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Thomas Gainsborough, one of the most popular British painters, has been celebrated as a landscapist, a portrait painter, and a man of feeling whose impetuous character is revealed in his art, life and letters. This book reveals that the style, themes and ideas of Gainsborough’s paintings constitute purposeful expressions of an intellectual and visual culture whose importance in the development of eighteenth-century British art has gone unrecognized. "Amal Asfour and Paul Williamson have set out to make us look more knowledgeably at the paintings of Gainsborough... their treatment is richly informative."—George Steiner, The Observer "Asfour and Williamson display a profound knowledge of 18th-century aesthetics... a highly stimulating book."—The British Art Journal
More than fifty specialists have contributed to this new edition of volume 2 of The Cambridge Bibliography of English Literature. The design of the original work has established itself so firmly as a workable solution to the immense problems of analysis, articulation and coordination that it has been retained in all its essentials for the new edition. The task of the new contributors has been to revise and integrate the lists of 1940 and 1957, to add materials of the following decade, to correct and refine the bibliographical details already available, and to re-shape the whole according to a new series of conventions devised to give greater clarity and consistency to the entries.
This wide-ranging volume covers the final fifteen of the thirty-three years that Jonathan Edwards preached and includes some of his greatest sermons--including his Farewell Sermons to his Northampton congregation. The period is defined by Edwards' inventive strategies to improvise during the delivery of his sermons. Considering dependence on the written text in the pulpit to be a serious failing, he devised a double-columned, outlined format for his sermon manuscripts and continued to use it for the rest of his life. Sermons from this period also include those preached to Mahican and Mohawk Indians at the mission post of Stockbridge, Massachusetts. Edwards' various writings of 1743-58 map the complex terrain of his spiritual, intellectual, and professional life after the Great Awakening. He deals with topics ranging from the spiritual role of youth in the community to the struggles over communion in his Northampton congregation to the war with the French and their Indian allies.