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The Rapes of Lucretia A Myth and its Transformations
"The Rape of Lucrece" by William Shakespeare is a narrative poem that retells the tragic tale of Lucretia, a virtuous Roman noblewoman whose rape by Sextus Tarquinius, a prince, leads to her ultimate demise and serves as a catalyst for the overthrow of the Roman monarchy. In this poem, Shakespeare delves into themes of honor, virtue, and the consequences of unchecked power. Through vivid imagery and powerful language, he portrays the psychological and emotional turmoil experienced by Lucretia in the aftermath of her assault, as well as the profound impact it has on her and those around her. "The Rape of Lucrece" is not only a compelling work of literature but also a profound exploration of the human condition. It forces readers to confront uncomfortable truths about the nature of violence, consent, and the abuse of power, while also offering insights into the resilience and strength of the human spirit in the face of adversity. With its timeless themes and poetic beauty, "The Rape of Lucrece" remains a poignant and thought-provoking masterpiece that continues to resonate with audiences today.
A bold, honest and unflinching look at the way we talk and think about rape Thanks to Title IX cases, #MeToo, and #Times Up, the issue of rape seems to be constantly in the news. But our thinking on the subject has a long history, one that cultural critic Mithu Sanyal elegantly reconstructs. She narrates a history spanning from Lucretia—whose legendary rape and suicide was said to be the downfall of the last Roman king—to second-wave feminism, Tarzan, and Roman Polanski. Sanyal demonstrates that the way we understand rape is remarkably (and alarmingly) consistent across the ages, even though the world has changed beyond recognition. It is high time for a new and informed debate about sexual violence, sexual boundaries, and consent. Mithu Sanyal shows that our comprehension of rape is closely connected to our understanding of sex, sexuality, and gender. Why is it that we expect victims to be irreparably damaged? When we think of rapists, why do we think of strangers rather than uncles, husbands, priests, or boyfriends? And in the era of #MeToo, what should “justice” look like? Rape: From Lucretia to #MeToo examines the role of race and the recurrent image of the black rapist, the omission of male victims, and what we mean when we talk about “rape culture.” Sanyal takes on every received opinion we have about rape, arguing with liberals, conservatives, and feminists alike.
In this magnum opus, Britain's most distinguished scholar of 16th-century and 17th-century literature restores Shakespeare's poetic language to its rightful primacy.
Canonising Shakespeare offers the first comprehensive reassessment of Shakespeare's afterlife as a print phenomenon, demonstrating the crucial role that the book trade played in his rise to cultural pre-eminence. 1640–1740 was the period in which Shakespeare's canon was determined, in which the poems resumed their place alongside the plays in print, and in which artisans and named editors crafted a new, contemporary Shakespeare for Restoration and eighteenth-century consumers. A team of international contributors highlight the impact of individual booksellers, printers, publishers and editors on the Shakespearean text, the books in which it was presented, and the ways in which it was promoted. From radical adaptations of the Sonnets to new characters in plays, and from elegant subscription volumes to cheap editions churned out by feuding publishers, this period was marked by eclecticism, contradiction and innovation as stationers looked to the past and the future to create a Shakespeare for their own times.
Sex, violence, power, and redemption. In recent decades, scholars of New Testament and early Christian traditions have given new attention to the relationships between gender and imperial power in the Roman world. In this surprising work, Celene Lillie examines core passages from three Gnostic texts from Nag Hammadi, On the Origin of the World, The Reality of the Rulers, and the Secret Revelation of John, in which Eve is portrayed as having been humiliated by the cosmic powers, yet experiencing restoration. Lillie compares that pattern with Gnostic savior motifs concerning Jesus and Seth, then sets it in the broader context of Roman cosmogonic myths at play in imperial ideology. The Nag Hammadi texts, she argues, offer us a window into symbolic forms of Christian resistance to imperial ideology. This groundbreaking study highlights the importance of the Nag Hammadi writings for our fuller appreciation of the currents of Christian response to the Roman Empire and the culture of rape pervasive within it.
Matthes (U. of Maryland) stages a conversation between feminism and republicanism to analyze the linkage between "founding stories" of republics, sexual violence, and gender hierarchy. While pointing out the differences in the retellings of Lucretia's rape by Livy, Machiavelli, and Rousseau, she argues that their commonality is in appropriating the classical tale to support the view that the alternative to violence is citizenship and politics infused with common good notions of agency, action, and community. Annotation copyrighted by Book News Inc., Portland, OR
How did the Greeks and Roman perceive rape? How seriously was it taken, and who were seen as its main victims? The studies in this volume look at the social and legal realities of rape in the ancient world, and also at the numerous myths of rape which themselves may reflect real behaviour and attitudes. Modern readers, used to a discourse which focuses on the question of a woman's (or man's) consent to sexual activity and treats an unwilling partner as a victim worthy of sympathy, may find in ancient attitudes much that is disturbing.
"The Tragedy of Titus Andronicus" by William Shakespeare is a gripping and intense drama that explores themes of revenge, betrayal, and the destructive consequences of violence. Set in ancient Rome, the play follows the tragic downfall of the noble general Titus Andronicus and his family as they become embroiled in a cycle of vengeance and bloodshed. At the heart of the story is the brutal conflict between Titus Andronicus and Tamora, Queen of the Goths, whose sons are executed by Titus as retribution for their crimes. In retaliation, Tamora and her lover, Aaron the Moor, orchestrate a series of heinous acts of revenge against Titus and his family, plunging them into a spiral of madness and despair. As the body count rises and the atrocities escalate, Titus is consumed by grief and rage, leading to a climactic showdown that culminates in a shocking and tragic conclusion. Along the way, Shakespeare explores themes of honor, justice, and the nature of humanity, offering a searing indictment of the cycle of violence and the capacity for cruelty that lies within us all.