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The Queen of the Air is a study of Greek myths written by John Ruskin. Ruskin was an English writer, philosopher, art critic during the Victorian era. Excerpt: "A myth, in its simplest definition, is a story with a meaning attached to it other than it seems to have at first; and the fact that it has such a meaning is generally marked by some of its circumstances being extraordinary, or, in the common use of the word, unnatural. Thus if I tell you that Hercules killed a water-serpent in the lake of Lerna, and if I mean, and you understand, nothing more than that fact, the story, whether true or false, is not a myth. But if by telling you this, I mean that Hercules purified the stagnation of many streams from deadly miasmata, my story, however simple, is a true myth; only, as, if I leftit in that simplicity, you would probably look for nothing beyond, it will be wise in me to surprise your attention by adding some singular circumstance; for instance, that the water-snake had several heads, which revived as fast as they were killed, and which poisoned even the foot that trod upon them as they slept. And in proportion to the fulness of intended meaning I shall probably multiply and refine upon these improbabilities; as, suppose, if, instead of desiring only to tell you that Hercules purified a marsh, I wished you to understand that he contended with the venom and vapor of envy and evil ambition, whether in other men's souls or in his own, and choked that malaria only by supreme toil,—I might tell you that this serpent was formed by the goddess whose pride was in the trial of Hercules; and that its place of abode as by a palm-tree; and that for every head of it that was cut off, two rose up with renewed life; and that the hero found at last that he could not kill the creature at all by cutting its heads off or crushing them, but only by burning them down; and that the midmost of them could not be killed even that way, but had to be buried alive. Only in proportion as I mean more, I shall certainly appear more absurd in my statement; and at last when I get unendurably significant, all practical persons will agree that I was talking mere nonsense from the beginning, and never meant anything at all."
Reprint of the original, first published in 1869.
Lectures on Greek myths, and the truths they hold for us today. The author argues that the figure of Athena represented a real and persisting force or energy which can be nobly harnessed today in the leading of a virtuous life. Contents: Athena Chalinitis (Athena in the Heavens); Athena Keramitis (Athena in the Earth); Athena Ergane (Athena in the Heart).
Reprint of the original, first published in 1883.
Walter Pater and Persons investigates the vital concept of the Person in the work of Walter Pater, a major influence on late nineteenth- and early twentieth-century literature. Stephen Cheeke explores the intersections of the person, persona, and personality in Pater's work; re-examines arguments about his famously personal prose style; traces Pater's ambivalent fascination with impersonality and asceticism; considers the poetics of personification in his writings about Greek myth and religion, in the divine logos of early Christianity, and in the theory of Platonic Universals; and explores his fascination with metempsychosis (the many persons through whom the individual soul transmigrates). Cheeke also explores the networks in which Pater was interpreted and misinterpreted by different persons and personalities, such as Oscar Wilde, Arthur Symons, and W.B Yeats. Their (mis)readings of Pater, and rebellions against his work from Decadent, antinomian, and 'mystical' perspectives, reveal the ways in which Pater's writing had always been in a critical dialogue with its own thinking, as well as a prescient one in relation to his reception. The philosophical question of 'what is a person?'--a crucial one for the nineteenth century, and with an increasing urgency in our own times--is illuminated throughout this work.