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Continues the story of the last days British rule in India in the early 1940's.
The Raj Quartet, Paul Scott's epic study of British India in its final years, has no equal. Tolstoyan in scope and Proustian in detail but completely individual in effect, it records the encounter between East and West through the experiences of a dozen people caught up in the upheavals of the Second World War and the growing campaign for Indian independence from Britain. In The Towers of Silence, Barbie Batchelor, a British missionary and schoolteacher, befriends a British family and witnesses the trial of Hari Kumar, an Indian man accused of assaulting his beloved Daphne Manners, while observing the dangerously cruel Captain Ronald Merrick, Hari’s nemesis. In A Division of the Spoils, the chaos of the departure of the British and the fervor of Partition wreaks havoc upon the twilight of the Raj — and the end of a era. On occasions unsparing in its study of personal dramas and racial differences, the Raj Quartet is at all times profoundly humane, not least in the author’s capacity to identify with a huge range of characters. It is also illuminated by delicate social comedy and wonderful evocations of the Indian scene, all narrated in luminous prose. The other two novels in the Raj Quartet, The Jewel in the Crown and The Day of the Scorpion, are also available from Everyman’s Library. With a new introduction by Hilary Spurling
Second in the epic quartet capturing life at the end of British rule in India, “an achievement of unusual dimensions and power” (The Observer (UK)). In The Day of the Scorpion, Scott draws us deeper in to his epic of India at the close of World War II. With force and subtlety, he recreates both private ambition and perversity, and the politics of an entire subcontinent at a turning point in history. As the scorpion, encircled by a ring of fire, will sting itself to death, so does the British raj hasten its own destruction when threatened by the flames of Indian independence. Brutal repression and imprisonment of India’s leaders cannot still the cry for home rule. And during the chaos, the English Laytons withdraw from a world they no longer know to seek solace in denial, drink, and madness. Praise for The Day of the Scorpion “Classical and complex in structure, with a mystery at its center.” —P. Albert Duhamel, New York Times Book Review “[A] rich, elaborately terraced novel. . . . [Scott’s] view of the crippling illusionary quests of men and nations, his ability to recreate a culture and a time, continue to mark him as a novelist of importance.” —Kirkus Reviews “An even richer tapestry of Indian and British character than its predecessor, with greater wealth and variety of incident. . . . [A] ramifying and exciting but beautifully constructed novel.” —London Sunday Times (UK) “Outstanding. . . . [Mr. Scott is] a writer who has thoroughly mastered his material and who can . . . work through a maze of fascinating detail without for a moment losing sight of distant and considerable objectives.” —Times Literary Supplement (UK)
___________________ NOW A BBC RADIO 4 EXTRA DRAMATISATION STARRING ANNA MAXWELL MARTIN AND PRASANNA PUWANARAJAH ___________________ BOOK ONE OF THE RAJ QUARTET India 1942: everything is in flux. World War II has shown that the British are not invincible and the self-rule lobby is gaining many supporters. Against this background, Daphne Manners, a young English girl, is brutally raped in the Bibighat Gardens. The racism, brutality and hatred launched upon the head of her young Indian lover echo the dreadful violence perpetrated on Daphne and reveal the desperate state of Anglo-Indian relations. The rift that will eventually prise India - the jewel in the Imperial Crown - from colonial rule is beginning to gape wide. ___________________ 'A major work, a glittering combination of brilliant craftsmanship, psychological perception and objective reporting... Rarely have the sounds and smells and total atmosphere been so evocatively suggested' - New York Times 'Absorbing and brilliant... A triumph' - Evening Standard 'One of the most important landmarks of post-war fiction... A mighty literary experience' - The Times 'Quite simply, monumental' - Washington Post
The Booker Prize winner. “[One of] the top 10 books about the British in India . . . the book is a joy and makes an elegiac farewell to the Raj.” —Ferdinand Mount, The Guardian In this sequel to The Raj Quartet, Colonel Tusker and Lucy Smalley stay on in the hills of Pankot after Indian independence deprives them of their colonial status. Finally fed up with accommodating her husband, Lucy claims a degree of independence herself. Eloquent and hilarious, she and Tusker act out class tensions among the British of the Raj and give voice to the loneliness, rage, and stubborn affection in their marriage. Staying On won the Booker Prize in 1977 and was made into a motion picture starring Trevor Howard and Celia Johnson in 1979. “Staying On far transcends the events of its central action . . . [The work] should help win for Scott . . . the reputation he deserves—as one of the best novelists to emerge from Britain’s silver age.” —Robert Towers, Newsweek “Scott’s vision is both precise and painterly. Like an engraver cross-hatching in the illusion of fullness, he selects nuances that will make his characters take on depth and poignancy.” —Jean G. Zorn, The New York Times Book Review “A graceful comic coda to the earlier song of India . . . No one writing knows or can evoke an Anglo-Indian setting better than Scott.” —Paul Gray, Time “Staying On provides a sort of postscript to [Scott’s] deservedly acclaimed The Raj Quartet . . . It is, on any showing, a creditable achievement.” —Malcolm Muggeridge, The New York Times Book Review
Against the backdrop of the violent partition of India and Pakistan, this volume sketches one last bittersweet romance, revealing the divided loyalties of the British as they flee, retreat from, or cling to India.
THE GENERALS is the compelling second novel in Simon Scarrow's bestselling Wellington and Napoleon quartet. A must read for fans of Bernard Cornwell. In the turbulent aftermath of the French Revolution Napoleon Bonaparte stands accused of treachery and corruption. His reputation is saved by his skill in leading his men to victory in Italy and Egypt. But then he must restore order in France and find peace or victory over her enemies: England - and Arthur Wellesley (the future Duke of Wellington). Wellesley is leading a vast army in India, where British interests are under threat. The campaign will result in the creation of the Raj - the jewel in the British Empire's crown. Wellesley returns to England a hardened veteran and more determined than ever to end France's domination of Europe. Both Wellesley and Napoleon intend to win - whatever the cost. Who will ultimately succeed?
In After Empire Michael Gorra explores how three novelists of empire—Paul Scott, V. S. Naipaul, and Salman Rushdie—have charted the perpetually drawn and perpetually blurred boundaries of identity left in the wake of British imperialism. Arguing against a model of cultural identity based on race, Gorra begins with Scott's portrait, in The Raj Quartet, of the character Hari Kumar—a seeming oxymoron, an "English boy with a dark brown skin," whose very existence undercuts the belief in an absolute distinction between England and India. He then turns to the opposed figures of Naipaul and Rushdie, the two great novelists of the Indian diaspora. Whereas Naipaul's long and controversial career maps the "deep disorder" spread by both imperialism and its passing, Rushdie demonstrates that certain consequences of that disorder, such as migrancy and mimicry, have themselves become creative forces. After Empire provides engaging and enlightening readings of postcolonial fiction, showing how imperialism helped shape British national identity—and how, after the end of empire, that identity must now be reconfigured.
From the author of The Raj Quartet, a coming-of-age tale about a boy and his childhood friendships with a British diplomat’s daughter and the son of a Raj. The Birds of Paradise is set in India when the British Raj still seemed a paradise, but a paradise that boy comes to recognize as already lost. As Scott weaves together themes of political and personal history, he makes us feel how the protagonist identifies with the beautiful, mysterious India of the Raj. With a keen eye for character and graceful prose, Scott captures the reverie of a youth complete with parades of elephants, garden parties, and the titular birds of paradise, who are stuffed trophies of an Indian prince, kept as decoration in a gilded cage. When the boy is sent away to England, he experiences his exile as both the personal wound of abandonment and the foreshadowing of the Partition. Winner of the Booker Prize Praise for The Birds of Paradise “A rare literary bird, a novel that in a short space recreates a man’s lifetime. Using exotic backgrounds, it manages to say something useful about growing up—a process that only children believe takes place mainly in childhood.” —Time “Scott’s vision is both precise and painterly. Like an engraver crosshatching the illusion of fullness, he selects nuances that will make his characters take on depth and poignancy.” —Jean G. Zorn, New York Times Book Review “One of the best novelists to emerge from Britain’s silver age.” —Robert Towers, Newsweek “Far more even than E. M. Forester, in whose long literary shadow he has to work, Paull Scott is successful in exploring the provinces of the human heart.” —Life