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War between the stars. It was started by an AI, and few humans even knew there was a war at all. But now people are dying, not just robots and aliens—and the AI wants it to stop. But a war is easier to start than to stop, and the computer can't alter its course without outside help. When the Gnostic Control System searches for conspirators, it chooses its friends carefully... Pali: a public relations director, who broods far too much on her unfulfilled ambitions.Ramo: a flamboyant senso-dancer and sculptor, who prefers a musical jamdam to serious conversation.Sage: an awkward systems designer, for whom the AI rapture-field is realer than life.And three of the alien Ell: Harybdartt, who would rather die with dignity than betray his people; Lingrhetta, who tries to unravel the meaning of human dance and music, pain and love; and Moramaharta, the binder, who must persuade his fellow decision-makers to risk everything for the sake of a fragile bridge of understanding across the stars. A thought-provoking novel of the not-too-distant future, from the Nebula-nominated author of Eternity’s End and The Chaos Chronicles. REVIEWS: “The story is meaty and satisfying. I enjoyed this one greatly.” —Analog Science Fiction “An absorbing, suspenseful novel of first contact and interstellar war. It’s a complex book, requiring concentration from the reader, and is well worth the effort.”—Aboriginal SF “A lively dance of ideas—first contact, interstellar war, artificial intelligence, alien culture—and it moves at a rapid pace, from Earth through cyberspace to the Horsehead Nebula, and various points between. It’s well-worth the trip ticket.” —Roger Zelazny Originally published by Tor Books
Since the War of a Thousand Suns, Kyber pirates prey on ships that venture too far off into the interstellar Flux. The pirates use a legendary ship as bait, though the Centrist Worlds' authorities deny her existence. Renwald Legroeder escapes the pirates and tells of sighting the ship--but the government wants no one to see it. Framed for treason, Renwald flees and returns to the pirates to find the truth behind the ship.
"The savvy critical essays in this provocative collection investigate the interface between science fiction and postmodern culture. . . . Highly recommended for readers at all levels."—Choice
This book is a collection of essays that examine the integrated relationship that the 1958 Alfred Hitchcock film Vertigo has with the history and culture of California and the San Francisco Bay area.
A comprehensive bibliography of books and short fiction published in the English language.
A new novel based on the SCI FI Channel's hit original series!
This reference tracks the development of speculative fiction influenced by the advancement of science and the idea of progress from the eighteenth century to the present day. The major authors and publications of the genre and significant subgenres are covered. Additionally there are entries on fields of science and technology which have been particularly prolific in provoking such speculation. The list of acronyms and abbreviations, the chronology covering the literature from the 1700s through the present, the introductory essay, and the dictionary entries provide science fiction novices and enthusiasts as well as serious writers and critics with a wonderful foundation for understanding the realm of science fiction literature. The extensive bibliography that includes books, journals, fanzines, and websites demonstrates that science fiction literature commands a massive following.
The excitement of possible futures found in science fiction has long fired the human imagination, but the genre's acceptance by academe is relatively recent. No longer marginalized and fighting for respectability, science-fictional works are now studied alongside more traditional art forms. Tracing the capacious genre's birth, evolution, and impact across nations, time periods, subgenres, and media, The Oxford Handbook of Science Fiction offers an in-depth, comprehensive assessment of this robust area of scholarly inquiry and considers the future directions that will dictate the terms of the scholarly discourse. The Handbook begins with a focus on questions of genre, covering topics such as critical history, keywords, narrative, the fantastic, and fandom. A subsequent section on media engages with film, television, comics, architecture, music, video games, and more. The genre's role in the convergence of art and everyday life animates a third section, which addresses topics such as UFOs,
From the two defining personalities of post-cyberpunk SF, a brilliant collaboration to rival 1987's The Difference Engine by William Gibson and Bruce Sterling