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Stalin's Quest for Gold tells the story of Torgsin, a chain of retail shops established in 1930 with the aim of raising the hard currency needed to finance the USSR's ambitious industrialization program. At a time of desperate scarcity, Torgsin had access to the country's best foodstuffs and goods. Initially, only foreigners were allowed to shop in Torgsin, but the acute demand for hard-currency revenues forced Stalin to open Torgsin to Soviet citizens who could exchange tsarist gold coins and objects made of precious metals and gemstones, as well as foreign monies, for foods and goods in its shops. Through her analysis of the large-scale, state-run entrepreneurship represented by Torgsin, Elena Osokina highlights the complexity and contradictions of Stalinism. Driven by the state's hunger for gold and the people's starvation, Torgsin rejected Marxist postulates of the socialist political economy: the notorious class approach and the state hard-currency monopoly. In its pursuit for gold, Torgsin advertised in the capitalist West, encouraging foreigners to purchase goods for their relatives in the USSR; and its seaport shops and restaurants operated semilegally as brothels, inducing foreign sailors to spend hard currency for Soviet industrialization. Examining Torgsin from multiple perspectives—economic expediency, state and police surveillance, consumerism, even interior design and personnel—Stalin's Quest for Gold radically transforms the stereotypical view of the Soviet economy and enriches our understanding of everyday life in Stalin's Russia.
Warfare, epidemics, and famine left millions of Soviet children homeless during the 1920s. Many became beggars, prostitutes, and thieves, and were denizens of both secluded underworld haunts and bustling train stations. Alan Ball's study of these abandoned children examines their lives and the strategies the government used to remove them from the streets lest they threaten plans to mold a new socialist generation. The "rehabilitation" of these youths and the results years later are an important lesson in Soviet history.
“Gripping and important . . . an extremely impressive book.” —Noel Malcolm, Telegraph (London) A remarkable piece of forgotten history- the never-before-told story of Americans lured to Soviet Russia by the promise of jobs and better lives, only to meet tragic ends In 1934, a photograph was taken of a baseball team. These two rows of young men look like any group of American ballplayers, except perhaps for the Russian lettering on their jerseys. The players have left their homeland and the Great Depression in search of a better life in Stalinist Russia, but instead they will meet tragic and, until now, forgotten fates. Within four years, most of them will be arrested alongside untold numbers of other Americans. Some will be executed. Others will be sent to "corrective labor" camps where they will be worked to death. This book is the story of lives-the forsaken who died and those who survived. Based on groundbreaking research, The Forsaken is the story of Americans whose dreams were shattered and lives lost in Stalinist Russia.
It was the most magnificent court in Europe—a world of fairy-tale opulence, ornate architecture, sophisticated fashion, extravagant luxury, and immense power. In the last Russian imperial court, a potent underlying mythology drove its participants to enact the pageantry of medieval, Orthodox Russia—infused with the sensibilities of Versailles—against a backdrop of fading Edwardian splendor, providing a spectacle of archaic ceremonies carefully orchestrated as a lavish stage upon which Nicholas II played out his tumultuous reign. While a massive body of literature has been devoted to the last of the Romanovs, The Court of the Last Tsar is the first book to examine the people, mysteries, traditions, scandals, rivalries, rituals, and riches that were part of everyday life in the last two decades of the Romanov dynasty. It is as difficult for the twenty-first-century mind to imagine the pomp and splendor that accompanied the tsar and his family everywhere they went as it was for the simple Russian peasant toiling a thousand miles from St. Petersburg. This stunningly illustrated volume removes the mystery with more than a hundred black-and-white photos; floor plans of the tsar’s Winter Palace, the Alexander Palace, and the Grand Kremlin Palace; a map of St. Petersburg; and plans of the imperial parks at Tsarskoye Selo and Peterhof. This eye-popping tour of hedonistic imperial Russia on the edge of oblivion draws on hundreds of previously unpublished primary sources, including memoirs, personal letters, diary entries, and official documents collected during author Greg King’s fifteen years of research in Russia and elsewhere in Europe. It invites you to experience dozens of extravagant ceremonies and entertainments attended only by members of the court; exposes the numerous sexual intrigues of the imperial family, including rape, incest, and brazen affairs; and introduces many of the more than fifteen thousand individuals who made the imperial court a society unto itself. Chief among these, of course, was Tsar Nicholas II. He ruled an empire that stretched over one-sixth of the earth’s land surface but lacked, according to one courtier, both his father’s inspiring presence and his mother’s vibrant charm. His wife, Alexandra, was a strong and passionate woman who “never developed the social skills necessary to her rank.” Their wedding and the tsar’s coronation are two of the most spectacular ceremonies described in this lavish volume. Vetted with care by the last remaining members of the Russian imperial court, The Court of the Last Tsar brings the people, places, and events of this doomed but unforgettable wonderland to vivid and sparkling life.
Foundations of Russian Military Flight focuses on the early use of balloons and aircraft by the Russian military. The best early Russian aircraft included flying boats designed by Dimitrii Grigorovich and large reconnaissance-bombers created by Igor Sikorsky. As World War I began, the Imperial Russian Navy made use of aircraft more quickly than the army. Indeed, the navy established a precursor to the aircraft carrier. The Imperial Russian Army came to respect over time the work of aircraft that evolved from reconnaissance and bomber to fighter planes. Over 250 army pilots during the war received awards of high distinction for their wartime flights. After the 1917 revolution, both the new Bolshevik government and the reactionary White forces created air arms to combat each other. In the 1920s, the Soviet Union and Germany negotiated agreements that allowed Germany to violate the Treaty of Versailles by building military aircraft and training German military pilots in the USSR. This provided the Soviet Union access to the latest aviation technology and prevented them from falling too far behind the West in this crucial sphere.
In 1921 Lenin surprised foreign observers and many in his own Party, by calling for the legalization of private trade and manufacturing. Within a matter of months, this New Economic Policy (NEP) spawned many thousands of private entrepreneurs, dubbed Nepmen. After delineating this political background, Alan Ball turns his attention to the Nepmen themselves, examining where they came from, how they fared in competition with the socialist sector of the economy, their importance in the Soviet economy, and the consequences of their "liquidation" at the end of the 1920s. Alan Ball's history of this experiment with capitalism is strikingly relevant to current efforts toward economic reform in the USSR.
During WWII, many German Generals traded and sold Stolen Works of Art to Private Art Collectors around the world and made small fortunes for themselves. One General simply knows as “Herr General” did the same, but he knew he would not survive the War, so he hid his stolen Art in two inconspicuous locations and secured his money and wealth in a Swiss Bank Account. Herr General then prepared a written manuscript in three languages and secured it in a leather-bound portfolio. The Portfolio was in fact a written treasure map leading one to the stolen art and wealth that he had accumulated. Years after the war, the portfolio surfaces, and then the scramble begin. This story is that Quest for Herr General’s Art and Treasures based on his portfolio.
Henry Petroski traces the origins of the pencil back to ancient Greece and Rome, writes factually and charmingly about its development over the centuries and around the world, and shows what the pencil can teach us about engineering and technology today.
In Stradivari’s Genius, Toby Faber charted the fascinating course of some of the world’s most prized musical instruments. Now, in this enthralling new book, he tells the story of objects that are, to many, the pinnacle of the jeweler’s art: the Fabergé imperial eggs. The Easter presents that Russia’s last two czars gave to their czarinas have become synonymous with privilege, beauty, and an almost provocative uselessness. They are perhaps the most redolent symbols of the old empire’s phenomenal craftsmanship, of the decadence of its court, and of the upheavals that brought about its inevitable downfall. Fabergé’s Eggs is the first book to recount the remarkable story of these masterpieces, taking us from the circumstances that inspired each egg’s design, through their disappearance in the trauma of revolution, to their eventual reemergence in the global marketplace. In 1885, Carl Fabergé created a seemingly plain white egg for Czar Alexander III to give to his beloved wife, Marie Fedorovna. It was the surprises hidden inside that made it special: a diamond miniature of the Imperial crown and a ruby pendant. This gift began a tradition that would last for more than three decades: lavishly extravagant eggs commemorating public events that, in retrospect, seem little more than staging posts on the march to revolution. Above all, the eggs illustrate the attitudes that would ultimately lead to the downfall of the Romanovs: their apparent indifference to the poverty that choked their country, their preference for style over substance, and, during the reign of Nicholas II, their all-consuming concern with the health of the czarevitch Alexis, the sickly heir to the throne–a preoccupation that would propel them toward Rasputin and the doom of the dynasty. More than a superb new account of a classic tragedy, Fabergé’s Eggs illuminates some fascinating aspects of twentieth-century history. The eggs’ amazing journey from revolutionary Russia features a cast of characters including embattled Bolsheviks, acquisitive British royals, eccentric artifact salesmen, and such famous business and society figures as Arm and Hammer, Marjorie Merriweather Post, and Malcolm Forbes. Finally, Toby Faber tantalizingly suggests that some of the eggs long thought lost may eventually emerge. Darting from the palaces of a besieged Russia to the showcases of New York’s modern mega-wealthy, Fabergé’s Eggs weaves a story unparalleled in its drama and extravagance. Praise for Stradivari’s Genius “Fascinating . . . lively . . . more enthralling, earthy and illuminating than any fiction could be.” –The New York Times Book Review “A celebration of six instruments and the master craftsman who made them . . . [Faber] brings to the subject an infectious fascination with Stradivari’s life and trade. . . . He writes with clarity and fluency.” –Chicago Tribune “An extraordinary accomplishment and a compelling read. Like strange totems that cast an irresistible spell, these instruments bring out the best and the worst of those who would own them, and Faber deftly tells the stories in all their rich and surprising detail.” –Thad Carhart, author of The Piano Shop on the Left Bank “A worthy contribution to the ongoing legend of Stradivari.” –Minneapolis Star Tribune “Fascinating, accessible, and enjoyable.” –Tracy Chevalier, author of Girl with a Pearl Earring