iconoclastic breaks with the past, and fake news. Part II, "Fragile freedom," reverses the perspective and examines how the censorship of history has backfired. Chapters consider the subversive power of historical analogies and resistance to the censorship of history. The book also contains a "Provisional memorial for history producers killed for political reasons (from ancient times until 2017)". It is a double tribute: to the history producers who were killed and to those who mustered the courage to resist the blows of censorship.
First Published in 2017. This book contains Deletant's research and view that an inescapable feature of life in Romania under Ceausescu was the ubiquity of the Securitate or the security police, known officially for much of the period as the Department of State Security of the Ministry of the Interior. He seeks to right the omission in Romanian literature, until now, of the mechanism of terror which Stalin used in Romania to enforce his will and about the organisation of the Department of State Security.
Since the 1989 fall of Communism in Eastern Europe, Romania, arguably the most regimented of states in the Soviet bloc, has struggled with the transition from totalitarian state to democratic nation. In this insightful examination of modern Romania, Tom Gallagher provides an overview of Romania’s unique political and social history, focusing on both its national identity as well as the legacy of Soviet rule. Gallagher provides an in-depth look at Romania since 1989, focusing on the government’s attempts at economic reform, engagement with democracy, problems with corruption among the ruling elite, as well as the weakness of civil society and the resilience of implacable expressions of nationalism. Ultimately, Gallagher argues that thus far democracy has essentially failed in Romania. In fact, he warns that Romania is on its way to becoming one of the most unequal states in Europe and quite possibly a future trouble-spot unless efforts to resume much-needed reforms are undertaken.
Crumbled shells of mosques in Iraq, the fall of the World Trade Center towers on September 11: when architectural totems such as these are destroyed by conflicts and the ravages of war, more than mere buildings are at stake. The Destruction of Memory—now available in this accessible, pocket edition—reveals the extent to which a nation weds itself to its landscape. Robert Bevan argues that such destruction not only shatters a nation’s culture and morale but is also a deliberate act of eradicating a culture’s memory and, ultimately, its existence. Bevan combs through world history to highlight a range of wars and conflicts in which the destruction of architecture was pivotal. From Cortez’s razing of Aztec cities to the carpet bombings of Dresden and Tokyo in World War II to the war in the former Yugoslavia, The Destruction of Memory exposes the cultural war that rages behind architectural annihilation, revealing that in this subliminal assault lies the complex aim of exterminating a people. He provocatively argues for “the fatally intertwined experience of genocide and cultural genocide,” ultimately proposing the elevation of cultural genocide from “collateral damage” to a crime punishable by international law.