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Elton John's truly remarkable collection of international modernist photography stems from personal passion: since 1991, he has amassed more than two thousand photographs, which include key figures from Europe and America alongside many of the foremost photographers from Japan, Eastern Europe and Latin America. This book draws together the finest works from 1920 to 1950, a period that is widely considered to be photography's 'coming of age', a time of great experimentation and innovation when artists pushed the boundaries of the medium. New Vision refers to the term coined by Laszlo Moholy-Nagy in the mid 1920s to describe the way photography could be used to see the world through a modern lens. As new technology developed, it allowed the freedom both to experiment and to record, leading to new developments such as photograms, typographics and the bird's- and worm's eye views. This period also encompassed key avant-garde movements of the 20th century in which photography played a central role - dada, surrealism, the Bauhaus and Russian constructivism.0With over 150 illustrations, an interview with Elton John exploring the motivations behind his collecting, and essays looking at the photographs within the history of modernism and an exploration of the impact of technical innovations on the form, New Vision will introduce a new audience to this unique body of work and provide an indispensable resource to those who are already fans of the period.0Exhibition: Tate Gallery, London, UK (10.11.2015 - 07.05.2017).
Sir Elton John, musician and philanthropist, has built one of the greatest private collections of photography in the world. This book presents an unparalleled selection of modernist images, which introduce a crucial moment in the history of photography when artists were beginning to use the camera and darkroom to redefine and transform visions of the modern world. Technological advancements gave artists the freedom to experiment and test the limits of the medium enabling new imaginings of portraits, nudes and still lifes; and street life and the modern world was captured from a new, uniquely modern perspective. Showcasing only original vintage prints by the artists themselves, the book features key figures from the 1920s to 1950s, such as Brassai, Andre Kertesz, Dorothea Lange, Tina Modotti, Man Ray, Edward Steichen and Alexander Rodchenko. Also includes a newly commissioned interview with Sir Elton John and essays on modernist photography and technology and innovation by Dawn Ades and Shoair Mavlian. "
Elton John's truly remarkable collection of international modernist photography stems from personal passion: since 1991, he has amassed more than two thousand photographs, which include key figures from Europe and America alongside many of the foremost photographers from Japan, Eastern Europe and Latin America. This book draws together the finest works from 1920 to 1950, a period that is widely considered to be photography's 'coming of age', a time of great experimentation and innovation when artists pushed the boundaries of the medium. New Vision refers to the term coined by Laszlo Moholy-Nagy in the mid 1920s to describe the way photography could be used to see the world through a modern lens. As new technology developed, it allowed the freedom both to experiment and to record, leading to new developments such as photograms, typographics and the bird's- and worm's eye views. This period also encompassed key avant-garde movements of the 20th century in which photography played a central role - dada, surrealism, the Bauhaus and Russian constructivism. With over 150 illustrations, an interview with Elton John exploring the motivations behind his collecting, and essays looking at the photographs within the history of modernism and an exploration of the impact of technical innovations on the form, New Vision will introduce a new audience to this unique body of work and provide an indispensable resource to those who are already fans of the period.
Copublished by Aperture and the New Orleans Museum of Art
'Conflict Time Photography' explores the relationship between photography and sites of conflict over time, highlighting the fact that time itself is a fundamental aspect of the photographic medium.
Diane Arbus was one of the greatest photographers of the last century. Her portraiture of freaks, circus performers, twins, nudists and others on the social margins connected with a wide public at a deep psychological level. Her suicide in New York in 1971 overshadowed the reception to her work. Her posthumous exhibition at the Museum of Modern Art a year later drew lines around the block. She was born into a Russian-Jewish family, the Nemerovs, who owned a department store on Fifth Avenue. They were family friends with the Avedons. Richard Avedon later championed Arbus’s work. Avedon rose to greater and greater commercial success through the magazine world. Arbus died in a rent-protected apartment scrambling to earn her keep with odd teaching assignments. Lubow’s biography begins at the moment Arbus quit the world of commercial photography to be an artist. She was uncompromising in that ambition. The book ends with her death. The entire narrative is a slow march towards that event.
This beautiful and informative photographic history includes images from 1900 to 1999. Many are often seen (bullet piercing the apple, splashing crown of milk, Sophia Loren looking askance at Jayne Mansfield's plunging decollete, and Dorothea Lange's Migrant Mother); but most are probably unknown, because the photos were selected not only for their visual and cognitive qualities but also for their importance to the history and development of photographic technique and usage. The century is divided into thirds for explanation's sake, and there is at least one photograph for every year. While this is a picture book, the accompanying text provides informative introductions to the uses and abuses of perhaps the century's most important medium. The book is companion to the PBS series. Oversize: 12.5x9.5". Annotation copyrighted by Book News Inc., Portland, OR