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The Ramayan of Válmíki is one of the world's great epic poems, telling the story of Rama, the seventh avatar of the Hindu god Vishnu. In this masterful translation by Ralph T.H. Griffith, the beauty and power of Válmíki's original text come to life in English verse, capturing the drama, pathos, and transcendence of this timeless tale. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Reprint of the original, first published in 1872. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
The greatest Indian epic, one of the world's supreme masterpieces of storytelling A Penguin Classic A sweeping tale of abduction, battle, and courtship played out in a universe of deities and demons, The Ramayana is familiar to virtually every Indian. Although the Sanskrit original was composed by Valmiki around the fourth century BC, poets have produced countless versions in different languages. Here, drawing on the work of an eleventh-century poet called Kamban, Narayan employs the skills of a master novelist to re-create the excitement he found in the original. A luminous saga made accessible to new generations of readers, The Ramayana can be enjoyed for its spiritual wisdom, or as a thrilling tale of ancient conflict. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
The immortal Epic of Valmiki is undoubtedly one of the gems of literature,—indeed, some considering it as the Kohinur of the literary region, which has for centuries, and from a time reaching to the dim and far past been shedding unparalleled and undying halo upon the domain presided over by "the vision and the faculty divine." The burthen of the bard's song is the perpetual contest between good and evil,that is everywhere going on in this mysteriously-ordered world of ours,and which seemingly sometimes ending in the victory of the former,and at others in that of the latter,vitally and spiritually results in the utter overthrow and confusion of evil and in the triumph and final conquest of good. Rāma sprung from the bright loins of the effulgent luminary of day, and bringing his life and being from a long and illustrious ancestry of sovereigns, Rāma taking birth among the sons of men for chastising and repressing rampant Iniquity and Injustice, typifies the spirit of good that obtains in this world,—Rāvana, that grim and terrible Ten-headed one, a Rakshasa by virtue of birth, and worthy to be the chief and foremost of Rākshasas by virtue of his many misdeeds and impieties, who challenges and keeps in awe the whole host of the celestials—"to whom the Sun did not shine too hot, and about whom the Wind did not dare to breathe," represents the spirit of unrighteousness and evil. Lakshmana, disregrading the pomp and splendours of princely life, to follow his beloved brother Rāma into the forest, and cheerfully undergoing there a world of trials and privations, and daily and nightly keeping watch and ward over his brother and his spouse in their cottage,—and Bharata, stoutly and persistently declining, despite the exhortations of the elders and the spiritual guides, to govern the kingdom during Rāma's absence in the forest, and holding the royal umbrella over his brother's sandals,are personations of the ne plus ultra of fraternal love, and consummate and perfect ideals of their kind. The righteous Bibhishana, who for Rāma's cause forsook his royal brother, and set small store by the splendours of royalty, who suffered no earthly considerations to interfere with his entire and absolute devotion to his friend, embodies in his person the sterling virtues going under the precious name of friendship. The ever-devoted Hanumana glorying in the appellation of Rāma's servant,—ever-prompt at the beck and call of his master to lay down his life—is the grandest and loftiest conception of the faithful servant that is to be found in all literature. Shall we say aught of Rāma and Sitā, or keep silence over themes too sacred for babblement and frofane mouthing? The kingdom is astir and alive with the jubilations of the populace at the prospect of Rāma's coronation; pennons by thousands are streaming like meteors in the air at the tops of stately edifices; and drums and panavas and other musical instruments are sounding forth the auspicious anouncement. The royal household swims in a sea of bliss surging and heaving on all sides. Delight and Joy move about and laugh and talk under the names of Daçarātha and Kaucalya. Anon a thunder-clap bursts in the midst of the Merry-making, and converts delight into dole, the sounds of laughter and hilarity into loud wails and lamentations issuing from hearts knowing no consolation.
This is an abridged verse translation of the two longest epic poems in world literature, the Ramayana and Mahabharata. This translation is surprisingly readable and very moving once you get used to the rhymed couplet format. This also serves as an ideal introduction to the sprawling plots of these epic tales." A transcendental epic tragedy of Divine sorts. A Ramayana book story with as much beauty and poetry as philosophy and truths.each character and situation reflects different things in both the spiritual realm as in our human condition. Decisions, consequences, tragedy, nobility of spirit, height of thought, duty and unflinching righteousness. It is as well a "fantastic" story, with things that can happen only in spiritual manifestations of the spiritual realm, such as flying giant monkeys which think and talk, flying mountains, a giant prehistoric world war, a sure entertaining and edifying epic."" Ralph T. H. Griffith has distilled the beautiful essence of the Ramayana, one of India's greatest epics, into a single, compelling volume. This is the story of Prince Rama's dedication to dharma -the responsibilities that fall to him as a result of his status as human and prince- in the face of incredible misfortune. It is also the story of what people are willing to do for those they love (witness Rama's war against the demons of Lanka to recuperate his wife Sita) and the tragic twists that can undermine that love (as when Rama exiles Sita to placate the suspicions of his subjects). For those who have never even heard of this epic, loved by millions in the Near East and East, Buck's soaring adaptation will be a real eye-opener. "" The ancient Indian epic, "ramayana valmiki ", is, as far as I know, one of Indian's most popular and loved epics, and it seems to have been composed around 500 to 750 BC, although there are many variations throughout the centuries. The gist of it is probably the same though.The one I am talking about here is just an audiobook translation by William Buck, and I say translation, but I actually mean a retelling. It is not in poetic form, it is retold in simple modern English narrative, which means that it is probably significantly different from the original, but I still assume that it has some grains of the original, for me to at least familiarize myself with the story.In short, very short, Rama is the son of a King and is actually the human form of a God (the God comes to Earth as a human form, but he forgets he is a God, this is way it always works). Something happens something happens, he is exiled, his beautiful wife, Sita, is stolen by a demon king, Ravana, and he needs to save her. Something something, epilogue.Here is the absolute fascinating thing about the epic ramayana english for me. If the story is written around 2,500 years back, we really have not progressed much, story-telling wise. Seriously, people always whine about how recent films are copying the classics from fifty or thirty years back, and Ramayana has the basis of a lot of epic films released nowadays. The main highlight for me in the epic, and the one that best illustrates this, is the main battle between Rama's army and the army of the demon king. This is almost Lord of the Ring.Rama is a powerful bowsman and there is part in the epic where he gets a really strong bow. He has a bad ass friend who is really strong. They befriend the races of monkeys and bears, having a few main characters in these races. And when they face the demon king, it is almost like it was written today. When he starts losing, he starts sending out strong characters one by one, and each one seems undefeatable at first, and Rama's army seems to be losing, but one character goes against him and wins, and then the next fighter. It was pretty exciting! My favorite character was probably Indrajit, he was seriously kicking ass. It was very...anime."