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Communist Genocide in Romania
Communism has cast a long shadow over Romania. The passage of little over a quarter of a century since the overthrow in December 1989 of Romania’s last Communist leader, Nicolae Ceaușescu, offers a symbolic standpoint from which to penetrate that shadow and to throw light upon the entire period of Communist rule in the country. An appropriate point of departure is the observation that Romania’s trajectory as a Communist state within the Soviet bloc was unlike that of any other. That trajectory has its origins in the social structures, attitudes and policies in the pre-Communist period. The course of that trajectory is the subject of this inquiry.
Crimes against History takes a global approach to the extreme forms of censorship to which history and historians have been subjected through the ages. The book opens by considering the varieties of censorship, from suppression, dismissal, and defamation to persecution and murder. Part I, "Kill switch," tells the tragic story of how the censorship of history has sometimes turned into deadly crimes against history, with chapters looking at topics such as historians and archivists being killed for political reasons, attacks by political leaders on historians, iconoclastic breaks with the past, and fake news. Part II, "Fragile freedom," reverses the perspective and examines how the censorship of history has backfired. Chapters consider the subversive power of historical analogies and resistance to the censorship of history. The book also contains a "Provisional memorial for history producers killed for political reasons (from ancient times until 2017)". It is a double tribute: to the history producers who were killed and to those who mustered the courage to resist the blows of censorship. Comparing case studies from across the world and written from a human rights perspective, Crimes against History is an essential resource for anyone interested in how deeply history and politics influence each other, as well as for anyone wanting a fuller view of the history of history.
Romania occupies a unique position on the map of Eastern Europe. It is a country that presents many paradoxes. In this book the preeminent Romanian historian Lucian Boia examines his native land's development from the Middle Ages to modern times, delineating its culture, history, language, politics and ethnic identity. Boia introduces us to the heroes and myths of Romanian history, and provides an enlightening account of the history of Romanian Communism. He shows how modernization and the influence of the West have divided the nation - town versus country, nationalists versus pro-European factions, the elite versus the masses - and argues that Romania today is in chronic difficulty as it tries to fix its identity and envision a future for itself. The book concludes with a tour of Bucharest, whose houses, streets and public monuments embody Romania's traditional values and contemporary contradictions.
A comprehensive and engaging new history charting Romania's development over 2000 years from its establishment to the present day.
"Blending narrative with analysis, Peter Siani-Davies seeks to answer these and other questions while placing the events and their immediate aftermath within a wider context. Based on fieldwork conducted in Romania and drawing heavily on Romanian sources, including television and radio transcripts, official documents, newspaper reports, and interviews, this book is the most thorough study of the Romanian Revolution that has appeared in English or any other major European language."--BOOK JACKET.
Crumbled shells of mosques in Iraq, the bombing of British cathedrals in World War II, the fall of the World Trade Center towers on September 11: when architectural totems such as these are destroyed by conflicts and the ravages of war, more than mere buildings are at stake. The Destruction of Memory reveals the extent to which a nation weds itself to its landscape; Robert Bevan argues that such destruction not only shatters a nation’s culture and morale but is also a deliberate act of eradicating a culture’s memory and, ultimately, its existence. Bevan combs through world history to highlight a range of wars and conflicts in which the destruction of architecture was pivotal. From Cortez’s razing of Aztec cities to the carpet bombings of Dresden and Tokyo in World War II to the war in the former Yugoslavia, The Destruction of Memory exposes the cultural war that rages behind architectural annihilation, revealing that in this subliminal assault lies the complex aim of exterminating a people. He provocatively argues for “the fatally intertwined experience of genocide and cultural genocide,” ultimately proposing the elevation of cultural genocide to a crime punishable by international law. In an age in which Frank Gehry, I. M. Pei, and Frank Lloyd Wright are revered and yet museums and temples of priceless value are destroyed in wars around the world, Bevan challenges the notion of “collateral damage,” arguing that it is in fact a deliberate act of war.
In 1973, Romanians were beginning to recognize that the regime of Nicolae Ceausescu, contrary to what his first five or six years in power seemed to imply, would bring no respite from communism. Instead, after a 1971 "mini cultural revolution" ended hope for a Bucharest "spring" and intellectual latitude was curtailed further in 1972-73, the ominous possibilities of Ceausescu were becoming evident. In 1973, I went to Romania on a dissertation research grant from the International Research and Exchanges Board. It was a year in which wide-ranging survey research was still possible. But it was also a time when historians and writers who had different ideas, or workers who gave thought to non-party union organization, felt the heavy hand of Ceausescu's Securitate. As happens to most graduate students and their field research, it was a formative experience with indelible impressions that remain today.