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This collection of Newfoundland folk narratives, first published in 1996, grew out of extensive fieldwork in folk culture in the province. The intention was to collect as broad a spectrum of traditional material as possible, and Folktales of Newfoundland is notable not only for the number and quality of its narratives, but also for the format in which they are presented. A special transcription system conveys to the reader the accents and rhythms of each performance, and the endnote to each tale features an analysis of the narrator’s language. In addition, Newfoundland has preserved many aspects of English and Irish folk tradition, some of which are no longer active in the countries of their origin. Working from the premise that traditions virtually unknown in England might still survive in active form in Newfoundland, the researchers set out to discover if this was in fact the case.
Once upon a time, and a very good time it was, not in your time, indeed not in my time, but in olden times, when quart bottles held half a gallon and houses were papered with pancakes and pigs run about with forks stuck in their backs seein who wanted a slice o' ham, there were two old people and they never had no children, and they figured they were too old to ever have any. So begins The Queen of Paradise's Garden, a wonderful adaptation of a traditional Newfoundland tale, and the first in an ongoing series that combines the telling wit and resonant language of acclaimed Newfoundland actor, writer and comedian Andy Jones with the charming illustrations of Slovenian-born puppeteer and artist Darka Erdelji. Of course, it's clear from the story's beginning that there are children on the way, and one of those children is Jack, the delightful, mischievous, big-hearted hero of so many Newfoundland tales. Told with the humour, warmth and sly wit that have made Jones one of the Island's finest and best-loved storytellers, The Queen of Paradise's Garden follows Jack on his way to the land of the Queen of Paradise, three miles this side of the end of the world, where he searches for a magic fruit to make his parents young again, and finds quite a few other handy things as well. The story is a free adaptation of a tale told by Albert Heber Keeping of Grand Bank, which he got from Billy Quann of Sagona Island; Keeping's version was published in Herbert Halpert and John Widdowson's seminal collection, Folktales of Newfoundland.
This collection of Newfoundland folk narratives, first published in 1996, grew out of extensive fieldwork in folk culture in the province. The intention was to collect as broad a spectrum of traditional material as possible, and Folktales of Newfoundland is notable not only for the number and quality of its narratives, but also for the format in which they are presented. A special transcription system conveys to the reader the accents and rhythms of each performance, and the endnote to each tale features an analysis of the narrator’s language. In addition, Newfoundland has preserved many aspects of English and Irish folk tradition, some of which are no longer active in the countries of their origin. Working from the premise that traditions virtually unknown in England might still survive in active form in Newfoundland, the researchers set out to discover if this was in fact the case.
Reproduction of the original: In Paradise by Paul Heyse
A celebration of RHS Garden Bridgewater, the Royal Horticultural Society's newly reopened public garden.
G. A. Gaskell’s Dictionary of the Sacred Language of All Scriptures and Myths, first published in 1923, examines several different aspects of religion, including examples from Ancient Egyptian religion and mythology to modern-day Christianity, providing explanations of gods, events, and symbols in alphabetical order. This is a perfect reference book for students of theology or the history of religion.
The Taj Mahal, built by the Mughal emperor Shah Jahan (1592-1666 CE) as a mausoleum for his wife Mumtaz Mahal (1593-1631 CE), is considered exceptional in the history of world architecture.This book provides a deeper understanding of the Taj Mahal and its builder by examining its inscriptions within their architectural, historical and biographical contexts. The texts adorning the Taj Mahal comprise verses from twenty-two different chapters of the Qur'an but their meaning and significance escapes most non-Muslim visitors or those unable to read them. This book will be the first dedicated solely to the inscriptions in the monument, providing translations, commentary and interpretation of the texts. As well as offering a unique approach to the study of the building, the book uses the inscriptions to expound the foundational elements of Islam, the faith of Shah Jahan and also what the Taj Mahal still means today.