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“Wow. C. E. Murphy is good. Court intrigue in an alternate Elizabethan-era fantasy world: realpolitik with the sex included.” –Kate Elliott, author of Crown of Stars In a world where religion has ripped apart the old order, Belinda Primrose is the queen’s secret weapon. The unacknowledged daughter of Lorraine, the first queen to sit on the Aulunian throne, Belinda has been trained as a spy since the age of twelve by her father, Lorraine’s lover and spymaster. Cunning and alluring, fluent in languages and able to take on any persona, Belinda can infiltrate the glittering courts of Echon where her mother’s enemies conspire. She can seduce at will and kill if she must. But Belinda’s spying takes a new twist when her witchlight appears. Now Belinda’s powers are unlike anything Lorraine could have imagined. They can turn an obedient daughter into a rival who understands that anything can be hers, including the wickedly sensual Javier, whose throne Lorraine both covets and fears. But Javier is also witchbreed, a man whose ability rivals Belinda’s own . . . and can be just as dangerous. Amid court intrigue and magic, loyalty and love can lead to more daring passions, as Belinda discovers that power is the ultimate aphrodisiac. “C. E. Murphy vividly reimagines Renaissance Europe as a world both familiar and strange. Filled with intrigue and betrayal, her story is a chess game with six of seven sides, and I look forward to seeing what the next moves are.” –Marie Brennan, author of Warrior and Witch From the Trade Paperback edition.
An exquisite sequel to "The Secret Diary of Anne Boleyn", "Maxwell's second novel breathes extraordinary life into the scandals, political intrigue, and gut-wrenching battles that typified Queen Elizabeth's reign" ("Publishers Weekly").
Could England's 'Virgin Queen', Elizabeth I, have borne her lover, Robin Dudley, Earl of Leicester, a son? Most historians dismiss such tales as idle gossip but others speak of a young man named Arthur Dudley... Set against the background of the Spanish Armada's invasion of England in 1588, two parallel tales unfold. One is Queen Elizabeth's story: her lifelong and passionate affair with Leicester; her politically dangerous pregnancy and elaborate scheme to conceal it from the world. The other is the story of Arthur, their illegitimate son, born alive but secretly swapped at birth. Young Arthur grows up totally unaware of his true identity. His story collides with that of his mother when, from his adoptive father's deathbed, he hears the amazing truth of his parentage. Religion, sex and the sixteenth century's most fascinating personalities are artfully woven here into a rich tapestry of love, betrayal and the quest for power.
Historians have long whispered that “the Virgin Queen” Elizabeth’s passionate, lifelong affair with Robin Dudley, Earl of Leicester, may have led to the birth of a son, Arthur Dudley. In this exquisite sequel to The Secret Diary of Anne Boleyn, Robin Maxwell fashions a stunning fictional account of the child switched at birth by a lady-in-waiting who foresaw the deleterious political consequences of a royal bastard. Set against the sweeping, meticulously rendered backdrop of court intrigues, international scandals, and England’s battle against the Spanish Armada in 1588, Maxwell deftly juxtaposes Elizabeth and Leicester’s tumultuous relationship with the memoirs of the adventurous son lost to them—yet ultimately discovered. The Queen’s Bastard artfully weaves two tales, the first told by Arthur Dudley himself, who, exchanged at birth by Elizabeth’s intimates for a stillborn infant, grows up as a country gentleman, never knowing his true identity. A dreamer, a romantic, and a magnificent horseman, Arthur sets off to fight Philip II of Spain. Meanwhile, the lifelong love affair of Elizabeth and Leicester has only been strengthened by the presumed loss of their child. The two narratives collide when Arthur learns who his true parents are. Religion, sex, and the sixteenth century’s most fascinating personalities are woven into a rich tapestry of betrayal, the quest for power, and love.
An unadulterated look at "Bloody Mary"--Elder daughter of Henry VIII, Catholic zealot, and England's first and most murderous queen--argues that history has treated the much-maligned monarch unfairly.
Matilda of Flanders, queen to William the Conqueror was beautiful, exquisitely small, clever, with a perfect courtesy trained in the rigid school of medieval manners. But within lay a root of darkness - inheritance, perhaps, of Viking ancestors. Twice, at least, in her lifetime the Viking streak broke through, in vengeance on a faithless lover, in fury wreaked on a rival of the marriage bed. The marriage, though fruitful of so many children, was on her side no match of love. But a passionate loyalty to her husband, an equally passionate ambition, together with her own sense of justice, gave her the will and the skill to dissemble her feelings and to make her the praise of Christendom. No Queen ever wielded so much power as she in the long years she ruled Normandy; before her no woman in England was ever crowned or was known as Queen.
In the turbulent period following the First World War the young Count Richard Coudenhove-Kalergi founded the Pan-European Union, offering a vision of peaceful, democratic unity for Europe, with no borders, a common currency, and a single passport. His political congresses in Vienna, Berlin, and Basel attracted thousands from the intelligentsia and the cultural elite, including Albert Einstein, Thomas Mann, and Sigmund Freud, who wanted a United States of Europe brought together by consent. The Count's commitment to this cooperative ideal infuriated Adolf Hitler, who referred to him as a "cosmopolitan bastard" in Mein Kampf. Communists and nationalists, xenophobes and populists alike hated the Count and his political mission. When the Nazis annexed Austria, the Count and his wife, the famous actress Ida Roland, narrowly escaped the Gestapo. He fled to the United States, where he helped shape American policy for postwar Europe. Coudenhove-Kalergi's profile was such that he served as the basis for the fictional resistance hero Victor Laszlo in the film Casablanca. A brilliant networker, the Count guided many European leaders, notably advising Winston Churchill before his 1946 Zürich speech on Europe. A friend to both Chancellor Konrad Adenauer and President Charles de Gaulle, Coudenhove-Kalergi was personally invited to the High Mass in Rheims Cathedral in 1961 to celebrate Franco-German reconciliation. A provocative visionary for Europe, Coudenhove-Kalergi thought and acted in terms of continents, not countries. For the Count, the United States of Europe was the answer to the challenges of communist Russia and capitalist America. Indeed, he launched his Pan-European Union thirty years before Jean Monnet set up the European Coal and Steel Community, the precursor to the European Union. Timely and captivating, Martyn Bond's biography offers an opportunity to explore a remarkable life and revisit the impetus and origins of a unified Europe.
Meet M. Dylan Raskin — "MDR" to friends. At 22, he's the opposite of hip: a working-class college dropout who lives with his mother in Queens — "Flushing-Stinking-Queens," to be precise. It's not that he doesn't like New York, exactly, it's just that lately he's felt more and more at odds with everything — his family, his generation, his hometown, even himself. One day he gets fed up and decides to take his freedom on the road, setting off for Chicago in a quixotic attempt to turn his life around. Little New York Bastard is the story of an outsider for the ages, a mixed-up kid who knows what he wants in life but has no idea how to get it. Raskin's anger is palpable and his wounds are unabashedly raw, and readers will appreciate the immediacy and honesty of his story. Equal parts road story, coming-of-age memoir, and existential manifesto — this debut is in the tradition of cult classics like Youth in Revolt and The Fuck Up.
Since 1066 when William the Conqueror (alias William the Bastard) took the throne, English and Scottish kings have sired at least 150 children out of wedlock. Many were acknowedged at court and founded dynasties of their own - several of today's dukedoms are descended from them. Others were only acknowledged grudgingly or not at all. In the twentieth century this trend for royals to father illegitimate children continued, but the parentage, while highly probably, has not been officially recognised. This book - split into four sections: Tudor, Stuart, Henoverian and, perhaps most fascinating, Royal Loose Ends - is a genuinely fresh approach to British kings and queens, examining their lives and times through the unfamiliar perspective of their illegitimate children.
Sex, power, mystery and blood - this fresh approach to the British monarchy recounts gripping, untold stories about their unofficial offspring.