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In the biggest change to Westminster Abbey for 250 years, a new museum has been built, accessed by a spectacular new seven storey tower. The Queen's Diamond Jubilee Galleries have been built in the roof space over the side chapels, some sixteen metres above floor level. The Galleries display 300 of the Abbey's treasures, ranging from the historic effigies of past kings and queens to the Duke of Cambridge's marriage licence. In addition, for the first time in 800 years, the public can now see spectacular views of the Abbey from the galleries. This booklet tells the story of the building of the tower and galleries. More than 70 photographs reveal some of the amazing discoveries made during the development, which culminated in the grand opening by Her Majesty the Queen in 2018.
A richly illustrated guide to the treasures in The Queen's Diamond Jubilee Galleries - a new exhibition in Westminster Abbey's never-before-seen roof space. In summer 2018, The Queen's Diamond Jubilee Galleries will open in the church's medieval triforium, an internal gallery which runs 70 feet above the floor of the Abbey. Entrance to the space, never before opened to the public, will be through a new tower outside Poets' Corner, opposite the Palace of Westminster. This will be the most significant addition to the Abbey since Nicholas Hawksmoor's iconic towers were completed in 1745. The treasures displayed will reflect the Abbey's rich thousand-year history. The Galleries will also grant magnificent views to Parliament Square and the Palace of Westminster, as well as wonderful vistas across the Abbey, which Betjeman described as "the finest view in Europe". The Galleries mark the final phase of the Abbey's "2020 Vision", which aimed to improve facilities for the Abbey's two million worshippers and visitors. This richly illustrated guide, written by Abbey staff, discusses both the overall themes explored in the exhibition, and a selection of the individual exhibits.Published to coincide with the opening of the Galleries in Summer 2018.
Westminster Abbey contains a unique and important group of effigies, some familiar, many little-known, including kings, queens, statesmen and national heroes, ranging in time from the middle ages to the early nineteenth century. They derive from a time when an effigy of the dead monarch, statesman or national hero played an important part in funeral ritual, offering a visible likeness as a focus to the ceremonial of the funeral. This richly illustrated book, which is the first substantial publication on the effigies since 1936, is both a history of the collection and of the origins and development of the funeral effigy, and a full descriptive catalogue of the twenty-one examples in the Abbey. Copyright © Libri GmbH. All rights reserved.
The history book which shows you monarchs as they really were - mad, menacing and murderous! Find out which king died after falling off the toilet, why people thought King John was a werewolf, and why Queen Anne's feet were covered in garlic. Packed with treacherous treason, evil executions and savage struggles for the throne, this is royal history with the nasty bits left in!
A wild romp around London as the Queen loses her hat! From Steve Antony, the author and illustrator of PLEASE, MR. PANDA and BETTY GOES BANANAS!A sudden gust of wind sets off a marvelous adventure for the Queen, lots of Queen's men, and one very special hat. Just where will that hat land? Following a hysterical, epic hat chase, the Queen is reunited with her hat -- and the royal baby!Young children will love the search-and-find fun of the story, the hysterical mayhem that breaks loose, and Steve Antony's winning art style. THE QUEEN'S HAT shows some of London's most famous sites, and back matter explains their significance.
The Westminster Retable was conserved at the Hamilton Kerr Institute, University of Cambridge.
A comprehensive and authoritative history that explores the significance of one of the most famous buildings and institutions in England Westminster Abbey was one of the most powerful churches in Catholic Christendom before transforming into a Protestant icon of British national and imperial identity. Celebrating the 750th anniversary of the consecration of the current Abbey church building, this book features engaging essays by a group of distinguished scholars that focus on different, yet often overlapping, aspects of the Abbey's history: its architecture and monuments; its Catholic monks and Protestant clergy; its place in religious and political revolutions; its relationship to the monarchy and royal court; its estates and educational endeavors; its congregations; and its tourists. Clearly written and wide-ranging in scope, this generously illustrated volume is a fascinating exploration of Westminster Abbey's thousand-year history and its meaning, significance, and impact within society both in Britain and beyond. Paul Mellon Centre for Studies in British Art in association with the Dean and Chapter of the Collegiate Church of St Peter Westminster (Westminster Abbey)/Distributed by Yale University Press
The Ladybird Book of London is a gem from the Ladybird vintage archive. First published in 1961, this is a classic Ladybird hardback book, packed with information about Britain's capital. This new edition is exactly the same as the original, with a dust jacket and beautifully reproduced images. 'The story of London, her sights and history, is illustrated with twenty-four beautiful full-page pictures. Starting from Trafalgar Square this book takes you through famous streets to see historic buildings, to learn something of the story of Britain's famous capital. Westminster Abbey and St Paul's Cathedral, the Tower, Guildhall and the City, Hampton Court and Kew Gardens, the Zoo and Madame Tussaud's - they are all here.'
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The Queen's Window was designed by renowned artist David Hockney for Westminster Abbey and unveiled in autumn 2018. The work was commissioned to celebrate the reign of Queen Elizabeth II as England's longest-serving monarch. The resulting design is a vibrantly coloured and quintessentially English country scene featuring a Yorkshire landscape with the hawthorn blossom that Hockney loves. In an extended conversation between Hockney and fellow-artist Tacita Dean, the artist reflects on his approach to the design and his use of colour, as well on the underlying themes that the window represents.