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Collects Black Order #1-5. They are the scourge of the Avengers, the Cull Obsidian — Thanos’ most feared warriors! Now the ruthless Black Order has been dispatched by the Grandmaster to destabilize a burgeoning empire — but as big and as bad as they are, there is always someone bigger and badder. Isn’t that always the way? You go to assassinate an emperor, he turns the tables, and suddenly a very simple mission gets a whole lot more complicated — and the man called Nova shows up to spoil all the fun! As the Black Order suffers a painful and unexpected defeat, their new teammate the Black Swan is presented with a simple choice: stay and risk an ungainly end — or leave and abandon the closest thing she has to a family. Empires, rebellions, spies and sabotage combine in an absolutely unhinged adventure!
The first of its kind, this annotated guide describes and evaluates more than 400 works in English. Rothschild's lively annotations discuss important features of each work-including the quality of the graphics, characterizations, dialogue, and the appropriate audience-and introduces mainstream readers to the variety and quality of graphic novels, helps them distinguish between classics and hackwork, and alerts experienced readers to material they may not have discovered. Designed for individuals who need information about graphic novels and for those interested in acquiring them, this book will especially appeal to librarians, booksellers, bookstore owners, educators working with teen and reluctant readers, as well as to readers interested in this genre.
Not unlike contemporary political situations in which terrorism leads to counter-terrorism in a vicious cycle, The Ranks of the Black Order illuminates the tragedy and monstrosity of violent vengeance on a human scale. The novel takes as its starting point the ultimately pointless struggles of left- and right-wing militants in Spain in 1938. Never having forgotten their defeat, a terrorist faction returns to the vilalge of Nieves and massacres its inhabitants as the story opens forty years later. Enraged by the minor coverage given the slaughter, the journalist Jefferson Pritchard regroups his brigade and resolves to wipe out their old foes from the Black Order. As one crusty old group pursues the other across Europe, the distinctions between principles, between left and right, all but vanish into a senseless haze, without victors or vanquished, leaving only victims.
In a plot ripped from today's headlines, America’s elite task force must take down a group of ruthless domestic terrorists determined to paralyze the country through extreme acts of violence in this action-packed new thriller in the bestselling Tom Clancy's Op-Center series. They are known as the Black Order. Self-proclaimed patriots and survivalists, they refuse to surrender their values and beliefs to the left-leaning cultural and progressive forces threatening their nation. Military veterans and high-tech specialists, they’ve begun a savage war which includes public assassinations of politicians and celebrities and high-profile bombings, striking without warning or mercy. The Black Order wants nothing less than complete capitulation by the US government, giving them free rein to make their ideologies the law of the land. Only Op-Center’s Black Wasp, a skilled team of military operatives answerable to the President, can defeat these militant revolutionaries. But even as Admiral Chase Williams and his agents force them on the run, the Black Order possesses a weapon of mass destruction that they will not hesitate to unleash against millions of innocent civilians.
"Arktos is the first book ever written on the archetype of the Poles: celestial and terrestrial, North and South. It is a hair-raising voyage through cosmology, occultism and conspiracy theory leads to startling revelations about the secrets of the Poles. The author investigates legends of a Golden Age, which some claim ended in a prehistoric catastrophe, a shift in the earth's axis. This is examined in the light of the latest geological theories, as are predictions of a coming pole-shift. The perennial fascination of these ideas is shown to be part of a "polar tradition" of hidden wisdom. There are many recorded tales of an ancient race said to have lived in the Arctic regions, which later spread through the Northern Hemisphere. This supposedly "Aryan Race" entered the pantheon of Nazi Germany, with dreadful consequences. The author examines the origins of modern neo-Nazi ideology, its "polar" inspiration, and its links with other arcana, including the survival of Hitler, German bases in Antarctica, UFOS, the Hollow Earth, and the hidden kingdoms of Agartha and Shambhala. However, "Arktos" differs from most writings on these subjects in its responsible and scholarly treatment, and its extensive use of foreign-language sources."--Provided by publisher.
This Companion examines the evolution of comic books into graphic novels and the development of this art form globally.
"Citadel" evokes a rich mixture of associations—from images of urban centers of commerce and culture to war and the need to defend what is fortified within. Preserving its layered meanings, O. K. Werckmeister plucks the word from its usual moorings and employs it as a compelling metaphor in a brilliant retrospective of contemporary Western culture.
En fascistisk organisation med rødder i den spanske borgerkrig udfører et terrorangreb på en baskisk by. Gamle kammerater, som bekæmpede fascisterne under borgerkrigen, samles og jager fascisterne gennem nutidens Europa
New Musical Figurations exemplifies a dramatically new way of configuring jazz music and history. By relating biography to the cultural and musical contours of contemporary American life, Ronald M. Radano observes jazz practice as part of the complex interweaving of postmodern culture—a culture that has eroded conventional categories defining jazz and the jazz musician. Radano accomplishes all this by analyzing the creative life of Anthony Braxton, one of the most emblematic figures of this cultural crisis. Born in 1945, Braxton is not only a virtuoso jazz saxophonist but an innovative theoretician and composer of experimental art music. His refusal to conform to the conventions of official musical culture has helped unhinge the very ideologies on which definitions of "jazz," "black music," "popular music," and "art music" are founded. New Musical Figurations gives the richest view available of this many-sided artist. Radano examines Braxton's early years on the South Side of Chicago, whose vibrant black musical legacy inspired him to explore new avenues of expression. Here is the first detailed history of Braxton's central role in the Association for the Advancement of Creative Musicians, the principal musician-run institution of free jazz in the United States. After leaving Chicago, Braxton was active in Paris and New York, collaborating with Philip Glass, Steve Reich, Frederic Rzewski, and other composers affiliated with the experimental-music movement. From 1974 to 1981, he gained renown as a popular jazz performer and recording artist. Since then he has taught at Mills College and Wesleyan University, given lectures on his theoretical musical system, and written works for chamber groups as well as large, opera-scale pieces. The neglect of radical, challenging figures like Braxton in standard histories of jazz, Radano argues, mutes the innovative voice of the African-American musical tradition. Refreshingly free of technical jargon, New Musical Figurations is more than just another variation on the same jazz theme. Rather, it is an exploratory work as rich in theoretical vision as it is in historical detail.
In a society where a comic equates with knockabout amusement for children, the sudden pre-eminence of adult comics, on everything from political satire to erotic fantasy, has predictably attracted an enormous amount of attention. Adult comics are part of the cultural landscape in a way that would have been unimaginable a decade ago. In this first survey of its kind, Roger Sabin traces the history of comics for older readers from the end of the nineteenth century to the present. He takes in the pioneering titles pre-First World War, the underground 'comix' of the 1960s and 1970s, 'fandom' in the 1970s and 1980s, and the boom of the 1980s and 1990s (including 'graphic novels' and Viz.). Covering comics from the United States, Europe and Japan, Adult Comics addresses such issues as the graphic novel in context, cultural overspill and the role of women. By taking a broad sweep, Sabin demonstrates that the widely-held notion that comics 'grew up' in the late 1980s is a mistaken one, largely invented by the media. Adult Comics: An Introduction is intended primarily for student use, but is written with the comic enthusiast very much in mind.