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Published on the occasion of the Diamond Jubilee of Queen Elizabeth II, this book tells the story of the royal inheritance of diamonds from the time of Queen Adelaide in the 1830s to Elizabeth II.
His enemy. His partner. His whore. His mind games. Her morals. The road to hell... Well, there is no road to hell. I already live there. I was forced to partake in a rigged game of seduction, manipulation, and murder. Mateo Remmington is my formidable opponent. He makes the devil look like a saint. He's immoral. He's ruthless. He's a goddamn king. King of a clandestine empire who sits on a throne covered in innocents' blood. I've become his obsession. He's becoming my deadly addiction. And if I make one wrong move he'll end my life.
"A picture book biography about Lizzie Murphy, the first woman to play in a major league exhibition game and the first person to play on both the New England and American leagues' all-star teams"--
The last and longest private owner of the Hope Diamond, Evalyn Walsh McLean led anything but an ordinary life. Evalyn grew up a poor girl in a rough Colorado mining town where her father discovered one of the largest gold mines in the United States. The newly wealthy family relocated to Washington, D.C., where she met and married Ned McLean, who inherited the renowned Washington Post and the Cincinnati Enquirer. With the combined influence of the Walsh and McLean families, Evalyn developed friendships with the politically prominent in the nation's capital and became the city's favorite hostess. Notorious for giving magnificent parties, she counted the Tafts, the Hardings, the Coolidges, Alice Roosevelt, J. Edgar Hoover, and Ethel Barrymore among her many personal friends. The McLeans purchased the Hope Diamond when Evalyn was only twenty-four.Wagging tongues and the diamond's supposed curse did not, however, prevent her from wearing it. She lost the diamond a few times, too, once by putting it around her Great Dane's neck. When she left the Hope Diamond to her grandchildren in 1947, it was worth two million dollars. Evalyn loved her diamonds, but she loved children, pets, and life more. The deep indigo stone is but a single facet of her story. Her autobiography, Father Struck It Rich, became a best-seller in the mid-thirties. Now illustrated with many previously unpublished photographs, Queen of Diamonds is that autobiography with a foreword by her great-grandson and an epilogue describing the last decade of her life.
In the latest thrilling novel in the Ava Lee series, Ava launches an investigation into a fraudulent investment scheme that sends her around the globe on the trail of illegal diamonds, drug smuggling, and offshore banking. Ava and Pang Fai are in Toronto to attend a party at the home of Ava’s mother, Jennie Lee. When Ava’s best friend, Mimi, fails to appear, Ava goes looking for her. She finds Mimi at home, distraught over the death of her father, who has taken his own life after losing the family’s savings in a fraudulent investment scheme. Moved to avenge this tragedy and recover the stolen money, Ava launches an investigation that takes her to cities on three continents. As she tracks the money, Ava is thrust into the underworld of illegal diamond trading, international drug smuggling, and the world’s most secretive offshore banking haven. Along the way, a number of Ava’s old friends offer their assistance—from her business partner, May Ling Wong, to her ge ge, the Mountain Master of Shanghai, Xu. Most poignant of all, Ava is visited in her dreams by Uncle, who offers her much-needed guidance as she confronts a new face of power and corruption.
A story of greed, duplicity, romance and intrigue, and a mystery said to have brought down the french monarchy. The world shook at the eruption of the French Revolution, a revolution, some say, precipitated by a single factor: the theft of the Diamond Necklace which, it seemed, had been commissioned for Marie Antoinette and helped to bring both her and King Louis XVI to the guillotine. But behind the scandal was a complex and daring conspiracy involving a Prince of the Royal House of France, the charming and deceitful countess Jeanne de Valois, and the infamous Comte de Cagliostro – all pawns in a secret, devious plot for wealth and supremacy in Europe. ‘Jean Plaidy, by the skilful blending of superb storytelling and meticulous attention to authenticity of detail and depth of characterisation has become one of the country’s most widely read novelists.’ Sunday Times ‘Full-blooded, dramatic, exciting.’ Observer ‘Plaidy excels at blending history with romance and drama.’ New York Times ‘Outstanding’ Vanity Fair
While Sherlock investigates a rash of audacious jewel thefts a mysterious American who appears from nowhere to rescue the Countess Elaina Montague from rape and robbery. Who is this mystery man and will he and Holmes become allies or will they become bitterest of rivals?
Sunday Times Top 10 Bestseller, fully revised and updated with a new chapter. 'Absorbing . . . particularly acute on the political aspects of constitutional monarchy, but he also writes perceptively about individual members of the Royal Family.' Daily Telegraph With the flair for narrative and the meticulous research that readers have come to expect, in The Diamond Queen Andrew Marr turns his attention to the monarch, chronicling the Queen’s pivotal role at the centre of the state, which is largely hidden from the public gaze, and making a strong case for the institution itself. Arranged thematically, rather than chronologically, Marr dissects the Queen’s political relationships, crucially those with her Prime Ministers; he examines her role as Head of the Commonwealth, and her deep commitment to that Commonwealth of nations; he looks at the drastic changes in the media since her accession in 1952 and how the monarchy has had to change and adapt as a result. Under her watchful eye, it has been thoroughly modernized but what does the future hold for the House of Windsor? This edition, fully revised and updated, features a new introduction and a new chapter that sets out to answer that crucial question. In it, Marr covers the Queen’s reign from the Diamond Jubilee to the run-up to the Platinum Jubilee in 2022, taking in the death of the Duke of Edinburgh, Prince Charles’s plans for the future of the monarchy and examines what Elizabeth II’s lasting legacy might be.
In this highly original and much-anticipated ethnography, Anna Tsing challenges not only anthropologists and feminists but all those who study culture to reconsider some of their dearest assumptions. By choosing to locate her study among Meratus Dayaks, a marginal and marginalized group in the deep rainforest of South Kalimantan, Indonesia, Tsing deliberately sets into motion the familiar and stubborn urban fantasies of self and other. Unusual encounters with her remarkably creative and unconventional Meratus friends and teachers, however, provide the opportunity to rethink notions of tradition, community, culture, power, and gender--and the doing of anthropology. Tsing's masterful weaving of ethnography and theory, as well as her humor and lucidity, allow for an extraordinary reading experience for students, scholars, and anyone interested in the complexities of culture. Engaging Meratus in wider conversations involving Indonesian bureaucrats, family planners, experts in international development, Javanese soldiers, American and French feminists, Asian-Americans, right-to-life advocates, and Western intellectuals, Tsing looks not for consensus and coherence in Meratus culture but rather allows individual Meratus men and women to return our gaze. Bearing the fruit from the lively contemporary conversations between anthropology and cultural studies, In the Realm of the Diamond Queen will prove to be a model for thinking and writing about gender, power, and the politics of identity.
African American women have played a pivotal part in rock and roll—from laying its foundations and singing chart-topping hits to influencing some of the genre's most iconic acts. Despite this, black women's importance to the music's history has been diminished by narratives of rock as a mostly white male enterprise. In Black Diamond Queens, Maureen Mahon draws on recordings, press coverage, archival materials, and interviews to document the history of African American women in rock and roll between the 1950s and the 1980s. Mahon details the musical contributions and cultural impact of Big Mama Thornton, LaVern Baker, Betty Davis, Tina Turner, Merry Clayton, Labelle, the Shirelles, and others, demonstrating how dominant views of gender, race, sexuality, and genre affected their careers. By uncovering this hidden history of black women in rock and roll, Mahon reveals a powerful sonic legacy that continues to reverberate into the twenty-first century.