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The Quarry presents new and pivotal Susan Howe prose pieces. A powerful selection of Susan Howe's previously uncollected essays, The Quarry moves backward chronologically, from her brand-new "Vagrancy in the Park" (about Wallace Stevens) through such essential texts as "The Disappearance Approach," "Personal Narrative," "Sorting Facts," "Frame Structures," and "Where Should the Commander Be," and ending with her seminal early criticism, "The End of Art." The essays of The Quarry map the intellectual territory of one of America's most important and vital avant-garde poets.
Australia's response to climate change must truly baffle outsiders. Why do our leaders pretend that they are leading the world in the battle against global warming? When do environmental risks outweigh economic benefits? Why dig deeper when the rest of the world is looking for alternatives to coal? This is an essay about 'quarry vision,' the belief that Australia's greatest asset is its mineral and energy resources - coal above all. How has this distorted our national politics and stymied action on climate change? In this powerful essay about the national interest, Guy Pearse dissects the Rudd government's climate change response- from the Garnaut report to the silver bullet of 'clean coal' and beyond. He exposes the shadowy world of the carbon lobbyists; how they think, operate and advance their agenda. He discusses the future of the coal industry and challenges the economic orthodoxy. Quarry vision, he argues, is a trap and a blind faith we can no longer afford. 'A generation ago, our leaders showed courage and vision in pushing for unilateral trade liberalisation - they knew it was good for Australia no matter how fast others acted. They were right to turn Australia's economy outward, and the establishment they challenged was wrong. Today the generation that was right on trade liberalisation has much of it wrong on climate change. They now wear the establishment mantle, and it is their turn to be challenged.' GUY PEARSE, QUARRY VISIONGuy Pearseis a former member of the Liberal Party and was a speechwriter for former environment minister Robert Hill. He has also been an industry lobbyist, consultant and spin doctor. In 2007 he exposed the politics behind Australia's response to climate change on Four Cornersand in his book High & Dry.
A stimulating examination of early American literature
Prose and poems
Eighteen-year-old Kit is weird: big, strange, odd, socially disabled, on a spectrum that stretches from "highly gifted" at one end, to "nutter" at the other. At least Kit knows who his father is; he and Guy live together in a decaying country house on the unstable brink of a vast quarry. His mother's identity is another matter. Now, though, his father's dying, and old friends are gathering for one last time. "Uncle" Paul's a media lawyer now; Rob and Ali are upwardly mobile corporate bunnies; pretty, hopeful Pris is a single mother; Haze is still living up to his drug-inspired name twenty years on; and fierce, protective Hol is a gifted if acerbic critic. As young film students they lived at Willoughtree House with Guy, and they've all come back because they want something. Kit, too, has his own ulterior motives. Before his father dies he wants to know who his mother is, and what's on the mysterious tape they're all looking for. But most of all he wants to stop time and keep his father alive. Fast-paced, gripping and savagely funny, The Quarry is a virtuoso performance whose soaring riffs on the inexhaustible marvel of human perception and rage against the dying of the light will stand among Iain Banks' greatest work.
"Starts off as a manifesto but becomes richer and more suggestive as it develops."—The New York Sun For Wallace Stevens, "Poetry is the scholar's art." Susan Howe—taking the poet-scholar-critics Charles Olson, H.D., and William Carlos Williams (among others) as her guides—embodies that art in her 1985 My Emily Dickinson (winner of the Before Columbus Foundation Book Award). Howe shows ways in which earlier scholarship had shortened Dickinson's intellectual reach by ignoring the use to which she put her wide reading. Giving close attention to the well-known poem, "My Life had stood—a Loaded Gun," Howe tracks Dickens, Browning, Emily Brontë, Shakespeare, and Spenser, as well as local Connecticut River Valley histories, Puritan sermons, captivity narratives, and the popular culture of the day. "Dickinson's life was language and a lexicon her landscape. Forcing, abbreviating, pushing, padding, subtracting, riddling, interrogating, re-writing, she pulled text from text...."
“Lerner [is] among the most promising young poets now writing.”—Publishers Weekly “Sharp, ambitious, and impressive.” —Boston Review National Book Award finalist Ben Lerner turns to science once again for his guiding metaphor. “Mean free path” is the average distance a particle travels before colliding with another particle. The poems in Lerner’s third collection are full of layered collisions—repetitions, fragmentations, stutters, re-combinations—that track how language threatens to break up or change course under the emotional pressures of the utterance. And then there’s the larger collision of love, and while Lerner questions whether love poems are even possible, he composes a gorgeous, symphonic, and complicated one. You startled me. I thought you were sleeping In the traditional sense. I like looking At anything under glass, especially Glass. You called me. Like overheard Dreams. I’m writing this one as a woman Comfortable with failure. I promise I will never But the predicate withered. If you are Uncomfortable seeing this as portraiture Close your eyes. No, you startled Ben Lerner is the author of three books of poetry and was named a finalist for the National Book Award for his second book, Angle of Yaw. He holds degrees from Brown University, co-founded No: a journal of the arts, and teaches at the University of Pittsburgh.
In Frame Structures, Susan Howe brings together those of her earliest poems she wishes to remain in print, and in the forms in which she cares to have them last. Gathered here are versions of Hinge Picture (1974), Chanting at the Crystal Sea (1975), Cabbage Gardens (1979), and Secret History of the Dividing Line (1978) that differ in some respects from their original small-press editions. In a long preface, "Frame Structures", written especially for this volume, Howe suggests the autobiographical, familial, literary, and historical motifs that suffuse these early works. Taken together, the preface and poems reflect her rediscovered sense of her own beginnings as a poet, her movement from the visual arts into the iconography of the written word.
The hitman hero of the acclaimed series Quarry on Cinemax returns for his final act. By Quarry’s creator, the award-winning author of Road to Perdition! QUARRY'S VIOLENT PAST COMES LOOKING FOR HIM The professional hitman known as Quarry -- star of the Cinemax TV miniseries of the same name -- has put killing behind him. But after a beautiful writer of true-crime bestsellers drops by to announce he's the subject of her next book, killers descend to give him some of his own deadly medicine, forcing Quarry to journey into his bloody past to find the answers -- and settle old scores. QUARRY’S BLOOD brings the hitman’s decades-long saga right up to the present day as MWA Grand Master Max Allan Collins explores the startling final act of Quarry’s professional career.
WHERE DOES A HIT MAN DRAW THE LINE? With a controversial presidential election just weeks away, Quarry is hired to carry out a rare political assignment: kill the Reverend Raymond Wesley Lloyd, a passionate Civil Rights crusader and campaigner for the underdog candidate. But when a hate group out of Ferguson, Missouri, turns out to be gunning for the same target, Quarry starts to wonder just who it is he’s working for. NOW A CINEMAX TELEVISION SERIES! The longest-running series from Max Allan Collins, author of Road to Perdition, the Quarry novels tell the story of a paid assassin with a rebellious streak and an unlikely taste for justice. Once a Marine sniper, Quarry found a new home stateside with a group of contract killers. But some men aren’t made for taking orders -- and when Quarry strikes off on his own, God help the man on the other side of his nine-millimeter...