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Sam would describe himself as any awkward and ordinary teenager simply trying to finish high school and get on with life. His tame (ie, boring) lifestyle and dilemmas over post-graduation skid to a halt when he meets Samuel. A strange, but unassuming boy with sarcastic wit and a taste for the more exciting side of life. As their friendship blooms from a lunchtime arrangement into something more, Sam starts to remember what he’d been missing from life: actually enjoying it. However, their passions are put to the test when Samuel’s secrets become unveiled. Love conquers all, right?
Each year, over 250,000 heart valve repair and heart valve replacement operations are performed for conditions including stenosis, prolapse, insufficiency, aneurysm, Tetralogy of Fallot and regurgitation. However, most patients and caregivers surveyed felt their expectations were mismanaged - both before and after surgery. The Patient's Guide to Heart Valve Surgery was written by Adam Pick, a double heart valve surgery patient, to address this troubling issue and prepare the patient and caregiver for the challenges and opportunities of valve surgery - from diagnosis through recovery.
In Edgar Allan Poe's "The Tell-Tale Heart", the narrator tries to prove his sanity after murdering an elderly man because of his "vulture eye". His growing guilt leads him to hear the old man's heart beating under the floorboards, which drives him to confess the crime to the police.
Sport is an integral component of today's media, from prime-time television to interactive websites. This book is a theoretical and methodological guide to analysing sport in its diverse mediated forms. Students of media sport are taken through techniques of analysis for film, TV, newspapers, magazines, advertisements, spaces such as stadia and museums, and the internet. The ambiguous and shifting cultural politics of sport are explored through original, researched case studies, drawn from across the UK, USA and beyond. The book encourages students to engage critically with their own experience of media sport and to develop an independent approach to analysis. As such, it will be an essential purchase for all students of media and sports studies students.
A Heart Beating Hard is about looking long and deep into the invisible life of a person we too often pass by. It is the story of Marjorie, who works in the Store and does her best to go on with the days; of Margie, growing up in Apartment #2 with the sounds of Ma and Gram and Him all around; and of Marge, who should never have been, who should have been helped. In A Heart Beating Hard, we see how Marjorie manages to go on with the days, how even in the bright lights and grabbing hands of the outside world, inside, Marjorie knows how to take care of her self and her secrets. It is a story about the passed-along People, about how we are the same and how we are different, about how we become who we are and how we protect our most private places from the cold glare of all that we cannot control.
From debut author Lio Min comes BEATING HEART BABY, a tender love letter to internet friendships, anime, and indie rock, perfect for fans of HEARTSTOPPER When Santi arrives in Los Angeles, he hopes he can move past the loss of the childhood internet friend he’d known only as Memo. And in his new high school’s marching band, Santi gets a taste of the community he’s always longed for. Even the clashes with his section leader, Suwa, lead to Suwa opening up to Santi first as a friend, then something more. But when Suwa gets a shot at the rock star life he’s always dreamed of, the very thing that drew them to each other—a shared devotion to art—tests their budding relationship. Over years, Santi and Suwa glide and soar, crash and fall, together and apart. This twinned tale about the transitions between boyhood and manhood, internet confidants and IRL friends, the face in the crowd and the star on the stage, stakes and succeeds in making the bold claim: that Santi and Suwa’s fantastic dreams are as essential as art and love and life itself.
"A wonderful collection of games, exercises, and activities to help students overcome their fear of public speaking and flourish in front of an audience" Cf. Our choice, 2002.
The text is a conversation between the author and himself mediated by the text of Friedrich Nietzsche’s Thus Spoke Zarathustra. The text is a pre-text, a reading both before and after that frames the art work. What is that? Let us say, in the spirit of inquiry, that of knowing thyself. What, then, of this strange hyphenation? The present text is a pre-text because it is before the Text, the text which the author is always writing but which manifests itself, in sporadic, impulsive bursts, in the form of actual works. The book is the pre-text because it is an excuse, a rationale, a piece of pretension. The book is not about Nietzsche but what it is for someone to read Nietzsche’s text, a book for everyone and no one. How then does one read a book meant for oneself, if oneself is everyone, and not at all for oneself, if oneself is none? Or is it that the real task of reading is for the reader to read what reading is? Then again, need one distinguish between book and text? Perhaps, it is impossible to read a book such as Thus Spoke Zarathustra without invoking the text --or even sub-text – that continually slips away. If one can read a book, one cannot the text for this reason: the text is what the reader has to write through the reading. This has been my experience with Nietzsche’s text, an experience I share with my readers. The very possibility of reading invokes the need to re-write the text. Only in the space between reading and writing can the reader/re-writer hope to stand and understand the discursive grounds. Is that the play which this couplet performs? There, does not the reader enters upon the playground. Read then and play! The author's thanks go to Mr. Andrew Fuyarchuk for the fine editing job that he did. His contribution allowed further clarifications of the argument.