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John Banville's protagonists long for a sense of completion that neither their own psyches nor the world can satisfy. The themes in Banville's work can be seen to form a cultural and psychic bridge between mysticism and postmodernism, portraying human consciousness in a bind of forever being trapped in language.
John Banvilles works waver indecisively between modernism and postmodernism. This study offers a hitherto unexplored vista on his works and argues that Banville is a post-/modern pastoralist. The pastoral lens opens new vistas to Banville's central concerns: the collusion of ethics and aesthetics, self-identification in narrative, and the topography of the troubled mind. Banvilles characters harbour an Arcadia of the unconscious conditioned by a subtext of nostalgia. Caught in a crisis, his characters explore, subvert and transform the pastoral mode into an ambiguous quest for a stable self.
Bringing together leading international scholars, John Banville and His Precursors explores Booker and Franz Kafka prize-winning Irish author John Banville's most significant intellectual influences. The book explores how Banville's novels engage deeply with a wide range of sources, from literary figures such as Samuel Beckett, Heinrich von Kleist, Wallace Stevens, Rainer Maria Rilke, and Henry James, to thinkers such as Freud, Heidegger, and Blanchot. Reading the full range of Banville's writings - from his Booker Prize-winning novel The Sea to his latest book, Mrs Osmond – John Banville and His Precursors reveals the richness of the author's work. In this way, the book also raises questions about the contemporary moment's relationship to a variety of intellectual and cultural traditions - Romanticism, Modernism, existentialism – and how the significance of these can be appreciated in new and often surprising ways.
John Banville is an accessible yet detailed study that brings to the surface many of the hidden depths of one of the major writers of contemporary Irish and world fiction. It mediates between two existing kinds of critical work on Banville: novel-by-novel introductions, and specialised academic analyses. While it approaches some of Banville's works individually, its discussions are arranged thematically, thus demonstrating the overall patterns in his oeuvre and in his literary thinking. With a close eye on chronology, the book begins by establishing the intellectual and cultural contexts of the oeuvre and its reception, then provides readings of Banville's Irish themes, his crucial theories of the Imagination, his thematic preoccupation with morality and immorality, his idiosyncratic devotion to a self-reflexive art. Work of all Banville's periods is covered, from his first book, Long Lankin (1970) to his Man-Booker winning novel, The Sea (2005), and his recent popular fiction written under a pseudonym. Rather than incorporating the frameworks of the existing Banville criticism, one of this book's major benefits is that it allows the author to speak for himself at all stages by referring to all his principal statements on his art and worldview. The discussions here are all attentive to those who may be in the early stages of familiarity with Banville, so that the general application of ideas and arguments can be understood without firsthand or detailed knowledge of the works under discussion. Those who are well acquainted with the Banville oeuvre will also find new aspects of emphasis and suggestion. A number of important items from Banville's career as a literary essayist and reviewer are used in the chapters, and the book is thus a good starting point for readers wishing to further develop their interest.
Featuring new essays by international literary scholars, the two-volume Companion to Irish Literature encompasses the full breadth of Ireland's literary tradition from the Middle Ages to the present day. Covers an unprecedented historical range of Irish literature Arranged in two volumes covering Irish literature from the medieval period to 1900, and its development through the twentieth century to the present day Presents a re-visioning of twentieth-century Irish literature and a collection of the most up-to-date scholarship in the field as a whole Includes a substantial number of women writers from the eighteenth century to the present day Includes essays on leading contemporary authors, including Brian Friel, Seamus Heaney, Eavan Boland, Roddy Doyle, and Emma Donoghue Introduces readers to the wide range of current approaches to studying Irish literature
Taking up the historical evolution of Darwin and his theories and the cultural responses they have inspired, Reflecting on Darwin poses the following questions: 'How are the apparatuses in the mid-nineteenth century and at the turn of the twenty-first century interconnected with bio-scientific paradigms in art, literature, culture and science?' 'How are naturalism, determinism and Darwinism - the eugenics of the nineteenth century and the genetic coding of the twentieth century - positioned, embodied and staged in various media configurations and media genres?' and 'How have particular media apparatuses formed, displaced or stabilized the various concepts of humankind in the framework of evolutionary theory?' Ranging from the early circulation of Darwin’s ideas to the present, this interdisciplinary collection pays particular attention to Darwin’s postmillennial reception. Beginning with an overview of the historical development of contemporary ecological and ethical fears, Reflecting on Darwin then turns to Darwin’s influence on contemporary media, neo-Victorian literature and culture, science fiction literature and film, and contemporary theory. In examining the plurality of ways in which Darwin has been rewritten and reappropriated, this unique volume both mirrors and inspects the complexity of recent debates in Victorian and neo-Victorian studies.
The latest in a renowned research-level series, this volume focuses on Yeats's multifarious (especially occult) reading and his iconography. Closely examining the making of his work - a new unfinished play for dancers is presented - the volume turns to his immediate influence in Japan via Yone Noguchi and in England on the work of Dorothy Wellesley, as well as to his legacy in the elegiac poems of W.H. Auden and Seamus Heaney.
There is currently huge interest in the question of human nature and identity, and what the human future might look like. Who are we? Why are we here? What is our future? Are we alone? And what can religion bring, alongside biology and anthropology, to these important and exciting questions? The Great Mystery focuses on this fascinating field of study. Alister McGrath, bestselling author and Andreas Idreos Professor of Science and Religion at Oxford University, explores the question of human nature from both scientific and religious perspectives, and weaves together the results to open up and explore some of the deepest and most important questions about who we are, why we matter, and what our future might be. A follow-up to his critically acclaimed Inventing the Universe, in The Great Mystery Alister McGrath once again brings together science with religion to yield an enriched vision of reality, along with rigorous and thoroughly up-to-date scholarship and intellectual accessibility.