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In a small town on the land's edge, in the strange space at a war's end, a widow, a poet and a doctor each try to find their own peace, and their own new story. On the south coast of New South Wales, in 1948, people chase their dreams through the books in the railway's library. Anikka Lachlan searches for solace after her life is destroyed by a single random act. Roy McKinnon, who found poetry in the mess of war, has lost his words and his hope. Frank Draper is trapped by the guilt of those his treatment and care failed on their first day of freedom. All three struggle with the same question: how now to be alive. Written in clear, shining prose and with an eloquent understanding of the human heart, The Railwayman's Wife explores the power of beginnings and endings, and how hard it can be sometimes to tell them apart. It's a story of life, loss and what comes after; of connection and separation, longing and acceptance. Most of all, it celebrates love in all its forms, and the beauty of discovering that loving someone can be as extraordinary as being loved yourself.
Through the richly intertwined narratives of two women from different generations, Ashley Hay, known for her “elegant prose, which draws warm and textured portraits as it celebrates the web of human stories” (New York Times Book Review) weaves an intricate, bighearted tale of the many small decisions—the invisible moments—that come to make a life. “Readers who loved the quiet introspection of Anita Shreve’s The Pilot’s Wife and Elizabeth Strout’s Olive Kitteridge will enjoy the detailed emotional journeys of Hay’s characters. Their stories will linger long after the final page is turned” (Library Journal). When Elsie Gormley falls and is forced to leave her Brisbane home of sixty-two years, Lucy Kiss and her family move in, eager to make the house their own. Still, Lucy can’t help but feel that she’s unwittingly stumbled into an entirely new life—new house, new city, new baby—and she struggles to navigate the journey from adventurous lover to young parent. In her nearby nursing facility, Elsie traces the years she spent in her beloved house, where she too transformed from a naïve newlywed into a wife and mother, and eventually, a widow. Gradually, the boundary between present and past becomes more porous for her, and for Lucy—because the house has secrets of its own, and its rooms seem to share with Lucy memories from Elsie’s life. Luminous and deeply affecting, A Hundred Small Lessons is a “lyrically written portrayal” (BookPage, Top Pick) of what it means to be human, and how a place can transform who we are. It’s about a house that becomes much more than a home, and the shifting identities of mother and daughter; father and son. Above all else, this is a story of the surprising and miraculous ways that our lives intersect with those who have come before us, and those who follow.
Originally published: Australia: Allen & Unwin, 2010.
For fans of The Light Between Oceans, this “exquisitely written, true book of wonders” (Geraldine Brooks, Pulitzer Prize-winning author) explores the aftermath of World War II in an Australian seaside town, and the mysterious poem that changes the lives of those who encounter it. In 1948, in a town overlooking the vast, blue ocean, Anikka Lachlan has all she ever wanted—until a random act transforms her into another postwar widow, destined to raise her daughter on her own. Awash in grief, she looks for answers in the pages of her favorite books and tries to learn the most difficult lesson of all: how to go on living. A local poet, Roy McKinnon, experiences a different type of loss. How could his most powerful work come out of the brutal chaos of war, and why is he now struggling to regain his words and his purpose in peacetime? His childhood friend Dr. Frank Draper also seeks to reclaim his pre-war life but is haunted by his failure to help those who needed him most—the survivors of the Nazi concentration camps. Then one day, on the mantle of her sitting room, Ani finds a poem. She knows neither where it came from, nor who its author is. But she has her suspicions. An unexpected and poignant love triangle emerges, between Ani, the poem, and the poet—whoever he may be. Written in clear, shining prose, The Railwayman’s Wife explores the power of beginnings and endings—and how difficult it can be to tell them apart. It is an exploration of life, loss, tragedy, and joy, of connection and separation, longing and acceptance, and an unadulterated celebration of love that “will have you feeling every emotion at once” (Bustle).
During the Second World War, Eric Lomax was forced to work on the notorious Burma-Siam Railway, and was tortured by the Japanese for making a crude radio. Left emotionally scarred, and unable to form relationships, Lomax suffered for years - until, with the help of the Medical Foundation for the Care of Victims of Torture, he came to terms with what had happened. Almost 50 years after the war his life was changed by the discovery that his interrogator, the Japanese interpreter, was still alive; their reconciliation is the culmination of this extraordinary story.
"In 1948, in the strange, silent aftermath of war, in a town overlooking the vast, blue ocean, Anikka Lachlan has all she ever wanted--until a random act transforms her into another postwar widow, destined to raise her daughter on her own. Awash in grief, she looks for answers in the pages of her favorite books and tries to learn the most difficult lesson of all: how to go on living"--Amazon.com.
'Exquisitely written and deeply felt ... a true book of wonders' Geraldine Brooks 'A lovely, absorbing, and uplifting read.' M.L. Stedman 'overflows with gratitude for the hard, beautiful things of this world' Helen Garner. In 1948 in a small town on the land's edge, in the strange space at a war's end, a widow, a poet and a doctor each try to find their own peace, and their own new story. Anikka Lachlan has all she ever wanted--until a random act transforms her into another post-war widow, destined to raise her daughter on her own. Awash in grief, she looks for answers in the pages of her favourite books and tries to learn the most difficult lesson of all: how to go on living. A local poet, Roy McKinnon, who found poetry in the mess of war, has lost his words and his hope. His childhood friend Dr. Frank Draper also seeks to reclaim his pre-war life but is haunted by his failure to help those who needed him most--the survivors of the Nazi concentration camps. Then one day, on the mantle of her sitting room, Ani finds a poem. She knows neither where it came from, nor who its author is. But she has her suspicions. An unexpected and poignant love triangle emerges, between Ani, the poem, and the poet--whoever he may be. Written in clear, shining prose, The Railwayman's Wife explores the power of beginnings and endings - and how difficult it can be to tell them apart. It is an exploration of life, tragedy, and joy, of connection and separation, longing and acceptance, and an unadulterated celebration of love.
This important book is the first in-depth history of the Rhodesian railway system. Covering the period 1888-1947, when the Rhodesian railway system was privately owned by Cecil Rhode's British South Africa Company, this book uses the Rhodesian railway system as a prism through which it refracts many dimensions of the imperial experience in central and southern Africa, ranging from the impulses underpinning the regional ambitions of Rhodes himself to the origins of black worker protest in the Rhodesias.
Married to the Jobexamines an important but under-researched area: the relationships of wives to their husbands’ work. Janet Finch looks both at the way women’s lives are directly affected by the work their husbands do and how they can get drawn into it. These she sees as the two sides of wives’ ‘incorporation’. Dr Finch discusses a wide range of occupations, from obvious stereotypes – services, diplomatic, clergy and political wives – to more subtle but equally valid shades of involvement – the wives of policemen, merchant seamen, prison officers, the owners of small businesses and academics. She stresses that this process is by no means confined to the wives of professional men; she argues that the nature of the work done and the way it is organised are more important pointers to the ways in which wives will be incorporated. For specific illustrations, Dr Finch draws substantially on her own original research on wives of the clergy. Married to the Jobclearly shows that marriage itself (not just child-bearing) is an important feature of women’s subordination. Dr Finch points to the links between husband’s work, the family and its relationship to economic structures, and suggests that wives are tied into those structures as much as anything through their vicarious involvement in their husband’s work. She views any prospects for change with caution. The organisation of social and economic life makes it difficult for wives to break free from this incorporation even should they wish to; it makes economic good sense for them to continue in most cases; social life is organised so as to make compliance easy; and it provides a comprehensible way of being a wife. As an empirically-based survey of women’s subordination within marriage, Married to the Jobwill prove essential reading to all those concerned about the position of women, whether feminists, academics or general readers. It will also provide important background material for undergraduate courses on women’s studies, the sociology of the family, the sociology of work and family policy.