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Excerpt from The Radical Drum Call: A Choice Collection of Patriotic Songs, Containing All the Well Known "National Airs," Together With Many New and Original Pieces, Adapted to the Most Popular Glees and Peoples' Songs; Arranged for and Sung by the Anderson Brothers "Union Glee Club"Salem! According to Act of Congress, In the year 1868, by R. M. Di: Win, in the Clerk's Office of the Blame; Court of the United sum, for the Sonthom Dlaulct of New York.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
The Ku Klux Klan has received much attention for its violent activities, but comparatively little research has been done on its musical legacy. The printed music that still exists is spread throughout the nation in both public and private collections. This work presents, chronologically, the music associated with the Klan from 1867 to 2002, thus enabling readers to sense the arguments and attitudes of the Klan as they developed and changed over time. Because of the relative scarcity of Klan-related music, non-Klan music that mentions the word "Klan" is included. These obscure references help place the Klan in a larger social perspective and are very important in documenting anti-Klan musical reaction. In instances where a song merely mentions the Klan, usually in only one verse or in the chorus, then only that verse containing the Klan reference, plus appropriate context, is included. The catalogue also includes Klan-related music that does not have lyrics, such as marches, waltzes, two-steps, and several Klan-related pieces that were published in Europe. Sheet music was virtually nonexistent after the 1930s, so in order to capture a feeling of Klan-related music today, a limited discography of Klan-related recordings from 1920 to 2002 is also included.
More than twenty years after the ground-breaking anthology This Bridge Called My Back called upon feminists to envision new forms of communities and practices, Gloria E. Anzaldúa and AnaLouise Keating have painstakingly assembled a new collection of over eighty original writings that offers a bold new vision of women-of-color consciousness for the twenty-first century. Written by women and men--both "of color" and "white"--this bridge we call home will challenge readers to rethink existing categories and invent new individual and collective identities.
Though there are several studies devoted to aspects of Martin Luther King Jr.’s intellectual thought, there has been no comprehensive study of his overarching theory of political service. In The Drum Major Instinct, Justin Rose draws on Martin Luther King Jr.’s sermons, political speeches, and writings to construct and conceptualize King’s politics as a unified theory. Rose argues that King’s theoretical framework—as seen throughout his wide body of writings—has three central components. First, King posited that all of humanity is tied to an “inescapable network of mutuality” such that no member of society can fully flourish if there are structural barriers preventing others from flourishing. Second, King’s theory required that Americans cultivate a sense of love and concern for their fellow members of society, which would motivate them to work collectively toward transforming others and structures of injustice. Finally, King contended that all members of society have the responsibility to participate in collective forms of resistance. This meant that even the oppressed were obligated to engage in political service. Therefore, marginalized people’s struggles against injustice were considered an essential aspect of service. Taken together, King’s theory of political service calls on all Americans, but especially black Americans, to engage in other-centered, collective action aimed at transforming themselves, others, and structures of injustice. By fully exploring King’s thoughts on service, The Drum Major Instinct is an invaluable resource toward understanding how King wanted us all to work to create a more just, democratic society and how his thoughts continue to resonate in contemporary struggles.