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"The Quest for the Perfect Shape" is a charming and heartwarming children's book that takes young readers on a journey of discovery and acceptance. Join Orange the Circle, Yellow the Triangle, Green the Square, Blue the Rectangle, and Purple the Star on a quest to find the perfect shape, only to discover that every shape is unique and perfect in its own way. Along the way, they encounter different shapes and learn about their distinct qualities, and they realize that the true beauty of life comes from embracing and appreciating our differences. Filled with colorful illustrations and lovable characters, this book teaches children the importance of patience, teamwork, and the power of diversity. "The Quest for the Perfect Shape" is a must-read for parents and children who want to celebrate individuality and promote a world where differences are cherished and respected.
Chronicles the competition between three contending groups for the Collegiate A Cappella championship, evaluating how their achievements reflect a rising surge in the music form's popularity, as well as the diversity that has shaped its expression.
'A delightful insight into an eclectic life' The Daily Telegraph 'Very funny and astute . . . a loathly feast for royal-watchers' Hilary Mantel, New Statesman Books of the Year 2018 'A complete delight, conjuring up, with a few sharp strokes of the pen, a mad, exotic species from a world gone by' Craig Brown, Mail on Sunday 'Gloriously indiscreet . . . the best royal book ever' Harry Mount, Financial Times * * * When James Pope-Hennessy began his work on Queen Mary's official biography, it opened the door to meetings with royalty, court members and retainers around Europe. The series of candid observations, secrets and indiscretions contained in his notes were to be kept private for 50 years. Now published in full for the first time and edited by the highly admired royal biographer Hugo Vickers, this is a riveting, often hilarious portrait of the eccentric aristocracy of a bygone age. Giving much greater insight into Queen Mary than the official version, and including sharply observed encounters with, among others, the Duke and Duchess of Windsor, the Duke of Gloucester, and a young Queen Elizabeth, The Quest for Queen Mary is set to be a classic of royal publishing.
No matter how hard she tries, Triangle doesn't roll like the circles, or stack like the squares. She sets off to find friends that look exactly like her. But when she finds other triangles, playtime isn't as fun. She misses shapes that roll and stack; she misses being different. So she starts a new quest.
In an age when the nature of reality is complicated daily by advances in bioengineering, cloning, and artificial intelligence, it is easy to forget that the ever-evolving boundary between nature and technology has long been a source of ethical and scientific concern: modern anxieties about the possibility of artificial life and the dangers of tinkering with nature more generally were shared by opponents of alchemy long before genetic science delivered us a cloned sheep named Dolly. In Promethean Ambitions, William R. Newman ambitiously uses alchemy to investigate the thinning boundary between the natural and the artificial. Focusing primarily on the period between 1200 and 1700, Newman examines the labors of pioneering alchemists and the impassioned—and often negative—responses to their efforts. By the thirteenth century, Newman argues, alchemy had become a benchmark for determining the abilities of both men and demons, representing the epitome of creative power in the natural world. Newman frames the art-nature debate by contrasting the supposed transmutational power of alchemy with the merely representational abilities of the pictorial and plastic arts—a dispute which found artists such as Leonardo da Vinci and Bernard Palissy attacking alchemy as an irreligious fraud. The later assertion by the Paracelsian school that one could make an artificial human being—the homunculus—led to further disparagement of alchemy, but as Newman shows, the immense power over nature promised by the field contributed directly to the technological apologetics of Francis Bacon and his followers. By the mid-seventeenth century, the famous "father of modern chemistry," Robert Boyle, was employing the arguments of medieval alchemists to support the identity of naturally occurring substances with those manufactured by "chymical" means. In using history to highlight the art-nature debate, Newman here shows that alchemy was not an unformed and capricious precursor to chemistry; it was an art founded on coherent philosophical and empirical principles, with vocal supporters and even louder critics, that attracted individuals of first-rate intellect. The historical relationship that Newman charts between human creation and nature has innumerable implications today, and he ably links contemporary issues to alchemical debates on the natural versus the artificial.
At the end of a long day, high powered Wall Street lawyer John Spencer Harrison is looking forward to a quiet evening at home with his wife Alice. But Alice is gone! The servants saw nothing. The dog was undisturbed. Her purse is right where she left it. Where is Alice? Through a series of adventures involving, intrigue, espionage and geopolitical players, John searches far and wide for his wife and her abductors.
Kaedrian Barker finds himself thrown into an unexpected situation by the destruction of the space station Demetrius when he and a young man named Trog are the only two survivors of the disaster, in a galaxy where the Cosmic Regime is gaining control by force, fear, and terror. Its counterpart, the Galactic Guard, is trying to maintain peace and order. Kaedrian and the boy Trog's future will lead them all on a quest for a secret key, revealing a prophecy and unraveling a truth that could alter history and the origins of mankind. Kaedrian must enlist his friend Lowden in the Galactic Guard for help while Janos and the Cosmic Regime try to thwart the prophecy and snuff out the boy Trog, the mysterious key, and the Galactic Guard under the orders of Lord Enid. What is Trog's connection to the prophecy and to the mysterious key? Why do Lord Enid and the Cosmic Regime want to stop this quest and the boy? Where will the quest lead them all? Only time will reveal all secrets. The quest awaits!
One of the leading thinkers to emerge in the postwar conservative intellectual revival was the sociologist Robert Nisbet. His book The Quest for Community, published in 1953, stands as one of the most persuasive accounts of the dilemmas confronting modern society. Nearly a half century before Robert Putnam documented the atomization of society in Bowling Alone, Nisbet argued that the rise of the powerful modern state had eroded the sources of community—the family, the neighborhood, the church, the guild. Alienation and loneliness inevitably resulted. But as the traditional ties that bind fell away, the human impulse toward community led people to turn even more to the government itself, allowing statism—even totalitarianism—to flourish. This edition of Nisbet’s magnum opus features a brilliant introduction by New York Times columnist Ross Douthat and three critical essays. Published at a time when our communal life has only grown weaker and when many Americans display cultish enthusiasm for a charismatic president, this new edition of The Quest for Community shows that Nisbet’s insights are as relevant today as ever.
This book examines the meaning of happiness in Britain today, and observes that although we face challenges such as austerity, climate change and disenchantment with politics, we continue to be interested in happiness and living well. The author illustrates how happiness is a far more contested, social process than is often portrayed by economists and psychologists, and takes issue with sociologists who often regard wellbeing and the happiness industry with suspicion, whilst neglecting one of the key features of being human – the quest for a good life. Exploring themes that question what it means to be happy and live a good life in Britain today, such as the challenges young people face making their way through education and into their first jobs; work life-balance; mid-life crises; and old age, the book presents nineteen life stories that call for a far more critical and ambitious approach to happiness research that marries the radicalism of sociology, with recent advances in psychology and economics. This book will appeal to students and academics interested in wellbeing, happiness and quality of life and also those researching areas such as the life course, work-life balance, biographies, aging and youth studies.
Here is your riddle: I am greater than god. I am more evil than the devil. The poor have me, The rich need me, And death comes to those who eat me. Who am I? *** I am ever hungry, And live if you feed me. I am never thirsty, And die if you quench me. What am I? *** I see much, but change little. I am firm, irresolute, Powerful, but gentle; I have enough strength to rip apart mountains, Yet be moved by gentle stirrings, I am life itself, And I give life to others. Who am I? Im a five letter word that has no end, One through three can amend, One, four and five are something alive, Two and three occur near thee. What am I? *** I am light as a feather, Yet no man can hold me for long. My presence causes life, My absence death. *** I welcome the day with a show of light, I steathily came here in the night. I bathe the earthy stuff at dawn, But by the noon, alas! Im gone. *** The last, but not the least, little one: Lighter than what I am made of, More of me is hidden than is seen, I am the bane of the mariner, A tooth within the sea. Speak my name.